The Holmes Archive of Electronic Music

Part 2 of The Distinctive Electronic Music of Oskar Sala and the Mixtur-Trautonium


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Episode 109

Part 2 of The Distinctive Electronic Music of Oskar Sala and the Mixtur-Trautonium

Playlist

  1. Oskar Sala, “Elektronische Tanzsuite (Für Mixturtrautonium Solo Und Mixturorchester (Tonband) In Fünf Sätzen)” (1955) from My Fascinating Instrument (1990 Erdenklang). 24:28
  • Oskar Sala, “Fantasie-Suite In Drei Sätzen Für Mixturtrautonium Solo” (1988-89)from My Fascinating Instrument (1990 Erdenklang). Composed, performed, produced, electronics, Mixtur-Trautonium, Oskar Sala. 21:47
  • Oskar Sala, “Subharmonische Mixturen III”(1995) from Subharmonic Mixtures (1997 Erdenklang). 8:57
  • Oskar Sala, “Nr. 2” from Elektronische Impressionen (1979 Telfunken). Mixtur-Trautonium, producer, mixer, composer, Oskar Sala. 3:27
  • Oskar Sala, “Nr. 3” from Elektronische Impressionen (1979 Telfunken). Mixtur-Trautonium, producer, mixer, composer, Oskar Sala. 6:45
  • Oskar Sala, “Nr. 4” from Elektronische Impressionen (1979 Telfunken). Mixtur-Trautonium, producer, mixer, composer, Oskar Sala. 2:30
  • Oskar Sala, “Nr. 7” from Elektronische Impressionen (1979 Telfunken). Mixtur-Trautonium, producer, mixer, composer, Oskar Sala. 4:28
  • Oskar Sala, “Nr. 9” from Elektronische Impressionen (1979 Telfunken). Mixtur-Trautonium, producer, mixer, composer, Oskar Sala. 3:21
  • Caprice With Variations (1992-95) from Subharmonic Mixtures (1997 Erdenklang). Mixtur-Trautonium, producer, mixer, composer, Oskar Sala. 12:35
  • Oskar Sala, “Chaconne Electronique” (1995-96) from Subharmonic Mixtures (1997 Erdenklang). Mixtur-Trautonium, producer, mixer, composer, Oskar Sala. 7:42
  • Oskar Sala, “Glissando-Caprice” (1992-95) from Subharmonic Mixtures (1997 Erdenklang). Mixtur-Trautonium, producer, mixer, composer, Oskar Sala. 4:35
  • Oskar Sala, “The Box,” a score for a short film 2001 (2001 Red Cat Films). This Canadian film production hired Oskar Sala to contribute to the score using the Mixtur-Trautonium. Any electronic sounds that you hear were created by Sala. This may have been his last completed film work before his death at age 92 the following year. 9:05
  • Surf Riders, “The Birds” from Blues For The Birds / The Birds (1963 Decca). What better way to promote a movie than by issuing a 45 rpm single by a surf group from California? "Inspired by the Alfred Hitchcock Production 'The Birds' A Universal Release and featuring sound effects from the original soundtrack." 1:49
  • Surf Riders, “Blues For The Birds” from Blues For The Birds / The Birds (1963 Decca). "Inspired by the Alfred Hitchcock Production 'The Birds' A Universal Release and featuring sound effects from the original soundtrack." 2:38
  • Opening background music: Oskar Sala, “Der Würger Von Schloß Blackmoor” (1963 Soundtrack)” from Subharmonic Mixtures (1997 Erdenklang). This was a full-length feature with electronic music and sound effects by Sala. The track included here is a version containing essential electronic elements from the motion picture. The German film was a murder mystery with horror undertones, a perfect platform for Sala’s spooky sounds and incidental music. Composed, Performed on the Mixtur-Trautonium and produced by Oskar Sala. 12.31.

    Opening and closing sequences voiced by Anne Benkovitz.

    Additional opening, closing, and other incidental music by Thom Holmes.

    See my companion blog that I write for the Bob Moog Foundation.

    For additional notes, please see my blog, Noise and Notations.

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    The Holmes Archive of Electronic MusicBy Thom Holmes

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