I decided to read out chapter by chapter the first short story of my upcoming fourth anthology. This story is set in the 26th Century YM, seven or eight hundred years following the events of "Malachi’s Gambit" in my first short story anthology (Deadshepherd), and about thirteen hundred years before the events of the Final Fall of Man series.

I'm beginning to regret doing it, because it's so fucking time-consuming and the editing program is a chaotic-evil force of capricious destruction in software form.

It is tentatively entitled "Grendel's Grief." The story, that is, not the editing software.

Musical credit to Oliver St. John for the cool intro riff, which I separated out from the "2001: A Space Odyssey" theme (with apologies).

Other stuff provided by Anchor by Spotify.

I decided to read out chapter by chapter the first short story of my upcoming fourth anthology. This story is set in the 26th Century YM, seven or eight hundred years following the events of "Malachi’s Gambit" in my first short story anthology (Deadshepherd), and about thirteen hundred years before the events of the Final Fall of Man series.

I'm beginning to regret doing it, because it's so fucking time-consuming and the editing program is a chaotic-evil force of capricious destruction in software form.

It is tentatively entitled "Grendel's Grief." The story, that is, not the editing software.

Musical credit to Oliver St. John for the cool intro riff, which I separated out from the "2001: A Space Odyssey" theme (with apologies).

Other stuff provided by Anchor by Spotify.

I decided to read out chapter by chapter the first short story of my upcoming fourth anthology. This story is set in the 26th Century YM, seven or eight hundred years following the events of "Malachi’s Gambit" in my first short story anthology (Deadshepherd), and about thirteen hundred years before the events of the Final Fall of Man series.

I'm beginning to regret doing it, because it's so fucking time-consuming and the editing program is a chaotic-evil force of capricious destruction in software form.

It is tentatively entitled "Grendel's Grief." The story, that is, not the editing software.

Musical credit to Oliver St. John for the cool intro riff, which I separated out from the "2001: A Space Odyssey" theme (with apologies).

Other stuff provided by Anchor by Spotify.

I decided to read out chapter by chapter the first short story of my upcoming fourth anthology. This story is set in the 26th Century YM, seven or eight hundred years following the events of "Malachi’s Gambit" in my first short story anthology (Deadshepherd), and about thirteen hundred years before the events of the Final Fall of Man series.

I'm beginning to regret doing it, because it's so fucking time-consuming and the editing program is a chaotic-evil force of capricious destruction in software form.

It is tentatively entitled "Grendel's Grief." The story, that is, not the editing software.

Musical credit to Oliver St. John for the cool intro riff, which I separated out from the "2001: A Space Odyssey" theme (with apologies).

Other stuff provided by Anchor by Spotify.

I decided to read out chapter by chapter the first short story of my upcoming fourth anthology. This story is set in the 26th Century YM, seven or eight hundred years following the events of "Malachi’s Gambit" in my first short story anthology (Deadshepherd), and about thirteen hundred years before the events of the Final Fall of Man series.

It is tentatively entitled "Grendel's Grief."

Musical credit to Oliver St. John for the cool intro riff, which I separated out from the "2001: A Space Odyssey" theme (with apologies).

Other stuff provided by Anchor by Spotify.

This episode is also available as a blog post: http://hatboy.blog/2021/03/02/the-strange-case-of-gina-carano-a-hatboys-lukewarm-sociocultural-events-special/

All mispronunciations of names and the word "it's" as "I. Ts" are Remy's fault. She's great, but I just did this for a laugh.

I decided to read out chapter by chapter the first short story of my upcoming fourth anthology. This story is set in the 26th Century YM, seven or eight hundred years following the events of "Malachi’s Gambit" in my first short story anthology (Deadshepherd), and about thirteen hundred years before the events of the Final Fall of Man series.

It is tentatively entitled "Grendel's Grief."

Musical credit to Oliver St. John for the cool intro riff, which I separated out from the "2001: A Space Odyssey" theme (with apologies).

Other stuff provided by Anchor by Spotify.

I decided to read out chapter by chapter the first short story of my upcoming fourth anthology. This story is set in the 26th Century YM, seven or eight hundred years following the events of "Malachi’s Gambit" in my first short story anthology (Deadshepherd), and about thirteen hundred years before the events of the Final Fall of Man series.

It is tentatively entitled "Grendel's Grief."

Musical credit to Oliver St. John for the cool intro riff, which I separated out from the "2001: A Space Odyssey" theme (with apologies).

Other stuff provided by Anchor by Spotify.

I decided to read out chapter by chapter the first short story of my upcoming fourth anthology. This story is set in the 26th Century YM, seven or eight hundred years following the events of "Malachi’s Gambit" in my first short story anthology (Deadshepherd), and about thirteen hundred years before the events of the Final Fall of Man series.

It is tentatively entitled "Grendel's Grief."

Musical credit to Oliver St. John for the cool intro riff, which I separated out from the "2001: A Space Odyssey" theme (with apologies).

Other stuff provided by Anchor by Spotify. I know it's still a bit rough, and it's short. It's my first podcast.

Since WordPress offered this fun new thing, I figured what the heck. Time to make the Hatstand into a podcast. Or "Podstand," if you will.

This episode is also available as a blog post: http://hatboy.blog/2021/02/23/so-hey-how-about-we-try-podcasting-next/