Place/Settings: Berkeley

For the Audio Program, we’ll be reading out loud the dramaturgy material from the show’s program in an effort to make the information around our shows accessible to all audiences, in multiple formats. For the KISS MY AZTEC! Program, we begin by reading The Origin Story. We'll then read an essay entitle Riffing on Aztec Ritual by Madeleine Rostami.

KISS MY AZTEC! runs May 28 through July 14. Tickets are available at berkeleyrep.org!

Follow Berkeley Rep on SoundCloud to keep up with the whole series. You can also listen on Apple Podcasts and Stitcher.

Music credit to Peter Yonka.

In our "In Conversation" part of Repisodes, we talk to members of the creative team to learn more about their process and the world of the play. Here, we speak with THE GOOD BOOK creators Lisa Peterson and Denis O'Hare about tracking the creation and propagation of the Bible with theatrical flair.

THE GOOD BOOK runs now through June 9. Tickets are available at berkeleyrep.org!

Follow Berkeley Rep on SoundCloud to keep up with the whole series. You can also listen on Apple Podcasts and Stitcher.

Music credit to Peter Yonka.

For the Audio Program, we’ll be reading out loud the dramaturgy material from the show’s program in an effort to make the information around our shows accessible to all audiences, in multiple formats. For THE GOOD BOOK Program, we begin by reading The Origin Story. We then read an essay called In Constant Evolution: The Bible in Translation by Sarah Rose Leonard.

THE GOOD BOOK runs now through June 9. Tickets are available at berkeleyrep.org!

Follow Berkeley Rep on SoundCloud to keep up with the whole series. You can also listen on Apple Podcasts and Stitcher.

Music credit to Peter Yonka.

In our "In Conversation" part of Repisodes, we talk to members of the creative team to learn more about their process and the world of the play. Here, in a special bonus episode, HOME creator Geoff Sobelle speaks about what inspired him to build this epic imaginative piece.

HOME runs now through April 21. Tickets are available at berkeleyrep.org!

Follow Berkeley Rep on SoundCloud to keep up with the whole series. You can also listen on Apple Podcasts and Stitcher.

Music credit to Peter Yonka.

In our "In Conversation" part of Repisodes, we talk to members of the creative team to learn more about their process and the world of the play. Here, HOME director Lee Sunday Evans talks about her collaboration with creator Geoff Sobelle and how she orchestrates the rhythms of chaos onstage.

HOME runs now through April 21. Tickets are available at berkeleyrep.org!

Follow Berkeley Rep on SoundCloud to keep up with the whole series. You can also listen on Apple Podcasts and Stitcher.

Music credit to Peter Yonka.

For the Audio Program, we’ll be reading out loud the dramaturgy material from the show’s program in an effort to make the information around our shows accessible to all audiences, in multiple formats. For the HOME Program, we begin by reading The Origin Story. We then read a note by dramaturg Stefanie Sobelle, an essay called A Brief History of Mostly Wordless Theatre by Sarah Rose Leonard, and we end with Geoff Sobelle's Artist Statement.

HOME runs now through April 21. Tickets are available at berkeleyrep.org!

Follow Berkeley Rep on SoundCloud to keep up with the whole series. You can also listen on Apple Podcasts and Stitcher.

Music credit to Peter Yonka.

"Metamorphoses" actors Alex Moggridge and Suzy Weller and Berkeley Rep staff members take that strangely popular love language quiz! Why is quality time a recurring love language with these theatre people? Where does love show up in the play? What's your love language?

Metamorphoses runs now through March 24 and tickets are available at berkeleyrep.org.

Follow Berkeley Rep on SoundCloud to keep up with the whole series. You can also listen on Apple Podcasts and Stitcher.

Music credit to James Dinneen.

For the Audio Program, we’ll be reading out loud the dramaturgy material from the show’s program in an effort to make the information around our shows accessible to all audiences, in multiple formats. For the Metamorphoses program, we will read the Origin Story and and an essay entitled Transformation Onstage: A brief history of water in theatre.

Metamorphoses runs now through March 24. Tickets are available at berkeleyrep.org!

Follow Berkeley Rep on SoundCloud to keep up with the whole series. You can also listen on Apple Podcasts and Stitcher.

Music credit to James Dinneen.

In our "In Conversation" part of Repisodes, we talk to members of the creative team to learn more about their process and the world of the play. An abridged version of the conversation is included in print as part of the show's written program. Here, Tony award-winning artist Mary Zimmerman, the director and adaptor behind Metamorphoses, talks about her creative process and the unique difficulties of adapting a classic text for modern audiences.

Metamorphoses runs now through March 24 and tickets are available at berkeleyrep.org.

Follow Berkeley Rep on SoundCloud to keep up with the whole series. You can also listen on Apple Podcasts and Stitcher.

Music credit to James Dinneen.

Welcome to the third Repisode of The Core for Berkeley Rep's 50th Anniversary Season. In The Core, we talk to members of the community to see where the onstage and offstage worlds of our season intersect. In this Repisode, we talked to members of Paradise Square's dance team: legendary choreographer Bill T. Jones and Irish dancers Jason Oremus and Garrett Coleman, who are responsible for the Irish dance in the show. Together we talked about the intricacies of telling story through dance and the ways in which Irish and African dance styles and cultural histories mesh together in the world of Paradise Square.

Paradise Square is running now through February 27. Tickets are available at berkeleyrep.org!

Follow Berkeley Rep on SoundCloud to keep up with the whole series. You can also listen on Apple Podcasts and Stitcher.

Intro music credit to James Dinneen.