The M100 is Canon’s entry-level APS-C sized mirrorless camera. Initially released fall 2017, it’s an interchangeable lens camera that replaces the two-year-old M10. Unlike Canon’s M5 and M6 cameras, they aim this camera squarely at the entry-level market and beginning photographers looking for an upgrade in image quality than what their phones alone can provide.

https://photographypx.com/canon-m100-review/

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Hello my friends, in today’s video we do a hands-on review Tamron’s 28–75mm f/2.8 lens for Sony E-mount cameras. Today we cover it’s strengths, weaknesses, and so how it stacks up to the first-party competition.

https://photographypx.com/tamron-28-75mm-f28-di-iii-rxd-review/

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https://youtu.be/hIust53cOqc

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The Canon EOS 90D, released fall of this year, arrives three years following the release of the insanely popular EOS 80D. https://photographypx.com/canon-eos-90d-review/

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The Canon T7i makes yet another smashing successor in the Rebel lineup of entry Digital SLR and continues the lasting tradition and principals behind the line: low priced, attractive and feature rich entry level cameras geared to give beginning photographers the competitive edge.

https://photographypx.com/canon-t7i-review/

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https://youtu.be/Ai-bivKOHIc

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The Olympus EM-5 Mark III, initially release fall 2019, marks the latest release in the EM-5 lineup of mirrorless interchangeable lens cameras. It’s a midrange Mirrorless camera aimed at photography enthusiasts, videographers, and vloggers.

https://photographypx.com/olympus-om-d-em-5-mark-iii-review/

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The Olympus E-M10 Mark III, first released fall of 2017, marks the latest iteration in the E-M10 lineup of entry-level cameras. The M10 series is the baby of the OM-D family, while the EM5 and EM1 models are both larger and more expensive.

https://photographypx.com/olympus-e-m10-mark-iii-review/

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Introduction In a market packed with already excellent first-party offerings, Tamron accepts the challenge to produce a lens that rivals the first-party competition. And they’ve simultaneously declared the ambitious goal of creating their greatest lens and their pinnacle in lens performance.

https://photographypx.com/tamron-35mm-sp-di-usd-f14-lens-review/

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Panasonic is one of the original manufacturers to initially pioneer the Micro Four Thirds realm of compact feature-rich mirrorless cameras. However, now, in 2019, that changes. The release of the Panasonic S1 marks a new lineage for the manufacturer and the first to feature a full-frame sensor.

https://photographypx.com/panasonic-lumix-dc-s1-review/

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Initially released fall 2019, Panasonic’s S1H is a camera aimed to be a revolution amongst the Cine industry and the dawn of a new area in DSLM capabilities. And it’s demanding price point surely suggests that and screams professional.

https://photographypx.com/panasonic-s1h-review/

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The Panasonic G9, released in spring 2018, marks Panasonic’s latest photography-centric flagship camera. While it is a prosumer camera marketed towards photographers. It inherits several successful high-end video features from the flagship GH5 to deliver a well-suited package the cinematographer can appreciate.

https://photographypx.com/panasonic-g9-review/

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