Adam takes a bite out of A Clockwork Orange and Geoff gives Ferris Bueller a talking to, never mind finding the similarities between American Hustle and Jackie Brown, this week's Canon is a marvel of winding conversation. Enjoy.

Spike Jonze's Her proves rich pickings for our intrepid podcasters, sending them along a trail of love in cinema ending in a surprise Richard Curtis-related admission from Geoff. About time. Contains heartfelt emotion.

From Inside Llewyn Davis to Friends… how is that possible? Just you wait and see. Why do films boast such aspirational lives and why do we buy into them? Questions that lead Geoff to take against The 40-Year-Old Virgin and Adam to take against creatives

A lovely end to a lovely chat with the very special guest, film fan and writer Michael Rosser. Worst films, Wilhelm screams, the joys of seeing behind the veil, the problem with reviews and remaking The Money Pit.

Out of the Canon is joined by special guest (film writer and fan) Michael Rosser, where he tells us all about his take on film and shares some cracking anecdotes about meeting cinematic idols from David Lynch to Keanu Reeves. A special guest indeed.

American Hustle leads Geoff to admit his discomfort with sex scenes and the portrayal of women in film. Adam tries to get to the heart of his deeply felt problem and solve culture's problem with the female form. Contains some very rude language.

Continuing our exciting rundown of the year in film to come, Adam and Geoff have a look at the yucks and the yawns, the tears and bores. Why are American comedies overlong? Will 2014 make up for a disappointing 2013? Find out!

While our hopes for a great 2013 were cruelly dashed, we are foolishly getting excited all over again. But how good could things possibly be? Well, the prospect of a Raid sequel alone makes the year worthwhile.

Isaac Newton invented it, everybody loves it, but how good is Gravity. And more importantly, what the hell has it got to do with Derren Brown and bad metaphors? Geoff calls it a game-changer, but is it? There's only one way to find out...

We celebrate our first film swap (Geoff got Mousehunt; Adam, Antichrist). This allows us to hop onto what people mean by films going 'dark'? Is it just lazy, woolly misuse of a word? So we get pedantic and then talk about seeing Thor: The Dark World and further Marvel gubbins.