The End.

A review and a look back.

It’s been over seven years since Marc and Steve brought on an intern  (Eric) to create a music review podcast.  Since then they covered every single NIN and Bowie song, and 42 separate albums by other artists ( plus related discographies).  The Trio has reached the end of the road, and they find themselves back at the starting line. 

Pod Like Hole’s pilot experiment, the first episode, was Nine Inch Nails' “Pretty Hate Machine”, but the Hole Boys didn’t really know what they were doing yet.  Blushing amateurs, they bungled a classic record.  In the spirit of setting things right in this jacked up universe, they will finish what they started.  But this time....they’ll get it right. (what year is this?)

Enjoy a track by track review of “Pretty Hate Machine” , and betwixt the analysis the guys will reflect on this project, their friendship, and the incredible listeners we’ve gotten to know over the better part of a decade. It's a loose, long goodbye.

As the bionic guitars of Ringfinger echo into the stratosphere, so do your hosts. While our friendship is eternal, this project has been canceled.   This is our goodbye.  But …..to quote Joe Strummer, (co-creator of our only perfectly scored record), “ The Future is Unwritten”….

Links:

Artwork by the great Greg Wolgast.  Check out his you tube channel where he destroys every drum cover he does..in a good way :  https://www.youtube.com/@someroomtodrum

Read the new book by frequent guest Guy Mankowski’s, “You Complete the Masterpiece”

Buy on Amazon or even better your local bookstore

And be on the look out for “Lived Through This”  based on the journals of late Hole-bassist Kristen Pfaff. 

Listen to the incredible sophomore album by regular listener Michael Komonos , “My Mother and Child”.

https://michaelkonomos.bandcamp.com/

Our listeners have been the extra fuel to get this baby to 88 MPH, thanks for seven years of friendship. 

This episode concludes our discussion of The Cure and this Pod Like a Hole season by analyzing the album Disintegration. Do we end the season on a sour note, or do we find ourselves whisked away to a world of wind chimes and thunderclouds rumbling in the distance? 

Just like one of the themes of the record, everything must come to an end. We thank you, faithful listeners, for following us as we talked for countless hours about our favorite music, artists, and bands in what felt, at times, a neverending project. We ain’t quite dead yet though. Stay tuned.

All good things…

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Artwork by Greg Wolgast

Video Links:

“Pictures of You”

“Lovesong”

“Lullaby”

“Fascination Street”

This episode discusses our individual rankings for the Cure's studio album discography. This conversation is a prelude to our next episode where we review track by track the album Disintegration. Let us know how we did on everything by finding us below.

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Artwork by Greg Wolgast

Pod Like A Hole discusses Stevie Wonders' Songs In The Key of Life. The hosts touch on his other amazing 70s albums, the Wonder of Stevie Wonder, the TV Show the Curse, Weird Al, Wild Wild West,  and review Sides A and B of the album - track by track. 

Join us next time for side B and C. Followed by our final Podcasts that will cover Robert Smith's the Cure. 

On the 4th of July 2024, Pod Like A Hole is celebrating by uploading our discussion of Willie Nelson's The Red Headed Stranger. 

This concept album is a Sunday morning favorite in one of the hosts homes, and the boys seem to all agree that it's status as an All American Classic is no fluke. Willie bet on himself (and the talents of his sister Bobbi Nelson) and hit big. 

This is the 2nd and final episode in our Willie Nelson series. Remaining artists in this final season of Pod Like A Hole are Stevie Wonder and the Cure. In that order. 

Willie Nelson is many things: a lover, a traveler, a Texan, a guitar player, smoker, outlaw, hero, poet, fashion icon, actor, activist, philanthropist, gunslinger, wiseacre, animal lover, brother, father, husband (four times over), Hellraiser, braids and beard enthusiast, but most of all Willie is a friend to all. 

In this episode of Pod Like A Hole the hosts discuss the life and times of WIllie Nelson. His brushes with the leaf and the law, his multiple wives, his work as a public servant to the people and animals of America, his collaborations that cross genres and his work with the other Outlaw Country Heroes, and how he manages to be a man that for 91 years and counting is still making music and along the way has become a friend to almost everyone in every walk of life. 

We find time to touch on 10 or so of his standout albums (couldn't get to all 100+ of his records), and in the next episode we will dedicate the recording to his masterpiece: The Red Headed Stranger. 

WE'VE GOT BATS IN OUR BELFRY!!!!! Grey would be the colour if we only had a way to colour-coat episodes.  It's Goth Month here on Pod Like a Hole, so get out your choker, get your eyeliner, and pick a safeword , we are covering Siouxsie and the Banshees and it is getting DARK.  

It is Intern Eric's final pick of the season, and does he go out with a bang or a whimper?  You be the judge.  It's the 1980 record that brought Siouxsie to a new level of rock.  Listen as your boys pick apart the  ground breaking licks from John McGeouch, basslines from Steve Severin, and poundings from Budgie.  And vamping up front, is the true queen of the dungeon, Siouxsie Sioux.  Your hosts go into the history of the band, discuss at what point post-punk became goth, and how inspirational this band ended up being.  Then its a track by track review of Juju.  

It's a whole episode of pain and pleasure.  The bitter and the sweet. 

Enjoy.  

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