In Episode 14 there is an important announcement about the future of Playtime and then Tom interviews the mercurial Scottish jazz-pop-free improv composer Bill Wells and cross genre tuba genie Danielle Price about their musical origins, how they met, composing in dreams, being categorisable or not, and becoming a pirate. 

The first in a series of podcasts looking at the current state of the Scottish Jazz and Improvised music scenes and where they might be heading. Tom gives his personal view on three important exits from the scene in 2025 and looks at the wider implications of one of them. Then Tom interviews Nod Knowles about his Creative Scotland commissioned review of the Scottish Jazz and Improvised Music scenes called 'Now's The Time'. 

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As part of the discussion Tom discusses three reports: 121 Stories by Una Monaghan available here and the BIT Collective report on Women Musicians’ Experiences of Sexual Violence and Harassment in Scottish Folk Music which is here.  Sarah Raine & Haftor Medboe Full Research Report from 2018-21 is here. Sarah Raine gives evidence to parliament on why gender imbalance in Scottish Jazz here

Please go and read them!

Tom, Marty, Graeme, and Mario get together to decide the Playtime awards for Best Gig, Best Solo, Best Guest, and the coveted Audience Member of the Year awards for 2025. There are big prizes and big debate and some really cool award music!

Tom interviews Stephen Henderson about living in a jazz community, being a drumming composer, and the incredible story of the Fergus McCreadie trio being asked to play on the score of a Spike Lee movie and how the whole thing panned out with a 97 piece orchestra in New York. The episode ends with a personal musical tribute to the great Brian Kellock.

The fab four reflect on another epic year and decide awards for: Best Gig, Best Guest, Audience Member of the Year, Best Crustacean Based Solo, and Outstanding Soloing Throughout Year Award. There are vigorous discussions for all these categories and new Award music (not composed by Graeme). Then we get a wonderful interview with London-based Scottish bass virtuoso Calum Gourlay about how he learnt to play jazz, moving to London, playing on autopilot,  'babysitter' drummers versus other kinds of drummers, being a 'big hug' bass playing master, and having a love of folk music (or not). And so another year ends ... and soon a new one will begin.

This is a special edition podcast about the very special Islay Jazz Festival - now in its 26th year. Tom is playing there by accident and explains why the festival is so special and talks about some of the gigs he sees and plays in, and interviews Laura MacDonald about the simultaneous worst and best gig of all time, chats to Jazz Scotland head Coralie Usmani about taking over the Islay Jazz Festival, chats with Playtime podcast legend Brian Palmer about being the only jazz drummer on the island (and al the other things he does), and talks about how the festival was first created with Islay Jazz Festival co-founder and ever present (and key figure in the Flak incident) Stuart Tod.  There is the hunt for the loser of £30 found on Bowmore High St, and you hear about the Flak incident. Part 2 is coming up ... with an interview with master bass play Calum Gourlay.

Episode 8:

Sorry for the long gap. In this episode we explain "Where have we been?",
We talk about the Jazz Bar Closing in edinburgh and what that means, Tom remembers  Bill Kyle, we talk about The 'Daves' on Facebook, and then we see the interview with the wonderful  Anoushka Nanguy.

In this episode we hear about the podcast's new sponsor - Paul Towndrow - saxophonist, composer, educator, musicians, international jazz life coach.  Tom and Mario discuss hat etiquette,  dancing cockatoos, and other stuff. We hear an audio narrated double drum duet between Tom & Stu Brown (nb you can see the video version here and the video version with audio narration v1 here v2 here v3 here). Then Tom interviews the absolutely lovely Ben MacDonald who talks about how he got into playing jazz guitar and is the first person to sit the 'Do Jazz Musicians Have Creative Minds? Test'. The episode finishes with a exclusive preview track from Playtime's upcoming album 'Morse Code Through The Lights' featuring Denys Baptiste. That is all.

In this drum-tastic episode Tom gets you up to date with the latest messages and news and stuff and then gets into the interview with fellow drummer Stu Brown who is joining Playtime for a double drum extravaganza known as - Drum-a-mi.

They talk about drumming, double drumming, drum heroes, both of them having a lesson with great drummer Joey Baron,  listen to an excerpt from the great drum duo between Joey Baron and Robin Schulkowsky, the Scottish Jazz Scene in the 90's, the different experiences of Scottish Jazz gatekeepers when the gate is open vs it being closed,  Stu's route into the music business, going to Berklee, playing with Mario, playing drums with a lobster and a baby (toy), Stu's Dad and his record collection, and getting feedback from Scottish Jazz legends Fionna Duncan and Ronnie Rae Snr. THEN there is an exclusive preview from Playtime's upcoming album of a piece they played during lockdown over the internet with the amazing Laura Jurd on trumpet. That is all...

This episode features the review of the year by 4 out of 5 of the Playtime team discussing and then giving awards in nearly all the following categories - Gig of the Year, Solo of the Year,  Guest of the Year , Audience Member of the Year and Least Impactful Social Media Presence.  We hear/see the audience reaction at the last gig when some of these awards are announced especially the winner of Least Impactful Social Media Presence. Then we have the full interview with Mario Caribé discussing how he got into music and playing the bass and then how and why he came to Scotland. Finally we hear the track 'Golden Flowers' from the Scottish composer-drummer Corrie Dick with Marianna Sangita on vocals..