Phi Fic

Only then did he discover that Amaranta Úrsula was not his sister but his aunt, and that Sir Francis Drake had attacked Riohacha only so that they could seek each other through the most intricate labyrinths of blood until they would engender the mythological animal that was to bring the line to an end. Macondo was already a fearful whirlwind of dust and rubble being spun about by the wrath of the biblical hurricane when Aureliano skipped eleven pages so as not to lose time with facts he knew only too well, and he began to decipher the instant that he was living, deciphering it as he lived it, prophesying himself in the act of deciphering the last page of the parchments, as if he were looking into a speaking mirror.

-One Hundred Years of Solitude

Join us as we continue our study of Gabriel Garcia Marquez’ epic, One Hundred Years of Solitude. In this Part 2 episode, we look at moments which we didn’t have a chance to discuss in Part 1, namely, the “insomnia plague,” the “four year rain,” the “Civil War” the fate of the character Rebecca and the matriarch Ursula's, overwhelming fear that a child would be born into the family with a pig's tail—did that happen? We’ll see.

Then he skipped again to anticipate the predictions and ascertain the date and circumstances of his death. Before reaching the final line, however, he had already understood that he would never leave that room, for it was foreseen that the city of mirrors (or mirages) would be wiped out by the wind and exiled from the memory of men at the precise moment when Aureliano Babilonia would finish deciphering the parchments, and that everything written on them was unrepeatable since time immemorial and forever more, because races condemned to one hundred years of solitude did not have a second opportunity on earth.

-One Hundred Years of Solitude

We also discuss the themes which Nathan, Laura, Jennifer and Daniel each found to be what resonated most: the circularity of time, memory, loss, humanity, and the caution the novel leaves us with about living life.

If you have thoughts, recommendations, or questions that you want to send our way, please do via [email protected].

Hear more Phi Fic..

Thanks to Allan Bowley for audio assistance.

Thanks to Christopher Nolen for the music.

 

 

Continuing on Sir Francis Bacon's New Organon (1620).

We cover more of Bacon's "idols" and how Bacon divides religion from science (and what this means politically). We then move on to book 2, including Bacon's novel update of the term "form," and take a look at Bacon's method of doing science by filling out tables before actually doing experiments.

Start with part one or get the full, unbroken Citizen Edition. Please support PEL, like, get Patreon's feed for a mere $1/month.

End song: "Stuck in a Cave" by Chrome Cranks; hear Mark talk to singer/songwriter Peter Aaron on Nakedly Examined Music #93.

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Wes joins Mark, Erica, and Brian to discuss Quentin Tarantino's Once Upon a Time... In Hollywood in the context of Tarantino's other films. We consider T's strange sense of pacing, his comic violence, his historical revisionism, and casting choices. Is this a brilliant film or a fundamentally misguided idea badly in need of an editor?

For more, visit prettymuchpop.com. Hear bonus content for this episode at patreon.com/prettymuchpop.

This podcast is part of the Partially Examined Life podcast network and is curated by openculture.com.

On Sir Francis Bacon's New Organon (1620).

Bacon claims to have developed a new toolset that will open up nature to inquiry in a way that wasn't possible for ancient and modern natural philosophy.

Mark, Wes, and Dylan consider how much what Bacon describes resembles modern scientific method, talk through Bacon's "four idols" that interfere with impartial inquiry, and consider how Bacon's method fits in with his larger political-ethical-religious views.

Don't wait for part two; get the full, unbroken Citizen Edition now. Please support PEL!

Continuing on Simone Weil's essays "The Iliad, or the Poem of Force" (1939) and "Analysis of Oppression" (1934) with guest Corey Mohler.

We talk about the self-contradictions of power, why oppression and war are so intractable, and her positive solution (what there is of it here). Weil cuts through our left-right political dichotomy in a way that might interest you. Plus, why the Iliad is so great.

Start with part one or get the full, ad-free Citizen Edition. Please support PEL!

End song: "Throw Down the Sword" from Wishbone Ash; hear Andy Powell on Nakedly Examined Music #51.

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On Simone Weil's essays "The Iliad, or the Poem of Force" (1939) and "Analysis of Oppression" (1934).

How do circumstances oppress and dehumanize us? Weil describes the mechanisms that keep people at war and maintain oppression even through revolutions as inherent to the logic of power. With guest Corey Mohler.

Don't wait for part two; get the full, ad-free Citizen Edition now. Please support PEL!

Continuing on "The Present Age" (1846), plus Hubert Dreyfus’s "Nihilism on the Information Highway: Anonymity vs. Commitment in the Present Age" (2004) with guest John Ganz.

Does K's critique actually apply to our present age? We address K's view of humor, romance, authenticity, actual community vs. "the public," the leveling that occurs without anyone specific actually doing it, and the virtue of silence.

Start with part one or get the unbroken, ad-free Citizen Edition. Please support PEL!

End song: "Wry Observer" by Aaron David Gleason, as discussed on Nakedly Examined Music #71.

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Mark, Erica, and Brian discuss the function of super-hero films and how this new one fits in. Do we need "realism" in such stories? When does a premise like this get too old to keep recycling?

For more, visit prettymuchpop.com. Hear bonus content for this episode, and more episodes in advance, at patreon.com/prettymuchpop.

This podcast is part of the Partially Examined Life podcast network and is curated by openculture.com.

On Soren Kierkegaard's essay "The Present Age" (1846) and Hubert Dreyfus’s "Nihilism on the Information Highway: Anonymity vs. Commitment in the Present Age" (2004).

What's wrong with our society? Kierkegaard saw the advent of the press and gossip culture as engendering a systematic passivity and shallowness in his fellows, and Dreyfus thinks this is an even more apt description of the Internet Age. With guest John Ganz.

Don't wait for part 2; get the full, ad-free Citizen Edition now. Please support PEL!

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