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A bombshell memoir by a former lover annoys and embarrasses Picasso in his final years. But it is only half a century after his death that his misogyny is seen as truly problematic. And leaves many now grappling with how to separate the art from the artist.
Artwork:
The Woman in a Chair, Pablo Picasso (1948)
Seated Woman in Green, Pablo Picasso (1953)
Self Portrait Facing Death, Pablo Picasso (1972)
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Stay connected with Legacy:
Instagram: @originallegacypodcast
TikTok: @legacy_productions
Explore more from Peter and Afua — essays, sources, and ideas: Substack: peterfrankopan.substack.com | afuahirsch.substack.com
Hosted on Acast. See acast.com/privacy for more information.
By Original Legacy Productions4.3
349349 ratings
A bombshell memoir by a former lover annoys and embarrasses Picasso in his final years. But it is only half a century after his death that his misogyny is seen as truly problematic. And leaves many now grappling with how to separate the art from the artist.
Artwork:
The Woman in a Chair, Pablo Picasso (1948)
Seated Woman in Green, Pablo Picasso (1953)
Self Portrait Facing Death, Pablo Picasso (1972)
Join Legacy+ for bonus episodes, early access, Q&A's, fewer adverts and more.
legacy.supportingcast.fm
Stay connected with Legacy:
Instagram: @originallegacypodcast
TikTok: @legacy_productions
Explore more from Peter and Afua — essays, sources, and ideas: Substack: peterfrankopan.substack.com | afuahirsch.substack.com
Hosted on Acast. See acast.com/privacy for more information.

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