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In July 2014, we released the first part of a Conversation with University of Virginia literature professor Paul Cantor on Shakespeare and politics. Now we are pleased to share the second part—in which Cantor analyzes central themes in the English history plays, including the character of monarchies and republics and the relationship of religion and state. Turning to Shakespeare’s comedies, Cantor argues that Shakespeare sought to replace medieval Christian notions of romantic love with a more reasoned approach to love. Finally, in his analysis of "The Tempest," Cantor contends that Shakespeare was the only poet who could write tragedies and comedies at the highest level, transcending the division between the tragic and comedic views of life.
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In July 2014, we released the first part of a Conversation with University of Virginia literature professor Paul Cantor on Shakespeare and politics. Now we are pleased to share the second part—in which Cantor analyzes central themes in the English history plays, including the character of monarchies and republics and the relationship of religion and state. Turning to Shakespeare’s comedies, Cantor argues that Shakespeare sought to replace medieval Christian notions of romantic love with a more reasoned approach to love. Finally, in his analysis of "The Tempest," Cantor contends that Shakespeare was the only poet who could write tragedies and comedies at the highest level, transcending the division between the tragic and comedic views of life.
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