Peter Tosh was a reggae subversive who used his music as a means to fight corruption, oppression, and hypocrisy. Unlike his one-time bandmate Bob Marley, Tosh didn’t fight for peace. He fought for truth–and justice. He did this with a guitar shaped like an M-16 automatic rifle. He lobbied for the legalization of marijuana, using the profits of the drug trade to get his message onto the most iconic album of his career. All of this put Peter Tosh in the crosshairs of authority, the government, and those who wished to silence him – some who even wanted to see him dead.To see the full list of contributors, see the show notes at www.disgracelandpod.com.To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at <a href="https://disgracelandpod.com/membership">disgracelandpod.com/membership</a>.Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - GET THE NEWSLETTER Follow Jake and DISGRACELAND: Instagram YouTube X (formerly Twitter)  Facebook Fan Group TikTok To learn more about listener data and our privacy practices visit: <a href="https://www.audacyinc.com/privacy-policy">https://www.audacyinc.com/privacy-policy</a> Learn more about your ad choices. Visit <a href="https://podcastchoices.com/adchoices">https://podcastchoices.com/adchoices</a>

Peter Tosh was a reggae subversive who used his music as a means to fight corruption, oppression, and hypocrisy. Unlike his one-time bandmate Bob Marley, Tosh didn’t fight for peace. He fought for truth–and justice. He did this with a guitar shaped like an M-16 automatic rifle. He lobbied for the legalization of marijuana, using the profits of the drug trade to get his message onto the most iconic album of his career. All of this put Peter Tosh in the crosshairs of authority, the government, and those who wished to silence him – some who even wanted to see him dead. To see the full list of contributors, see the show notes at www.disgracelandpod.com. To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at disgracelandpod.com/membership. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - GET THE NEWSLETTER Follow Jake and DISGRACELAND: Instagram YouTube X (formerly Twitter) Facebook Fan Group TikTok To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Peter Tosh was a reggae subversive who used his music as a means to fight corruption, oppression, and hypocrisy. Unlike his one-time bandmate Bob Marley, Tosh didn’t fight for peace. He fought for truth–and justice. He did this with a guitar shaped like an M-16 automatic rifle. He lobbied for the legalization of marijuana, using the profits of the drug trade to get his message onto the most iconic album of his career. All of this put Peter Tosh in the crosshairs of authority, the government, and those who wished to silence him – some who even wanted to see him dead.To see the full list of contributors, see the show notes at www.disgracelandpod.com.To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at&nbsp;<a href="https://disgracelandpod.com/membership" rel="noopener noreferrer">disgracelandpod.com/membership</a>.Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - GET THE NEWSLETTER Follow Jake and DISGRACELAND: Instagram YouTube X (formerly Twitter)&nbsp; Facebook Fan Group TikTok To learn more about listener data and our privacy practices visit: <a href="https://www.audacyinc.com/privacy-policy" rel="noopener noreferrer">https://www.audacyinc.com/privacy-policy</a> Learn more about your ad choices. Visit <a href="https://podcastchoices.com/adchoices" rel="noopener noreferrer">https://podcastchoices.com/adchoices</a>

Peter Tosh (Pt. 1): Legalizing It, Police Brutality, and the Steppin’ Razor

You know the myths. You’ve seen the biopics. But if you’re the kind of music fan who craves the rest of the story—the stuff they buried or cleaned up for streaming and theaters—this is your podcast. DISGRACELAND is the award-winning show that reveals the deeply human, highly dramatic, true crime–fueled chaos behind legendary musicians like Amy Winehouse, Jerry Lee Lewis, Sean “Diddy” Combs, the Grateful Dead, Blondie, and more. While we dig into the dark side, we do so with reverence for the artists—and an understanding of the extreme highs, lows, and personal costs that come with fame and making great art. This is music history like you’ve never heard it—edge-of-your-seat stories exploding with drama and the kind of information that’ll make you dangerous at dinner parties.

New, fully scripted and sound-designed episodes drop every Tuesday. On Thursdays, we hand the mic to you—and feature listener voicemails, texts, and emails in our interactive bonus episodes. And on Fridays, we revisit the wildest stories from our 250+ episode archive with “Rewind” drops that’ll transport you back into music history’s most entertaining moments.

DISGRACELAND is not a journalistic podcast—it’s an entertainment podcast inspired by true events. Certain dialogue and scenes are occasionally fictionalized for dramatic effect, as is common in scripted entertainment based on real stories. Sources and credits for each episode are available at www.disgracelandpod.com.

To hear every episode ad-free––and get access to exclusive exclusive, bonus, and behind the scenes content––the stories they don't want you to hear—become a Disgraceland All Access member at www.disgracelandpod.com/membership.

Society & Culture

True Crime

Music

You know the myths. You’ve seen the biopics. But if you’re the kind of music fan who craves the rest of the story—the stuff they buried or cleaned up for streaming and theaters—this is your podcast. DISGRACELAND is the award-winning show that reveals the deeply human, highly dramatic, true crime–fueled chaos behind legendary musicians like Amy Winehouse, Jerry Lee Lewis, Sean “Diddy” Combs, the Grateful Dead, Blondie, and more. While we dig into the dark side, we do so with reverence for the artists—and an understanding of the extreme highs, lows, and personal costs that come with fame and making great art. This is music history like you’ve never heard it—edge-of-your-seat stories exploding with drama and the kind of information that’ll make you dangerous at dinner parties. New, fully scripted and sound-designed episodes drop every Tuesday. On Thursdays, we hand the mic to you—and feature listener voicemails, texts, and emails in our interactive bonus episodes. And on Fridays, we revisit the wildest stories from our 250+ episode archive with “Rewind” drops that’ll transport you back into music history’s most entertaining moments. DISGRACELAND is not a journalistic podcast—it’s an entertainment podcast inspired by true events. Certain dialogue and scenes are occasionally fictionalized for dramatic effect, as is common in scripted entertainment based on real stories. Sources and credits for each episode are available at www.disgracelandpod.com. To hear every episode ad-free––and get access to exclusive exclusive, bonus, and behind the scenes content––the stories they don't want you to hear—become a Disgraceland All Access member at www.disgracelandpod.com/membership.

You know the myths. You’ve seen the biopics. But if you’re the kind of music fan who craves the rest of the story—the stuff they buried or cleaned up for streaming and theaters—this is your podcast. DISGRACELAND is the award-winning show that reveals the deeply human, highly dramatic, true crime–fueled chaos behind legendary musicians like Amy Winehouse, Jerry Lee Lewis, Sean “Diddy” Combs, the Grateful Dead, Blondie, and more. While we dig into the dark side, we do so with reverence for the artists—and an understanding of the extreme highs, lows, and personal costs that come with fame and making great art. This is music history like you’ve never heard it—edge-of-your-seat stories exploding with drama and the kind of information that’ll make you dangerous at dinner parties.

New, fully scripted and sound-designed episodes drop every Tuesday. On Thursdays, we hand the mic to you—and feature listener voicemails, texts, and emails in our interactive bonus episodes. And on Fridays, we revisit the wildest stories from our 250+ episode archive with “Rewind” drops that’ll transport you back into music history’s most entertaining moments.

DISGRACELAND is not a journalistic podcast—it’s an entertainment podcast inspired by true events. Certain dialogue and scenes are occasionally fictionalized for dramatic effect, as is common in scripted entertainment based on real stories. Sources and credits for each episode are available at www.disgracelandpod.com.

To hear every episode ad-free––and get access to exclusive exclusive, bonus, and behind the scenes content––the stories they don't want you to hear—become a Disgraceland All Access member at&nbsp;www.disgracelandpod.com/membership.

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Peter Tosh (Pt. 1): Legalizing It, Police Brutality, and the Steppin’ Razor

Peter Tosh (Pt. 1): Legalizing It, Police Brutality, and the Steppin’ Razor

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