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This week we cover Maneater with our friend, Alexandra Freedman, who is a fellow New Mexican and friend from childhood. This song brings up everything from Flashdance and feminism to Brazilian Jiu-Jitsu and absinthe. Most importantly, this song introduces us to a new musical favorite, Saxsquatch, and reminds us that John Oates has an amazing sense of humor.
This episode addresses the burning question haunting us since we conceptualized this podcast: are we gonna get in trouble (sued)? Because "I Can't Go for That (No Can Do)!" Our guest, IP lawyer Jen Kash, not only answers that question, she provides insight into several legal cases surrounding Hall and Oates involving their relationship with each other, the music industry, tarot cards, and granola. And of course, we analyze the amazing song "No puedo ir por eso (no puedo)."
This week we sift through the album Whole Oats one song at a time. We begin part one of many conversations about Arif Mardin, and laugh at potential song inspirations like The Golden Girls, Muppets, Nico, and Joni Mitchell. Plus we may toss in a little ASMR along the way! This episode brought to you by Naomi's Wildfang overalls (not an ad).
Here we consider the robust use of parentheticals in H&O titles. Our guest, Brian Duck, owner of the LA and New York-based management company Atelier, brings his expertise into the fashion featured in the song's video and offers insight into the hair and, most important, John Oates's legendary mustache.
Our featured guest is standup comedian Nato Green, who offers a surprising analysis of this little-known song from their second album, Abandoned Luncheonette, which leads us to the mean streets of San Francisco's Tenderloin district.
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