Artist
Song
Time
Album
Year
Aquacadia
The Forest Edge
6:19
At the Forest Edge
2026
Chantelle Smith & Richard Wileman
Wheel Of Fortune
7:49
Samhain Tree
2026
Grice
Traveller
3:09
Filter
2026
Grice
Canticle (Fayre)
2:10
Filter
2026
Baby Cool
Mirage
3:20
Infinity Baby
2026
Marisa Anderson
Sarvi Simin
4:10
The Anthology of UnAmerican Folk Music
2026
Sudan Dudan
Gard og grind
5:02
Mørke refrenger
2026
Albion
Mis Mai
3:14
It Was In The Month Of May I
2026
The Glass Society
The Glass Society
5:01
The Glass Society
2026
Gealdýr
Wyrmbana II (feat. Faeloria)
2:25
Wyrmbana II (feat. Faeloria) – Single
2026
Dan Caine
Glass Bottom Boat
2:10
Momentum
2025
Dan Caine
Flow State
2:37
Momentum
2025
Chelsea Wolfe
Death is Not the End
4:12
Single
2026
At the Forest Edge
by Aquacadia
The Forest Edge
This San Antonio duo bring a retro feel on this release, veering from Renaissance folk to progressive rock, and toss in some electronica…a bit of something for everyone. My favourite side is when they mix both the acoustic and electric guitars, which is done to perfection on the opening track, The Forest Edge.
Samhain Tree
by Chantelle Smith & Richard Wileman
Wheel Of Fortune
Wyrd/prog folk multi-instrumentalist duo hailing from Swindon have given us this lovely release. Both sing, and Chantelle plays guitar, harp, hurdy gurdy, shruti box, and bodran, with Richard providing all manner of guitars, bouzouki, keys, percussion, dulcimer and accordion.
FILTER
by GRICE
Canticle (Fayre)
We are blessed once again with a release from GRICE. He deftly flutters from the ethereal to art rock and pop, then jumps into jazz territory, with his silken voice properly at center stage. There are a slew of venerable guests to assist him here, from the usual instrumentation to the exotic.
Infinity Baby
by Baby Cool
Mirage
Led by Grace Cuell, this psych folk release offers both swiftly moving folk rock as well as lushly melodic balladry. Besides vocals, instrumentation is acoustic, electric, and pedal steel guitars, harp, synths, bass, and various percussive elements.
The Anthology of UnAmerican Folk Music
by Marisa Anderson
Sarvi Simin
Inspired by a 1952 Folkways compilation, guitarist Marisa Anderson has reimagined folk tunes from areas with which the US has been in conflict in the modern era. Besides electric, acoustic, and pedal steel guitars, you will hear accordion, violin, viola, and various keyboards. From Afghanistan to Vietnam, this is a thoughtful trip into the international language of music.
Mørke refrenger
by Sudan Dudan
Gard og grind
This is a critically acclaimed acoustic Norwegian traditional folk duo. With both male and female vocals, other instrumentation is comprised of guitar, langeleik, fiddle, harmonium, and jaw harp. Most of the songs have a serene quality to them, and some are quite haunting. Thoroughly enjoyable
It Was In The Month Of May I
by Albion
Mis Mai
Joe Parrish James brings another finely crafted Celtic/prog/rock/folk release. It ranges from acoustic folk tracks to jubilantly epic electric extravaganzas, never leaving behind Joe’s Celtic roots. I am torn between the opening track, which is satisfyingly sung in Welsh, and the wistfully plaintive Cherry Hill (Maya II), but going with Mis Mai.
The Glass Society
by The Glass Society
The Glass Society
Multi-instrumentalist and composer Jon Farley has returned, collaborating with the phenomenal Alex Deane on lead vocals and nimble-fingered Julian Brotherhood on guitars and vocals. This is a powerful treatise that mostly centers unflinchingly on modern alienation. There are some bright spots as well, with Farley’s genuine lyrics as poignant whether tackling the evil or the sublime. Not a bad track in the bunch, but the opening title track sets the stage.
Cyning
by Gealdýr
Excalibur
Dutch singer-songwriter Jonathan Berendsma, uses the pseudonym, “Gealdýr,” for his forays into Nordic folk. This release focuses on the Arthurian legends, and beautifully captures their mist-shrouded mythic antiquity.
Momentum
by Dan Caine
Flow State
Ambient guitarist from Liverpool uses post rock as a backdrop for these 6 solo pieces, but in a subtle and quiet sort of way, rather than it’s typical presentation. My only complaint is that I could handle twice as many tracks, as it’s a wonderful place to get settled into.
Death Is Not The End
by CHELSEA WOLFE
Alt-rocker Chelsea Wolfe has released two singles (hopefully ahead of another full release), this one, and “The Dark.” I love the relentless build of this one, beginning in a whisper and concluding with an impassioned insistence.
