Out Takes

For this show, we take the phrase ‘mixed-bag’ and make it a reality by celebrating the return of one of our favourite local film festivals, review two television shows that highlight two gay men’s experience of dealing with two very different battlefields – one being the US Marine’s boot camp and the other being the hellscape known as the American High School campus, and we revisit a queer highlight from the ‘Black Mirror’ anthology.

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It’s no secret that we love a film festival at Out Takes so for this program we let you know what’s the craic with the return of the Irish Film Festival. Now in its 11th year, the 2025 Festival will showcase sixteen films and documentaries from Ireland, including 14 Australian premieres, and will take place in Melbourne, Sydney, Brisbane, Canberra, and Perth, alongside a nationwide online program from October 9 to November 9.

We had the opportunity to review three films, starting with ‘Never Stop the Action’, which is described as a kaleidoscopic journey through time and space. We begin the film in The Bronx, catching a 5am D-Train with our guides Teshi and Casey, two old friends recently reunited at an all-night dance party. On their long subway ride through the awakening city, the two share stories that take us out of the train on surreal swerves into vivid imaginary universes.

We then looked at ‘Ten Years of Yes’, a wonderful short film that follows Sydney Queer Irish, a social group for Irish expats and their friends of all identities and nationalities in Sydney. For the last 15 years, they have held regular meetups and annual events, participated in the Mardi Gras festival, and created a home away from home for Ireland’s LGBTQ+ diaspora down under. This short documentary follows Sydney Queer Irish in their preparation for the 2025 Mardi Gras parade, where they unveiled a sensational wedding party upon Sydney’s Oxford Street, honouring ten years of marriage equality in Ireland. ‘Ten Years of Yes’ captures a moment of both reflection and celebration amongst a community in their adopted city, thousands of kilometres from where history was made. We spoke with Alan Fitzgerald, the film’s director and member of Sydney Queer Irish, about how he got involved in the group, the importance of capturing this moment on film and also how he became an ‘accidental’ filmmaker.

Our final review was the feature documentary ‘Mrs Robinson’, which tells the impressive life story of change-maker Mary Robinson: Ireland’s first female President, a pioneering UN High Commissioner for Human Rights, and the successor of Nelson Mandela as Chair of The Elders. This intimate portrait takes viewers from Mary Robinson’s childhood in the rural west of Ireland to the world stage working with Bishop Desmond Tutu, Nelson Mandela, Joe Biden, and Barack Obama. Unfettered access for the first time allows the viewer to hear Mary’s commentary on a changing Ireland, her legal wins decriminalising homosexuality, legalising divorce and contraception and her triumphant Presidential victory.

We finished by speaking with Dr Enda Murray, an award-winning filmmaker who has lived and worked in Ireland, England, USA, and Australia. His academic and filmmaking practice focuses on community, social justice, and popular culture. He is also the founder and creative director of the Irish Film Festival, and we spoke with him to find out more about the history of the festival, the importance of sharing Irish stories on our screens and more.

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For this program, we looked at two films that explore the queer experience through very different perspectives; one being a documentary on the creative team behind many loved films from the past 50 years including the queer classic ‘Maurice’; and the second, a queer coming-of-age comedy about coming out of the closet that is screening at the VPC and Thornbury Picture House in Melbourne this October.

First up we reviewed the delightful ‘Egghead & Twinkie’ which explores the aftermath of Vivian a.k.a. Twinkie, a teenage girl who has just come out to her conservative parents who then takes off on a road trip to meet her online crush with the help of her nerdy best friend Egghead. This film is heart-warming and very a sweet tale about embracing your identity and the ups and downs of best friendship. It’s written and directed by Sarah Kambe Holland who joined us to discuss the film, the importance of representation and more.

Next up, we ran an encore of our interview from November 2024 with writer, producer and film director Stephen Soucy who was the driving force behind this insightful and educational documentary ‘Merchant Ivory’ that explores the legendary creative team behind Merchant Ivory Productions who became synonymous with prestige arthouse cinema. Check out this fantastic film at the ‘Meet the Filmmaker’ screening at Cinema Nova with Stephen Soucy for a post-screening Zoom Q&A.

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For this Out Takes, we bring you a spring edition of Out Takes Recommends looking at a selection of films, TV shows and more that we’re enjoying as it is warming up down under and we struggle through hay-fever season a.k.a springtime in Melbourne!

We started off with a review of Wayward which is streaming now on Netflix and is from Mae Martin, the queer comedian and actor whose previous show ‘Feel Good’ was a big hit in 2020 – 21, and also stars Toni Collette in a scene stealing role. Wayward is set in the picture-perfect town of Tall Pines where sinister secrets lurk behind every closed door. This genre-bending limited series about the eternal struggle between one generation and the next, what happens when friendship and loyalty are put to the ultimate test, and how buried truths always find a way of coming to the surface.

We followed up with a selection of films, television shows and a podcast that we’ve been enjoying as it warms up down under including The Hunting Wives, Caught Stealing, Weapons, Good Hang podcast, Peacemaker Season 2 and more. Let us know what you think of our recommendations and share yours with us too! 

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Disclaimer: the two films discussed on this episode deal with the topic of suicide and domestic violence and our commentary may contain content that could be distressing to some people so listener discretion is advised.

For this Out Takes we’re saying Bentornato to the St Ali Italian Film Festival which is back this spring in Palace Cinemas across Australia from September 17, delivering a Bellissimo selection of box office hits and award-winning films. We started with a review of ‘Il ragazzo dai pantaloni rosa’, also known as ‘The Boy with Pink Trousers’, which has become a cultural phenomenon and box office sensation in Italy. This incredibly moving, emotional and heartbreaking drama explores the real story behind Italy’s first publicised case of online bullying through the short life of Andrea Spezzacatene. A gifted student and a talented singer, Andrea longs to make friends and fit in at his new school but he soon falls prey to Christian, a charming student with a darker side. Then events take a turn for the worse for Andrea as the school bullying intensifies. We were honoured to be joined by Margherita Ferri, the film’s director, for a long form chat about her involvement in the film, the importance of telling this story through a queer lens and more.

We also took a look at ‘Diamanti’ (Diamonds), the 15ht film from celebrated gay Turkish-Italian film director and screenwriter Ferzan Özpetek which is also having its Australian premiere at this year’s festival. This Italian box office hit is a gorgeous tribute to the costume designers and seamstresses whose great craftsmanship bring to life the magic of cinema and is inspired by Özpetek’s personal experience frequenting film and theatre tailoring shops in the 1980s and the incredible women he encountered in these high-pressure environments.

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For this episode we turned the spotlight on two local female directors in line with a special cinema event coming to the Victorian Pride Centre for one and the latest release for the other which is coming to a cinema near you soon. First up we took a look at ‘Revolt She Said’, a feature documentary that interrogates ideas about contemporary feminism and gender from an Australian and New Zealand lens. The film is from director Louise Lever who appeared on the program recently to discuss her short film ‘Joey’s Heart’ and is presenting a special screening of ‘Revolt She Said’ on Wednesday September 17 at the Victorian Pride Centre. Louise joined us again to discuss this upcoming event and how this film continues to provoke discussion around the themes of identity, gender politics, queer identity, power and women’s roles. We were then joined by Kate Woods, the celebrated Australian director of ‘Looking for Alibrandi’ who has taken time away to direct film and television overseas and is now back in Australia with her latest film ‘Kangaroo’ which is in cinemas nationally from September 17. This family friendly film is inspired by the extraordinary true story of kangaroo-carer Chris “Brolga” Barns and stars Ryan Corr as a fallen TV personality who forms an unlikely friendship with a 12-year-old Indigenous girl, played by newcomer Lily Whiteley, as they rescue and rehabilitate orphaned joeys in the red centre. We had the pleasure to speak with Kate to discuss her interest in bringing this story to life along with looking back at her incredible career. Finally, with the Melbourne International Film Festival concluding in late August, we took the opportunity to look back at some of our favourite films we saw across the 18 days.

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For this episode, we took a deep dive into ‘Went Up the Hill’, the latest film from Samuel Van Grinsven that stars Vicky Krieps and Dacre Montgomery which has been appearing at festivals around the world and will be in Aussie cinemas from September 11. This haunting, original tale of grief and possession set in remote New Zealand. The film follows Jack who has arrived at a distinctly unwelcoming funeral of Elizabeth, the artist mother he barely knew. An unnerving atmosphere hovers in Elizabeth’s cavernous and isolated house as Jack attempts to connect with Jill, his mother’s widow.

We caught up with Samuel Van Grinsven, the film’s writer and director, as he was doing the rounds to promote ‘Went Up the Hill’ and discussed how this intense and very queer film got made, the casting, his connection to the landscape of New Zealand and more. We also dived in to the Out Takes archives and revisited his interview from 2019 when he was on the show to discuss his first feature film ‘Sequin in a Blue Room’.

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For this Out Takes, we welcomed the return of the Indian Film Festival of Melbourne that promises ‘More Cinema, More Culture, More Celebration’ featuring an inclusive Pride event this August. We began by reviewing ‘We Are Faheem and Karun’, the latest film from celebrated gay Indian filmmaker Onir. This beautiful and unique tale is the first ever queer Kashmiri love story, set in Kashmir itself, and in the Kashmiri language, with local actors. Set in a remote Kashmiri village on the Indian and Pakistan border, we meet reserved security guard Karun who forms a forbidden bond with Faheem, a man torn between tradition and desire. Through stolen glances, online flirtation, and secret visits, their connection challenges beliefs and loyalties.

We also had the pleasure to speak with Onir about the challenges of getting this film made, representation in South East Asian cinema and more in the lead up to a special screening of ‘We Are Faheem and Karun’ for the Pride at IFFM event on August 22 as a double bill with ‘Badnam Basti’ from 1971, which is considered the first queer film made in India. This double bill will be followed by BollyQ, a celebration of Queer Indian Cinema hosted by Queer South Asians of Melbourne, where the celebration continues with electrifying performances by local drag sensations – definitely one not to be missed!

We concluded this Out Takes with a recap of three films that we’d seen at the Melbourne International Film Festival which runs until August 25 and has seen Melbournians turn out in droves for its great selection of films, events and more.

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The Melbourne International Film Festival not only allows us to explore over 250 films during its run but we also get to meet some of the people behind them who have travelled from around the world to come to Australia to present their films to local audiences. One of these special guests in 2025 was Addison Heimann, a California based queer filmmaker who was down under at MIFF this August to promote his latest film ‘Touch Me’ which is described as an erotic extraterrestrial horror-comedy with a kaleidoscopically camp aesthetic inspired by 1960s and 70s Japanese horror. However, amid the gory mayhem, he also explores big themes like trauma, mental health, co-dependency and addiction. We caught up just after he’d landed from LA and had a great conversation about the film, his creative inspirations, mental health and more so please enjoy this Out Takes Extra with writer/director Addison Heimann.

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For this Out Takes, we reviewed two new films, one very queer and the other very camp, plus we celebrated the return of the Queer Screen Film Festival that is bringing fresh and diverse LGBTIQ+ cinema from around the world to Sydney from August 27 to 31.

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