What do a children's story and horror film have in common? Maybe our Suffering Child question, with very different approaches to it.

This is getting challenging. What are we to do with the Suffering Child question? And on which form of suffering do I plant my flag of resistance? Dostoevsky and Langston Hughes both offer clues.

Still another famous writer has posed the Le Guin question, and he did it in one of Russia's most famous novels, The Brothers Karamazov. Here it is.

Le Guin leans on an essay by William James, but what does that have to do with all our garden talk? It's about our blind spots and our privilege.

Speaking of links back to Andrew Marvell's poetry--weren't we?--we expose some of our misapprehensions about nature, leisure, and work. And we read Marvell's poem "The Garden" while we think green thoughts about it.

What does it mean to embrace "Other"? And how might we understand carpe diem if we truly had "world enough and time?" Le Guin shows us in her famous science fiction short story.

Where we've been and where we're going, and we take a pause in a museum gallery, too!

Looking ahead at Season 6: Ursula K. Le Guin's story, "The Ones Who Walk Away from Omelas," and all the wrestling we do with dilemmas of ethics.

We finish a carpe diem journey and I reflect back on what I've learned, what I believe, and where we are going next.

It's time for the end of our carpe diem journey, and we celebrate with a congratulatory essay! Hey, why so glum?