Join Jake and Heather Almond for a special bonus episode of Photo-Flo. A discussion of the David Gordon Green Halloween films, including the final film in the trilogy (franchise ?) Halloween Ends.

Even a man who is pure in heart and says his prayers by night, may become a wolf when the moon is full and bright… Join Eric and Jake for a double feature of werewolves and vampires. In Silver Bullet (1985) Corey Haim, Anne Of Green Gables (Megan Follows), and Mr. Joshua (Gary Busey) have to stop a werewolf from murdering their town. After that Corey Haim takes a trip to Santa Carla, California and meets an unusual cast of monster mashers (including Jason Voorhees slayer, Corey Feldman) to face off against Kiefer Sutherland and the coolest vampire gang ever, in Joel Schumacher’s The Lost Boys (1987)

Eric briefly talks about Breakdown, the seventh episode of the first season of Alfred Hitchcock Presents.

Join us this week for a double feature of familial horror. First, an early Hitchcock masterpiece (Shadow Of A Doubt) followed by an 80’s cult classic, The Stepfather.

In the second Photo-Flo TV, Eric talks about his favorite episode of the original Twilight Zone series.

In the debut minisode of Photo-Flo TV, Eric talks about the debut episode of Alfred Hitchcock Presents, Revenge.

A brief introduction into the Photo-Flo TV mini episodes.

Join us for a night at the grindhouse. A double feature of b-movies that Robert Rodriguez and Quentin Tarantino handpicked for lovers of sleaze, blood, fast cars, fast women, zombies, and Michael Biehn.

“Cause I'm the high plains drifter the best that you can get, a strapped shoplifter, a pirate on cassette! Bust a Travis Bickle when I feel that I'm getting pushed, don't step to me 'cause you could be gettin' mushed!” Join Eric and Jake for a genre hop. We watched a double feature of supernatural Westerns. High Plains Drifter (1973) is Clint Eastwood’s first Western in the director’s chair. He’s lean and mean as he’s ever been, turning a town into hell on earth, and its citizens against each other as an avenging ghost with no name. Pale Rider (1985) is a quasi remake with a kinder heart, some throwbacks to a pre-revisionist era of the genre, a stronger script, and a hell of a payoff.