The Academy Museum of Motion Pictures installed an exhibit of legendary director, Hayao Miyazaki - celebrating his impact on animation and cinema. A walk through the museum reveals the painstaking and breathtaking work that has lead to the movies we know and love; Spirited Away, Nausicaa Valley of the Wind, My Neighbor Totoro, Princess Mononoke to name a few. Your backdoor anime hangout took the opportunity to explore this event and this episode celebrates the life and accomplishment of the man's work. 

Crew:

Ghibli Exhibit opens until 05 June 2022

Tickets at https://www.academymuseum.org/en/tickets

Stream the Studio Ghibli Collection via HBO MAX

"The thing I like most is that it is 90 minutes long."

We all live with imposter syndrome, never feeling we are good enough to do what we set out to do. This movie is a response to that. Nyallywood is where the blockbusters are made and Gene, a behind-the-scenes assistant, is given the task to direct a feature length film - practically his directorial debut. With a dedicated production team, two actors - one legendary and another starring her first lead role, and a script from a famed producer - Pompo - can Gene deliver a film worthy of praise?

Crew:

Many thanks to GKids for the screener!

More info at www.gkids.com

Digimon was a part of our childhood back in the early 90's and 2000's along with the wave of Pokemon, Yu-Gi-Oh, Beyblade, and more (if you know what we're talking about, welcome to the old people's club). Revisiting it as an older anime fan reveals so much more than what meets the eye - executive localization decisions that have become generational memes at best and nostalgic annoyances at worst. It begs the question, what was the original version like? Your backdoor anime hangout looks into what we saw as children - the Digimon Movie - and compare it to the one in Japan, Mamoru Hosoda's directorial debut. 

Crew:

Digimon the Movie can be purchased on DVD

HOWEVER the Mamoru Hosoda version(s) can be found in your local internet. 

Social media has become a cultural and lifestyle mainstay for the 21st century. Virtual reality is an ever growing space with users from all over the world. And with both platforms comes a duality - online and IRL. Some like to integrate, others keep it separate. Director Mamoru Hosoda looks into this duality and melds it with the classic tale of Beauty and the Beast. More on that coming up at your backdoor anime hangout ~

Crew:

Many thanks to GKids and 42 West LLC for the screener opportunity.

Tickets and Info: bellefilm.com

Early childhood is a distant memory colored in rose-tinted glasses: simpler times of eating, playing, and sleeping. Yet take those glasses off and you realize its complications - pure, unprocessed emotions that is much too difficult to handle for both the child and parent/guardian. 

Mamoru Hosoda's Academy Award nominated film Mirai takes us into the shoes of four-year old Kun who after being an only child, gets a baby sister, Mirai. This new shift has left Kun wanting for attention, simmering into jealousy towards his sister. Once he steps out to the garden he begins to encounter people and places of past and future time - including a teenage Mirai. Consider it a time travel tour of family history and future. 

Crew: 

Many thanks to Christian Wiseman for producing this episode.

Mirai: https://gkids.com/films/mirai/

Tickets for Hosoda's new film Belle: https://www.bellefilm.com/

There's an anime that set the foundations of your weebdom. The Otaku Hourly crew talks about the anime that almost everyone can have a conversation about (Dragon Ball Z and One Piece just to name a couple) as well as the elitism/gatekeeping to being a fan. 

Originally broadcasted back in 2016.

From talking about Digimon Adventure Tri to the ridiculousness of Guilty Crown, the crew engages in anime banter per usual. 

This is the second episode of Otaku Hourly, a young show host, Jonathan Joestar Beltran, and his band of weebs talk about inspirational animes for many a student going into their finals. From Gurren Lagann to Ping Pong the Animation, there is a lot of anime out there to bring back hope. 

Back in 2015, DanMachi had a respectable run pushing forth the isekai genre. Once the first season wrapped up in the same year, Jonathan Joestar Beltran and Donnie K (Matt) talk about the series and how it fares amongst the rest. 

At the time of this recording is St. Patrick's Day so we asked ourselves - what're some good titles to enjoy while under the influence?