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Consider the turkey

Peter Singer

Why this holiday season is a great time to rethink the traditional turkey feast

Maria Balaska.

Anxiety and wonder: On being human

Description At times, we find ourselves unexpectedly immersed in a mood that lacks any clear object or identifiable cause. These uncanny moments tend to be hastily dismissed as inconsequential, left without explanation. Maria Balaska examines two such cases: wonder and anxiety – what it means to prepare for them, what life may look like after experiencing them, and what insights we can take from those experiences.

For Kierkegaard anxiety is a door to freedom, for Heidegger wonder is a distress that opens us to the truth of Being, and for Wittgenstein wonder and anxiety are deeply connected to the ethical. Drawing on themes from these thinkers and bringing them into dialogue, Balaska argues that in our encounters with nothing we encounter the very potential of our existence. Most importantly, we confront what is most inconspicuous and fundamental about the human condition and what makes it possible to encounter anything at all: our distinct capacity for making sense of things.

Table of Contents Preface Acknowledgments Abbreviations

Introduction

1. What Makes Us Anxious?

2. Anxiety and the Origin of Human Existence

3. Wonder and the Origin of Philosophy

4. The Paradox of Anxiety and Wonder

5. After Anxiety and Wonder

Notes Bibliography

 Editorial Reviews Review “In this astute analysis of anxiety and wonder, Maria Balaska argues that understanding ourselves requires more than natural causal explanations and resists psychopathological approaches to overpowering experiences. With Kierkegaard, Heidegger, Wittgenstein, and Lacan, she insightfully elucidates the deeply human desires to feel at home in the world and find meaning in it-and the possibility of their fulfilment.” ―Kate Kirkpatrick, Regent's Park College, University of Oxford, UK

“Maria Balaska presents the best treatment to date of wonder and anxiety in Kierkegaard and Heidegger. Focused on the objectlessness of both experiences – what Kierkegaard calls the ambiguous power of spirit and Heidegger terms “the nothing” – the book draws as well on Freud, Lacan, Plato, and Wittgenstein to argue that living authentically means embracing the liberating power of one's mortal open-endedness. Capacious, insightful, and written in lucid prose, Prof. Balaska's text will enrich both lay and professional readers.'” ―Thomas Sheehan, Professor Emeritus of Religious Studies, German Studies and Philosophy, Stanford University, USA

“Maria Balaska facilitates a conversation between Heidegger, Kierkegaard, Lacan and Wittgenstein that presents philosophy as embodying an anxious wonder at our capacity to make sense of things. She thereby deepens our understanding of all four thinkers, and illuminates not only the distinctive nature of philosophy, but its ineliminable role in the perennial human task of making sense of ourselves and our place in the universe.” ―Stephen Mulhall, Professor of Philosophy, University of Oxford, UK

“This is an excellent book … A must-read for specialists interested in how continental philosophy can contribute to the thriving discourse on the experience and place of anxiety and wonder in our lives.” ―Philosophical Investigations

About the Author Maria Balaska is a Research Fellow at Åbo Akademi University, Finland, and a Visiting Research Fellow at the University of Hertfordshire, UK. She is the author of Wittgenstein and Lacan at the Limit: Meaning, and Astonishment (2019) and editor of Cora Diamond on Ethics (2020). Publisher ‏ : ‎ Bloomsbury Academic (May 2, 2024) Language ‏ : ‎ English Paperback ‏ : ‎ 168 pages ISBN-10 ‏ : ‎ 1350302937 ISBN-13 ‏ : ‎ 978-1350302938

Our third talk with Deirdre Nansen McCloskey.  Today, we talk with her about two working papers on liberalism.

Sharon Patricia Holland

an other

In an other, Sharon Patricia Holland offers a new theorization of the human animal/divide by shifting focus from distinction toward relation in ways that acknowledge that humans are also animals. Holland centers ethical commitments over ontological concerns to spotlight those moments when Black people ethically relate with animals. Drawing on writers and thinkers ranging from Hortense Spillers, Sara Ahmed, Toni Morrison, and C. E. Morgan to Jane Bennett, Jacques Derrida, and Donna Haraway, Holland decenters the human in Black feminist thought to interrogate blackness, insurgence, flesh, and femaleness. She examines MOVE’s incarnation as an animal liberation group; uses sovereignty in Morrison’s A Mercy to understand blackness, indigeneity, and the animal; analyzes Charles Burnett’s films as commentaries on the place of animals in Black life; and shows how equestrian novels address Black and animal life in ways that rehearse the practices of the slavocracy. By focusing on doing rather than being, Holland demonstrates that Black life is not solely likened to animal life; it is relational and world-forming with animal lives.

“With her characteristic brilliance and speculative flair, Sharon Patricia Holland breaks new ground in an other, a book that will prove to be her most philosophical and speculative text yet. Holland pulls at the ways that blackness as ontology and epistemology undoes and ethically remakes the bio/zoopolitical distinction between animals and humans. She remakes the very ideas that underline life itself as a human project that both denies and relies on animality: love, death, knowing, being, and ultimately revolution as it happens on the scale of the ordinary and the everyday. An essential volume.” — Kyla Wazana Tompkins, author of Racial Indigestion: Eating Bodies in the Nineteenth Century

“Sharon Patricia Holland’s an other is a beautiful, expansive, rich, and genius gift to a world that could not have anticipated it. Her work at the level of the animal and cohabitation and about relationality and comportment is assuredly a necessary and brilliant offering. Holland’s enormous intervention cannot be overstated. Black studies will not be the same after this book.” — Sarah Jane Cervenak, author of Black Gathering: Art, Ecology, Ungiven Life

Sharon Patricia Holland is Townsend Ludington Distinguished Professor of American Studies at the University of North Carolina at Chapel Hill, and author of The Erotic Life of Racism and Raising the Dead: Readings of Death and (Black) Subjectivity, both also published by Duke University Press

Stephanie Li

Ugly White People: Writing Whiteness in Contemporary America

White Americans are confronting their whiteness more than ever before, with political and social shifts ushering in a newfound racial awareness. And with white people increasingly seeing themselves as distinctly racialized (not simply as American or human), white writers are exposing a self-awareness of white racialized behavior—from staunch antiracism to virulent forms of xenophobic nationalism. Ugly White People explores representations of whiteness from twenty-first-century white American authors, revealing white recognition of the ugly forms whiteness can take.

Stephanie Li argues that much of the twenty-first century has been defined by this rising consciousness of whiteness because of the imminent shift to a “majority minority” population and the growing diversification of America’s political, social, and cultural institutions. The result is literature that more directly grapples with whiteness as its own construct rather than a wrongly assumed norm. Li contextualizes a series of literary novels as collectively influenced by changes in racial and political attitudes. Turning to works by Dave Eggers, Sarah Smarsh, J. D. Vance, Claire Messud, Ben Lerner, and others, she traces the responses to white consciousness that breed shared manifestations of ugliness. The tension between acknowledging whiteness as an identity built on domination and the failure to remedy inequalities that have proliferated from this founding injustice is often the source of the ugly whiteness portrayed through these narratives.

The questions posed in Ugly White People about the nature and future of whiteness are vital to understanding contemporary race relations in America. From the election of Trump and the rise of white nationalism to Karen memes and the war against critical race theory to the pervasive pattern of behavior among largely liberal-leaning whites, Li elucidates truths about whiteness that challenge any hope of national unity and, most devastatingly, the basic humanity of others.

Ugly White People is not about the 'racists' but about the way whiteness shapes the subjectivity of all white people. Relying on an elegant and parsimonious textual analysis of the work of contemporary authors, Stephanie Li shows how whites manage to evade while they acknowledge their whiteness, how they consume people of color through racist love, and how they accept whiteness in a way that neglects addressing racism. I highly recommend this book to readers interested in understanding contemporary whiteness.

 Eduardo Bonilla-Silva, Duke University

The best writing critically studying whiteness today intensely engages imbrications of race with other identities, especially class, gender, nationality, and disability. No one does all of that better than Stephanie Li. Addressing literary moments with a sure grasp of history and an adventuresome readings of texts, Ugly White People speaks compellingly to the persisting strength of Trump and white nationalism and to the desire for social media celebrity as something authors both explore and share.

 David Roediger, author of The Sinking Middle Class: A Political History of Debt, Misery, and the Drift to the Right

Stephanie Li is Lynne Cooper Harvey Distinguished Professor of English at Washington University in St. Louis. She is author of Pan-African American Literature, Playing in the White, and Signifying without Specifying.

In a Human Voice

Carol Gilligan's landmark book In a Different Voice – the "little book that started a revolution" – brought women's voices to the fore in work on the self and moral development, enabling women to be heard in their own right, and with their own integrity, for the first time.

Forty years later, Gilligan returns to the subject matter of her classic book, re-examining its central arguments and concerns from the vantage point of the present. Thanks to the work that she and others have done in recent decades, it is now possible to clarify and articulate what couldn't quite be seen or said at the time of the original publication: that the "different voice" (of care ethics), although initially heard as a "feminine" voice, is in fact a human voice; that the voice it differs from is a patriarchal voice (bound to gender binaries and hierarchies); and that where patriarchy is in force or enforced, the human voice is a voice of resistance, and care ethics is an ethics of liberation. While gender is central to the story Gilligan tells, this is not a story about gender: it is a human story.

With this clarification, it becomes evident why In a Different Voice continues to resonate strongly with people's experience and, perhaps more crucially, why the different voice is a voice for the 21st century.

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During the podcast, Mary Gaitskill's piece on Anna Karenina, from Fassler, Joe. Light the Dark: Writers on Creativity, Inspiration, and the Artistic Process (pp. 69-73). Penguin, excepted here: 

MARY GAITSKILL "I Don’t Know You Anymore"

I READ ANNA KARENINA for the first time about two years ago. It’s something I’d always meant to read, but for some reason I didn’t expect to like it as much as I did. ... I found one section in particular so beautiful and intelligent that I actually stood up as I was reading. I had to put the book down, I was so surprised by it—and it took the novel to a whole other level for me.

Anna’s told her husband, Karenin, that she’s in love with another man and has been sleeping with him. You’re set up to see Karenin as an overly dignified but somewhat pitiable figure: He’s a proud, stiff person. He’s older than Anna is, and he’s balding, and he has this embarrassing mannerism of a squeaky voice. He’s hardened himself against Anna. He’s utterly disgusted with her for having gotten pregnant by her lover, Vronsky. But you have the impression at first that his pride is hurt more than anything else—which makes him unsympathetic. 

Then he finds out Anna is dying, and he goes to visit her.]  He hears her babbling, in the height of her fever. And her words are unexpected: She’s saying how kind he is. That, of course, she knows he will forgive her. When Anna finally sees him, she looks at him with a kind of love he’s never seen before. ...

Throughout the book, he’s always hated the way he’s felt disturbed by other people’s tears or sadness. But as he struggles with this feeling while Anna’s talking, Karenin finally realizes that the compassion he feels for other people is not weakness: For the first time, he perceives this reaction as joyful, and becomes completely overwhelmed with love and forgiveness. He actually kneels down and begins to cry in her arms; Anna holds him and embraces his balding head. The quality he hated is completely who he is—and this realization gives him incredible peace. He even decides he wants to shelter the little girl that Anna’s had with Vronsky (who sits nearby, so completely shamed by what he’s witnessing that he covers his face with his hands). You believe this complete turnaround.

You believe it’s who these people really are. I find it strange that the moment these characters seem most like themselves is the moment when they’re behaving in ways we’ve never before seen. I don’t fully understand how this could be, but it’s wonderful that it works.

But then the moment passes. Anna never talks about the “other woman” inside of her again. At first, I was disappointed. But then I thought: No, that’s actually much more realistic. What Tolstoy does is actually much better, because it’s more truthful. We feel a greater sense of loss, knowing it will never happen again.

I very much saw that as the core of the book. Everyone says Anna Karenina is about individual desire going against society, but I think the opposite perspective is stronger: the way social forces actively go against the soft feelings of the individual. 

Merav Roth

A Psychoanalytic Perspective on Reading Literature: Reading the Reader

(Art, Creativity, and Psychoanalysis Book Series) 1st Edition What are the unconscious processes involved in reading literature? How does literature influence our psychological development and existential challenges? A Psychoanalytic Perspective on Reading Literature offers a unique glimpse into the unconscious psychic processes and development involved in reading. The author listens to the 'free associations' of various literary characters, in numerous scenarios where the characters are themselves reading literature, thus revealing the mysterious ways in which reading literature helps us and contributes to our development.

The book offers an introduction both to classic literature (Poe, Proust, Sartre, Semprún, Pessoa, Agnon and more) and to the major psychoanalytic concepts that can be used in reading it – all described and widely explained before being used as tools for interpreting the literary illustrations. The book thus offers a rich lexical psychoanalytic source, alongside its main aim in analysing the reader’s psychological mechanisms and development. Psychoanalytic interpretation of those literary readers opens three main avenues to the reader’s experience:

the transference relations toward the literary characters; the literary work as means to transcend beyond the reader’s self-identity and existential boundaries; and mobilization of internal dialectic tensions towards new integration and psychic equilibrium. An Epilogue concludes by emphasising the transformational power embedded in reading literature.

The fascinating dialogue between literature and psychoanalysis illuminates hitherto concealed aspects of each discipline and contributes to new insights in both fields. A Psychoanalytic Perspective on Reading Literature will be of great interest not only to psychoanalytic-psychotherapists and literature scholars, but also to a wider readership beyond these areas of study.

William Egginton

Alejandro Jodorowsky: Filmmaker and Philosopher

Description

Alejandro Jodorowsky is a force of nature. At 95 years old he is still making films and is a cultural phenomenon who has influenced other artists as disparate as John Waters and Yoko Ono. Although his body of work has long been considered disjointed and random, William Egginton claims that Jodorowsky's writings, theatre work and mime, and his films, along with the therapeutic practice he calls psychomagic, can all be tied together to form the philosophical programme that underpins his films.

Incorporating surrealism and thinkers including Lacan, Kant, Hegel, and Žižek into his interpretation of Jodorowsky's work, Egginton shows how his diverse films are connected by interpretive practices with a fundamental similarity to Lacanian psychoanalysis. Using case studies of Jodorowsky's cult films, El Topo, Fando y Lis and Holy Mountain and more, this book provides a unique perspective on a filmmaker whose work has been notoriously difficult to analyse.

Peter Singer and Shih Chao-Hwei

The Buddhist and the Ethicist: Conversations on effective altrusism, engaged Buddhism, and how to build a better world 

ABOUT THE BUDDHIST AND THE ETHICIST Eastern spirituality and utilitarian philosophy meet in these unique dialogues between a Buddhist monastic and a moral philosopher on such issues as animal welfare, gender equality, the death penalty, and more

An unlikely duo—Professor Peter Singer, a preeminent philosopher and professor of bioethics, and Venerable Shih Chao-Hwei, a Taiwanese Buddhist monastic and social activist—join forces to talk ethics in lively conversations that cross oceans, overcome language barriers, and bridge philosophies. The eye-opening dialogues collected here share unique perspectives on contemporary issues like animal welfare, gender equality, the death penalty, and more. Together, these two deep thinkers explore the foundation of ethics and key Buddhist concepts, and ultimately reveal how we can all move toward making the world a better place.

“A remarkable and historical meeting of minds between one of the greatest philosophers of our times and a leading proponent of Buddhist ethics, grounded on utilitarianism and guided by compassion and insight, which aims at preventing and relieving all kinds of suffering, whatever they might be, and doing as much good as possible to all sentient beings without discrimination.” —Matthieu Ricard, author of Altruism and A Plea for Animals

“Few things are more enlightening than good dialogue, and this engrossing conversation between a Western philosopher and an Asian Buddhist is a case in point. Their probing exploration of each other’s worldviews illuminates key concepts in the Buddhist and utilitarian traditions and reveals an underlying unity; these two schools of thought, though quite different in cultural ancestry, exhibit much commonality of purpose and spirit as they address some of life’s most important and challenging questions.” —Robert Wright, author of Why Buddhism Is True

“The Buddhist and the Ethicist is a fascinating exchange between two brilliant and wide-ranging thinkers who were originally brought together because of their shared interests in animal welfare. Their conversations cover a staggering array of topics, and I truly enjoyed seeing what came out of their extremely active brains and hearts and how much they got mine going in many different directions. I guarantee you, too, will rethink some views you have on different ethical questions and will be exposed to many situations and dilemmas about which you’ve rarely or never thought. I know I’ll be returning to this valuable collection time and time again.” —Marc Bekoff, University of Colorado, author of The Animals’ Agenda: Freedom, Compassion, and Coexistence in the Human Age (with Jessica Pierce) and A Dog’s World: Imagining the Lives of Dogs in a World Without Humans (with Jessica Pierce)

“This gem of a book invites readers to listen in as two brilliant contemporary moral philosophers talk about what it means to be a good person and live an ethical life. The Buddhist and the Ethicist offers us a living encounter between Western and Eastern moral traditions. We have the honor of sitting in as Peter Singer, one of the West’s most innovative and influential utilitarian philosophers, and Shih Chao-Hwei, a prominent Buddhist scholar, monastic, and activist, talk some of the most contentious and significant moral issues of our time, including human-animal relations, equality, sexuality, and effective altruism. Singer and Chao-Hwei show us how to have constructive, respectful dialogue about values—a skill more vitally important now than ever before. They remind us that it is possible to begin from seemingly conflicting points of view and, through open-minded conversation, to find and expand common ground.” —Jessica Pierce, author of Who’s a Good Dog? And How to Be a Better Human

“This timely and stimulating dialogue between Professor Peter Singer and Venerable Chao-Hwei Shih takes place at the intersection between altruism and engaged Buddhism. Their many conversations through the intervening years have examined diverse and relevant social issues during the twenty-first century. Their incisive examination of ethical considerations for all life-forms, while ages old, are brought together in this book through candid discussions about ending life and killing from in utero, to euthanasia, suicide, and killing during wartime. At the same time, their dialogue integrates the crosscutting themes of women and equality, sexuality, animal rights, and more. I invite you to become a part of their dialogue through which you can revisit these topics that transcend cultures and countries.” —Sulak Sivaraksa, author, activist, and cofounder of the International Network of Engaged Buddhists

“An enlightening exploration of ethics, altruism, and social justice through the engaging dialogue between a prominent philosopher and a great scholar of Buddhism. A must-read for those seeking to expand their understanding of these traditions and the pressing issues of our time.” —Netiwit Chotiphatphaisal, student activist, author, and engaged Buddhist

“A wonderful book that does what philosophy and religious teachings are supposed to do: challenge us to think better, to live better, and to be better.” —Ryan Holiday, podcast host and author of The Daily Stoic

“Their dialogues unfold in rigorous detail and probe rich and trenchant ethical questions. . . . Plenty of insight in these thought-provoking and challenging investigations.” —Publishers Weekly

“In this fascinating book, Singer and Chao-Hwei explore dynamic topics, including animal welfare, capital punishment, gender equality, and the foundations of both Buddhism and ethics.” —Tricycle

“Particularly illuminating is Chao-Hwei’s clarification of terms, often misunderstood in the West, such as karma, rebirth and nirvana, as well as the central role and nature of compassion in Buddhist ethics. For those interested in how nuanced philosophical thought can inform our daily lives and actions, this accessible meeting of minds is a good place to start.” —The Sydney Morning Herald (Non-fiction pick of the week)

Seduced by story: The use and abuse of narrative

Chosen by New York Magazine/Vulture as a Best Book of 2022

“There’s nothing in the world more powerful than a good story. Nothing can stop it. Nothing can defeat it.” So begins the scholar and literary critic Peter Brooks’s reckoning with today’s flourishing cult of story. Forty years after publishing his seminal work Reading for the Plot, his important contribution to what came to be known as the “narrative turn” in contemporary criticism and philosophy, Brooks returns to question the unquestioning fashion in which story is now embraced as an excuse or explanation and the fact that every brand or politician comes equipped with one. In a discussion that ranges from The Girl on the Train to legal argument, Brooks reminds us that among the powers of narrative is the power to deceive.

Praise

A potent defense of attentive reading and its real-world applications. —Jennifer Szalai, The New York Times

Brooks spent most of his career trying to impress upon readers the particular power of narrative…In his most recent book, “Seduced by Story,” he describes the horrifying feeling of having succeeded all too well. —Parul Sehgal, The New Yorker

A succinct account of narrative persuasion, offering a solid case for the ambivalent power that stories can have in shaping us as individuals and nations. —Caterina Domeneghini, Los Angeles Review of Books

Brooks explores various fields – including psychoanalysis, legal practice and modern political discourse – in which the distinction between narrative and “reality” has been eroded, or even collapsed. . . . It is in this context that a critical faculty – the ability to understand and critique narrative – is of vital importance. —Jonathan Taylor, TLS

Brooks built an influential career arguing that stories are key features of how we all experience ‘human temporality’ and strive to articulate ‘meaning in general.’ This new book is, therefore, a kind of personal as well as intellectual reckoning with narrative turns and what may be their less salubrious legacies. —Killian Quigley, Australian Book Review

Society’s obsession with résumé, and its use to construct an aura of credibility, is such a pervasive element of contemporary life that it inevitably implicates even the author and his own field of “literary humanities.” But that dynamic is exactly what Brooks parses in his terrific critical survey: the essential differences between surface stories and the ways in which they’re constructed. —J. Howard Rosier, New York Magazine/Vulture

A bracing and insightful look at the downsides of reducing everything to storytelling. . . A thoughtful and revelatory analysis of what’s lost when story trumps all. —Publishers Weekly

For writers, readers, and citizens of the story-addled world. —Emily Temple, Lit Hub

A rhapsody to the partial suspension of disbelief that allows us to immerse ourselves in novels, but simultaneously and most crucially, a brilliant intervention against the complete suspension of disbelief that allows a citizenry to succumb to conspiracy theories, false-flag narratives, authoritarian fictions. An eloquent and triumphant culmination of Peter Brooks’s lifelong inquiry into the aesthetic and ethical intersection of literature, psychoanalysis, law, and politics. Impossibly good. —David Shields

Stories are everywhere—shaping us, shocking us, showing us what really happened (or making it up). Peter Brooks invites us to step to one side of our over-storied surroundings to think about all the ways they work. . . . In the process, he tells a gripping tale of his own. —Rachel Bowlby

This is an amazing book, crossing back and forth between literature and politics, illuminating each side by the other. It is written without fuss, continually evocative and surprising. —Richard Sennett