After our conversation with today’s guest, check out our thoughts on how theatre and performance spaces can work to be more inclusive and can work towards a greater focus on meeting the access needs of intersecting humans in artistic spaces. As Brian shares about his really missing out on being in those spaces, Kerry shares about others who are out there, if you know where to look as reflections following this week’s guest joins us, live on location:
“The broader systems and structures of our work in theatre - is now realising, in catching up essentially with the rest of us that have always had to exist in spaces as disabled humans, that actually this can allow us to think more deeply, consider things in a deeper more innovative way. And it’s actually an exciting frontier, the disruption and the dismantling that access and disability causes in spaces is actually a really an exciting and innovative thing to think about artistically. I think ultimately that shift, we’re at the precipice of that shift right now in the community. We’re just at the beginning and it’s gonna be a long journey and a long thing and many conversations from a space of listening. We’re just at the start, let’s put it that way,” our guest laughs.
This week on Outlook we’re hearing from accessibility coordinator Mandy E. MacLean, who has worked as an access practitioner in artistic and theatre settings since moving to Toronto in 2012:
“We’re far behind the UK and overseas in many ways, here in Toronto and in Canada…and in Ontario as a whole - it’s an exciting place to be sitting in currently.”
Mandy joins us from outside a deaf-led performance, in the shade on a boiling summer afternoon, to discuss how she started work as a producer focusing on access in artistic spaces, about working with young/first-time low vision and blind/disabled and trans performers, both in arts and theatre in Ontario and Manitoba including what she learned about herself and her job facilitating and producing inclusive theatre with students at the W. Ross McDonald School for the Blind. She describes what she learned from first-time performers in a drama class at the school and how she heard from them what they wanted to see in a performance of their creation and making.
We talk things like integrated audio description and lighting design for theatre when considering full inclusion or sensory sensitivity as MacLean shares a bit about her own non-visible disabilities which include concussion and associated mental health (identifying as part of the Mad community) and sensory sensitivity symptoms. Mandy shares how first, as a performer, and now as facilitator of accessibility in the arts and theatre with less obvious disabilities of her own, she can be a bit under the radar in performance spaces and still approach her work from a lived experience perspective and to learn from the lived experiences others have as intersections. Also, how she invites others in such spaces to be open about their differences, both visible or non-visible, if they so choose which can diminish stigma.
We also find out about her great love of dogs and the story behind naming her own (emotional support animal) cocker spaniel Mulder. *Cue X-Files music*
We also learn a new word on this one, which we do every few years on this show, with the introducing of the term “dramaturg” to our ears. As dramaturg, MacLean asks: “How do we shape and hold this piece that eventually is going to be experienced by an audience?”
She’s sharing about her own personal curiosities exploring her own disabilities in theatrical settings and on a project she herself has in the works. Then she goes on to tell us about the Summer in the Park Festival with Crossroads Theatre she is working on as an artistic and access producer taking place over the span of three days (from August 22 to the 24th) with an opening night of free food (a community meal) and weekend brimming with performances and storytelling spaces across the three days for all ages and abilities and backgrounds - a welcoming cultural, creative, community driven event that offers a family friendly experience.
“I encourage everyone to check out the Summerworks Performance Festival:
https://summerworks.ca
I was one of the accessibility coordinators there. If you’re not able to make it out this year, I encourage you to check it out for the future. It’s an awesome festival, downtown Toronto, and I also encourage you to check out the organisation I work for, Crossroads Theatre. We are excited to connect with folks at Crossroads. We wanna meet people and artists in the community that are interested in access and theatre and live performance of any shape and form and how those two things intersect.”
Reach out on Insagram @crossroadstheatreto
For more information on the Summer in the Park series and specifically Crossroads Theatre go here:
https://www.crossroadstheatre.org