Politics and Prose Presents

A history of the engineering marvels behind one of America's most innovative and beloved entertainment experiences

When Disneyland opened to the public in 1955, it demystified the hidden world of factory automation through its extraordinary new attractions. In this fascinating book, Roland Betancourt tells the story of how the visionary engineers and designers at Disney transformed the technologies of the postwar assembly line into an entertainment experience unlike anything the world had ever seen.

Disneyland and the Rise of Automation traces the origins and evolution of these technical innovations during the theme park's first three decades in operation, exploring how engineers reimagined the systems and machines of industrial manufacturing and the military. The magnetic tape used to test ballistic missiles was repurposed to animate the talking macaws in the Enchanted Tiki Room. Programmable Logic Controllers, widely used on automotive assembly lines, brought to life the spectacular rides of the Matterhorn Bobsleds and Space Mountain. Betancourt shows how these and other attractions helped to allay fears about automation and job displacement in 1950s America. Along the way, he situates Disneyland's remarkable creations within a broader history of the technologies that increasingly order and construct the world around us, from the Fordist factory to artificial intelligence.

Essential reading for anyone interested in engineering, corporate histories, or popular culture, Disneyland and the Rise of Automation invites us to consider how technology and the logic of automation become integrated into our lives through entertainment.

Roland Betancourt is Chancellor's Professor in the Department of Art History at the University of California, Irvine, and a 2023 Guggenheim Fellow. His books include the prize-winning Byzantine Intersectionality: Sexuality, Gender, and Race in the Middle Ages (Princeton) and Performing the Gospels in Byzantium: Sight, Sound, and Space in the Divine Liturgy.

Betancourt is in conversation with Bruce Holsinger, the author of Culpability, the 116th selection of Oprah’s Book Club and hailed by Oprah Winfrey as “a must-read for all generations.” His four previous novels include The Gifted School, a Book of the Month Club selection and winner of the the Colorado Book Award; The Displacements, the inaugural title in the United Nations Read for Action Book Club; and The Invention of Fire and A Burnable Book, historical novels set in medieval London. He’s also written many works of nonfiction, most recently On Parchment: Animals, Archives, and the Making of Culture from Herodotus to the Digital Age. His essays and reviews have appeared in The New York Times, Vanity Fair, and many other publications, and he has been profiled on NPR’s Weekend Edition, Here & Now, and Marketplace. He is the editor of the quarterly journal New Literary History as well as a frequent instructor at WriterHouse, a nonprofit in Charlottesville. He teaches English at the University of Virginia and is the recipient of a Guggenheim Fellowship.

PURCHASE:

https://politics-prose.com/book/9780691255873?ic_referral=Cp0te3F19h0pap0AuB-MLHlGio11mdL5RFwPXyi1P1YwMz2PHmq8HO9DSd-AwHRoNC6Rh0ia9-5SxdvLKbgX-mdn7aik7_OEAkeOxKiN8dcRylkl8ki3Fl1ar7PjBJ9TokEkKGc

Following his captivating and popular A Hundred Lovers, Hofmann’s new collection is a queer coming-of-age, tinged with myth: poems that bring us into a fever dream of antiquity and desire at its limits
Recognizing the fragility of the body and soul in a world of threat, these startling poems stem from a central boyhood memory—the author’s near-drowning in a swimming pool on Crete. The observant child was troubled that none of the statues he saw had arms—and then it was his father’s arms lifting him from the water, saving his life.
Hofmann balances elegance and brutality as he explores the fables of that childhood as well as the contours of sex and relationships in modern cities, in order to write his own personal history of love and survival: “Masculine arms lifted me. / Masculine arms held me while I slept.” The poems navigate risks, abandonments, and rescues, moving through a series of mazes that become a labyrinth of erotic awakening, with quick turns and dangerous diversions. In poems that alternately sear and crush delicately, we wander the ruins where the self is lost and broken and ultimately reclaimed: at the dark center, in the heart of the past.
A triumphant follow-up to the fetching catalog of lovers in Hofmann’s last book, this collection thrills with its archaeology of self, its notes of austerity and decadence.

Richie Hofmann is the recipient of fellowships from the Guggenheim Foundation and the National Endowment for the Arts. His poetry appears in two previous books, A Hundred Lovers (2022) and Second Empire (2015), and in The Paris Review, The New Yorker, Poetry, The New Republic, and The Yale Review.

Master craftsperson, renowned feminist poet and activist Robin Becker explores a number of themes in this bountiful selection of new and selected poems.
Midsummer Count collects the best work of Robin Becker, considered by many to be the foremost feminist poet of her generation. With selections from each of her previously published books and nearly thirty new poems, readers enter Becker’s lifelong exploration of childhood, animals, cherished places, complex friendships, and romantic intimacy. A life-affirming current yokes these narratives across time, even as a sister’s early suicide haunts the decades. In blank and free verse, in couplets, quatrains, and sonnets, the poet wrestles formal tensions, creating a present-day idiom for beauty, grief, and compassion. Lovers of Becker’s work and those new to it will find in Midsummer Count a master class by one of today’s most dynamic poets.

Robin Becker is the author of eight previous books of poetry, including The Black Bear Inside Me and the Lambda Award winner All-American Girl, both published in the Pitt Poetry Series. A liberal arts research professor emerita in English and women’s studies at the Pennsylvania State University, she lives in central Pennsylvania and southwestern New Hampshire.

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Stretching from the present day to the near future, from China to America and beyond, M Lin’s piercing and melodious debut captures the spirit of China’s One-Child Generation as its characters navigate homes and cultures, hopes and contradictions, survival and resistance. These frank, tender, and playful stories offer profound insight into the ambivalence of migration, the perverse ways race and class can operate, and what it means to be Chinese today.
The collection begins with “Scenes from Childhood,” in which a lonely, elderly woman in a dystopian reality remembers her grandfather’s village. In “Magic, or Something Less Assuring,” a politically divided couple goes on a divorce honeymoon in Morocco. “You Won’t Read This in the News” features four migrant workers during one night of petty theft and connection. In “Tough Egg,” a filmmaker thwarted by censorship untangles her fraught relationship to motherhood. Other stories portray a photographer reuniting with her first love in Beijing; the historic White Paper protests that ended the zero-COVID policy; and generations into the future, a newly instated Memory Museum where two sensory architects share their vision for a utopian world.
With daring political and creative commitment, The Memory Museum brims with joy even as Lin exposes the knife’s edge between powerlessness and agency, pain and intimacy, our memories and our futures.

M Lin is a Chinese writer living in the US. Her stories have appeared in Ploughshares, Swamp Pink, Joyland, Epiphany, Fence, and Best Debut Short Stories 2023, and her nonfiction can be read in The New York Times, Guernica, The Rumpus, and elsewhere.'

Lin is in conversation with Shannon Sanders, a Black writer and attorney and the author of the forthcoming linked short story collection Company. Sanders’s short fiction was the recipient of a 2020 PEN/Robert J. Dau Short Story Prize for Emerging Writers and has appeared in several publications including One Story, TriQuarterly, Joyland, Electric Literature, and elsewhere. She lives in Silver Spring, Maryland, with her husband and three sons.

PURCHASE:

https://politics-prose.com/book/9781644453858?ic_referral=93prCHPAWp4A6renEzx7LCA5iVLo4Td5J4USEJcG-9swM63bqrmnPr7Sb-azcbtYBi5ELqYw3JZdK_rQdxrp669MUiiBkCu905pCU8uKJx5nHJiCHcXRx0AeXmTP4Cr_pXgPpYQ

WINNER OF THE ROYAL SOCIETY TRIVEDI SCIENCE BOOK PRIZE

Award-winning author and leading neurologist Masud Husain shares seven fascinating cases of brain disorders from across his career - and shows what they can teach us about our own brains

What makes us who we are?
Through the stories of seven of his patients, acclaimed Oxford University neurologist Masud Husain shows us how our brains create, change and can even restore our identity. Husain introduces us to a man who ran out of words, a woman who lost all inhibitions and another who believed she was having an affair with the man who was really her husband.

These compelling human dramas reveal how our identities are created by different functions within the brain. It will ignite new ideas about who we really are - and why we act in the ways we do.

Masud Husain is Professor of Neurology and Cognitive Neuroscience at the University of Oxford and Professorial Fellow at New College, Oxford. Unusually, he works across departments of neuroscience, brain imaging and psychology to understand cognitive functions in both healthy people and patients with brain disorders. Masud is Editor-in-Chief of Brain, a leading international journal of neurology. First established in 1878, Brain is widely considered to be the most influential publication in the field, with its monthly editorials being a key source of authoritative perspectives. @MasudHusain masudhusain.org.

Husain is in conversation with Dr. Peter Turkeltaub, a neuroscientist and board-certified cognitive neurologist focusing on stroke neurorehabilitation. Dr. Turkeltaub’s clinical efforts are devoted to post-stroke language and cognitive impairments, primarily aphasia. He is part of an interdisciplinary care team at the Aphasia Clinic at MedStar NRH that makes recommendations for optimizing recovery from post-stroke aphasia.

PURCHASE:

https://politics-prose.com/book/9781837261109?ic_referral=DqlT-hJ37nSwiAHWa81I7rfYCJu2htpil_K2z_L7lYcwMxi4tXnMFC3joqHEV9eLI7IcmBoOLDcrv88dx6USby52ryyvmCub6UGTjc7woMbfykJYZzhK1Yq2vKZg0jbdC0gJv3A

Molly Irani, the visionary cofounder of the James Beard Award–winning restaurant Chai Pani, shares her passion for hospitality and story of building a thriving business that puts people first.
Growing up with parents who owned a restaurant, Molly understood the power of service but also had a keen understanding of the industry’s challenges. When her husband Meherwan wanted to open a restaurant that would serve the Indian street food of his childhood, Molly thought he was nuts. And yet, the couple turned this unlikely dream into a vibrant reality. Chai Pani would eventually win the James Beard Award for Most Outstanding Restaurant in America, and be named one of 50 Favorite Restaurants in America by The New York Times, and one of Southern Living’s 20 Friendliest Places in the South.
In Service Ready, Molly takes readers on their inspiring journey to the heights of culinary and professional success. While she and her husband learned their way into running a restaurant, Molly created a groundbreaking work culture with industry-leading retention rates. They have fostered a loyal team and legions of fans, and have since launched multiple Chai Pani locations, the fast-growing spin-off, Botiwalla, and the popular spice business, Spicewalla.
Molly shares the ten core principles that have shaped their path, offering essential lessons for any industry. She opens up about the challenges and rewards of being business partners with your life partner and shares how she and Meherwan learned to merge their strengths in order to thrive. Her story celebrates the power of female leadership in a traditionally male-dominated field and is a testament to the essential impact these strengths bring to businesses. As she reflects on navigating a recession, a global pandemic, and the devastating floods in Asheville, she explores resilience, innovation, and how to create a strong culture in any workplace.

Molly Irani is the cofounder and Chief Culture Officer of the James Beard Award–winning Chai Pani Restaurant Group in Asheville, North Carolina. She is responsible for the business’s groundbreaking culture, management style, community engagement, and “mindblasting” hospitality. She lives in Asheville with her husband and business partner, Meherwan Irani, where they raised their daughter, Aria, and her siblings (a.k.a. two goldendoodles).

Irani is in conversation with Nevin Martell, a freelance writer-photographer based in the D.C. area who focuses on food, travel, and foraging. His work regularly appears in The Washington Post, USA Today, National Geographic, and many other publications. He is the author of nine books, including How to Eat Foraged Foods without Dying, Red Truck Bakery Cookbook, and The Founding Farmers Cookbook. On top of his writing, he is co-founder of the highly successful, long-running New Kitchens On The Block food festival, which gives diners a first taste of the D.C. region’s hottest new restaurants before they open. He holds a master’s from The S.I. Newhouse School of Public Communications and a bachelor’s from Vassar College. When he's not working or on the road, he treasures time with his son, Zephyr.  

PURCHASE:

https://politics-prose.com/book/9781668052990?ic_referral=FwwPXubJ-iEJG7-K9EGG-T3-RZ_bsRw9vu9nvLgkHXowM7N-MjPMtoWWr6Eqzlzw_IcNBGc2yc69RtNDWvO2CY5Z2EqNTu8vL_fEezY0xito9Olk-7AohQwSvfs61kgoe8yL71o

Named a Most Anticipated Book of 2026 by Literary Hub
The best in short fiction from around the world, from celebrated anthologist and author John Freeman and award-winning novelist Rabih Alameddine
In The Penguin Book of the International Short Story, writers from different nations, languages, and sensibilities come together in a globe-spanning and long overdue tour of modern fiction. In “Super-Frog Saves Tokyo,” Haruki Murakami brings us a man who believes a giant amphibian is enlisting him to protect his city from an impending earthquake. In “War of the Clowns,” Mozambique’s Mia Couto sketches a perfect allegory for our divided culture. In the predecessor story to her iconic novel The Vegetarian, Han Kang depicts a protagonist quietly undergoing an unlikely transformation. A Colm Tóibín character thinks, “I do not even believe in Ireland,” while Carol Bensimon reflects from Brazil, “All great ideas seem like bad ones at some point.” Salman Rushdie brings us to unsettled rural India, Olga Tokarczuk to an ugly woman exhibit at the circus, Abdellah Taïa to the queer Arab world, Ted Chiang to a far-off galaxy.
The United States is far from the center of the literary universe. This anthology is reminiscent of iconic director Bong Joon Ho’s line about overcoming “the one-inch-tall barrier of subtitles” to enter a new world of film—the work of thoughtful and accomplished translators opens the door wide for those curious about what lies beyond the Western canon and classroom. Writers from six continents, ranging from new voices to literary icons, each offer a window into a distinct point of view, both transcending and illuminating their place of origin. They offer not only captivating prose, but a reminder of the power of the imagination across space and time.

Rabih Alameddine has written nine books that have been translated into more than twenty languages. His most recent awards include the 2019 Dos Passos Prize, the 2021 Lannan Literary Award for Fiction, and the 2022 PEN/Faulkner Award for Fiction. He divides his time between his bedroom and his living room.

Alameddine is in conversation with Paxima Mojavezi, an Iranian-American author and journalist. She has been writing short stories for nearly three decades, and four of her short story collections have been published in Persian since 2000. The story “Forty-Eight Steps” is one of the stories from her second book. She has also published two nonfiction books

PURCHASE:

https://politics-prose.com/book/9780593834138?ic_referral=iALJlJDoo7xiPvFiIGdCD6HlkicS4YTc5VAezVYrrTcwM0S79NMRgPrsRwcxVrw9z2K8GfmBpbR_Gc51ZnPRlqDi8uqtNXYErksLv6m71B7oEalpGstZHBlQHSn638WRIbSgz2A

What is driving the rise of fascism--and how can we stop it?

In this singular investigation into the sinister realms of fascism and its many guises, Omer Aziz, author of the acclaimed Brown Boy and contributing writer for the Boston Globe, sets out to answer the question: Why are so many young people like him drifting to the ultranationalist right? Shadows of the Republic offers a haunting portrait of American fascism, how it began, and why it is now focused on immigration, technology, and the purification of society.

Fascism is not coming to America; it has been here for a long time. With astringent clarity, Aziz traces the flaring up of fascist ideas in both American history and our current moment. From the dominance of the KKK, to the Nazi rally in New York in 1939, to the alliances between U.S. elites and European fascists, Aziz examines the long shadows of fascism. Traveling across the United States and Europe, he illuminates connections between street fascists and the ones in suits, between Hitler and the country across the ocean he so admired. Aziz examines culture in Germany and Italy in the 1930s, where propaganda ministers made people believe both everything and nothing, and he examines the apppeal of the far right among the very group it targets. Using interviews with experts and his own experience, he also offers an anti-fascist playbook to reinvigorate democracy and our civic life.

Fascism is a precise term, cheapened by overuse. Yet when a word describes reality, we can't afford to ignore it. From the pulsing power of an ideology of the past to its comeback among even those with the most to lose, Shadows of the Republic offers the definitive story of American fascism--and what we can do to salvage democracy for years to come.

Omer Aziz is a lawyer, writer, and former foreign policy advisor in the administration of the Canadian Prime Minister. He was born to working-class parents of Pakistani origin in Toronto, Canada, and with the help of scholarships, became the first in his family to go to college in the West, later studying in Paris, at Cambridge University, and Yale Law School. Aziz has clerked for the United Nations Special Envoy for Syria and served as a foreign policy advisor in the government of Justin Trudeau. He has held residencies at Yaddo and MacDowell and has written for The New York Times, The Atlantic, New York magazine, The Washington Post, The New Republic, and many other publications. He was most recently a Radcliffe Fellow at Harvard University.

PURCHASE:

https://politics-prose.com/book/9798889836643?ic_referral=jEh9G2nxcZGON5HPZIqvQUviyHz78k5KSTZFvwQxt88wMzB6OdOJmEJO5xwUO7YU9lDs_MnvopZtKaw1kGdZjTSCXUa2IXAEWKpONdZ_9uZQw1R7lT39H1p58J1JoOm2ap8n7r0

Tread Upon- by turns tender and furious, and wholly original--attempts to depict the various scales upon which climate change unfolds around us.

Bold, incisive, and wholly original, Christopher Kondrich's Tread Upon explores the social, political, religious, and economic drivers behind the chronic devaluation of the living world. In this book-length sequence, in which each section unravels a word or phrase of the prefatory poem, Tread Upon sprawls from suburbia to the Southern Ocean, from the Cape Fear River to the phones in our hands. Kondrich juxtaposes the intimate with the epic, integrating climate research and reporting to dismantle narratives of anthropocentrism and our individual responsibility amid corporate misinformation. What is the price of our (in)actions and who must pay the cost? In this world where "even one blade is a place," the sequence reveals that the violence done to the living world is violence done to ourselves.

Christopher Kondrich is a poet and writer whose third book, Tread Upon, will be published by Copper Canyon Press in April 2026. He is also the author of Valuing (University of Georgia Press, 2019), which won the National Poetry Series and was selected by Library Journal as a Best Poetry Book of 2019. His poetry appear widely in such venues as The Atlantic, The Kenyon Review, The New York Review of Books, The Paris Review, Ploughshares, and The Yale Review. He currently teaches in the M.F.A. Program in Creative Writing at the University of Maryland.

David Baker is the author many books of poetry, including Transit (2026), Whale Fall (2022), and Swift: New and Selected Poems (2019); his Never-Ending Birds was awarded the 2011 Theodore Roethke Memorial Poetry Prize. He is coeditor of Collected Poems of Stanley Plumly (2025). Baker’s work appears in APR, The Atlantic, The Nation, The New Republic, The New York Times, The New Yorker, Poetry, and is included in the landmark anthology A Century of Poetry in The New Yorker. Baker is Emeritus Professor at Denison University, in Granville, Ohio. He served for many years as Poetry Editor of The Kenyon Review.

Kondrich and Baker are in conversation with Sandra Beasley, who is the author of four poetry collections: Made to Explode, winner of the Housatonic Book Award; Count the Waves; I Was the Jukebox, winner of the Barnard Women Poets Prize,; and Theories of Falling, winner of the New Issues Poetry Prize. Honors for her work include a 2015 NEA Literature Fellowship, the Center for Book Arts Chapbook Prize, the John Montague International Poetry Fellowship, and six DCCAH Artist Fellowships. She is also the author of the memoir Don't Kill the Birthday Girl: Tales from an Allergic Life, and the editor of Vinegar and Char: Verse from the Southern Foodways Alliance. She lives in Washington, D.C. She serves as the poetry editor for Blair, a nonprofit press based in Durham, North Carolina.

PURCHASE:

https://politics-prose.com/book/9781556597244?ic_referral=FgMxNKER8rD8kBv4ilfyXUP-a1F_s5es3SRtntU3cF0wM-mhx2RyFGFEldJIiexHRVr1YVGUUl2jp93u4DQQ4iOepboH8JCtm4YAxknfy87oVoiz3yNwot5EijkAExIoO7WoN_c

From the acclaimed author of Number One Chinese Restaurant comes an affecting novel about an unforgettable group of friends trying to make their way in the world without losing themselves, or one another.
Diana, Justin, Errol, and Vivian were always told that success is guaranteed by following a simple checklist. They worked hard, got A's, and attended a good university—only to graduate into the Great Recession of 2008. Now, despite their newly minted degrees, they’re unemployed and stuck again under their parents’ roofs in a hypercompetitive Chinese American community. So when Grace—once the neighborhood golden child, now a Harvard Law School dropout—asks to make a documentary about the crew, they agree. It’s not like her little movie will ever see the light of day.
But then the video, Bad Asians, goes viral on an up-and-coming media platform (YouTube, anyone?). Suddenly, millions of people know them as cruel caricatures, each full of pent-up frustrations with the others. And after a desperate attempt at spin control further derails their plans for the lives they’d always imagined, the friends must face harsh truths about themselves and coming of age in the new millennium.
Lillian Li’s novel wryly captures a generation shaped by the rise of the internet and the end of the American dream. An epic tale of friendship and family, Bad Asians asks, Can the same people who made you who you are end up keeping you from who you’re meant to be?

Lillian Li is the author of Number One Chinese Restaurant, which was long-listed for the Women’s Prize for Fiction and the Center for Fiction First Novel Prize. Her work has been featured in The New York Times, Granta, and Travel + Leisure. She is from the DC metro area and lives in Ann Arbor, Michigan.

Li is in conversation with Angie Kim, who moved as a preteen from Seoul, South Korea, to the suburbs of Baltimore. After graduating from Interlochen Arts Academy, she studied philosophy at Stanford University and attended Harvard Law School, where she was an editor of the Harvard Law Review. Her debut novel, Miracle Creek, won the Edgar Award, the ITW Thriller Award, the Strand Critics’ Award, and the Pinckley Prize and was named one of the best books of the year by Time, The Washington Post, Kirkus Reviews, and the Today show. Angie Kim lives in northern Virginia with her family.

PURCHASE:

https://politics-prose.com/book/9781250363626?ic_referral=Y5NPp7pyz38vT_kHq3zG6ZiNWUJTqL8dm9YWXAuCqLwwMxpsgLE1sLepO113ExJ3oHiJQlyw8EO2p2qLlqSgGutogjQNTYGa65AUYRTmT5Ow2XkNWBJpNSfDpvG8wwsYzbNB2fQ

“An indispensable book, as intellectually provocative as it is emotionally wrenching.”

—Greg Grandin¸ author of the Pulitzer Prize–winning The End of the Myth

Although the first enslaved Africans arrived in Jamestown in 1619, European slavery in America began more than a century before. In a work distinguished not only by its original research but by its “passionate prose” (James F. Brooks), historian Linford Fisher demonstrates how the enslavement of Indigenous people began in the years just after 1492, ensnaring an estimated three to six million Natives throughout the Americas. Although largely erased from the public consciousness, Native enslavement continued for centuries to become a colossal phenomenon that affected nearly 600,000 Native?Americans in North?America?alone, revealing the shocking truth that American colonizers enslaved Natives in roughly the same numbers as they imported enslaved Africans.
From Virginia to California, from New England to Barbados, Stealing America traces the history of Indigenous enslavement and land dispossession, detailing how colonizers captured Natives and often deliberately mislabeled them as Black slaves to avoid detection. While the American Revolution pealed the bells of freedom for colonists, it paved a larcenous trail of westward expansion that subsequently plundered Indigenous land and stole the labor of Natives from nations like the Cherokee, Navajo, Nisean, and many others. “This double theft,” Fisher writes, “was central to the origins, growth, and eventual success of the English colonies and the United States—not just initially but throughout all of American history.”
In this expansive narrative, Fisher weaves together accounts of major episodes in American history including early colonization, the American Revolution, and the Civil War with lesser-known stories of Native enslavement and land loss. Fisher upends conventional histories about the nature of American slavery, revealing enslaved Natives in places we have overlooked, including southern antebellum plantations and the nineteenth-century American West. After Congress outlawed Native slavery in 1867, Americans forced Indigenous children into boarding schools and white homes, where they labored under forced assimilation. This practice was not reformed until the latter twentieth century, when Native nations finally secured increasing rights and self-determination.
Nearly fifteen years in the making, this magisterial volume not only uncovers a five-century genocidal history but also illuminates the myriad ways Native Americans have fought for their sovereignty and maintained community. The most comprehensive work of its kind, Stealing America emerges as a saga of both persistent colonialism and Indigenous resilience, one that reframes American history at its core.

Linford D. Fisher is an associate professor of history at Brown University. The author of The Indian Great Awakening and principal investigator of the Stolen Relations project, he lives in Providence, Rhode Island.

Fisher is joined in conversation with Mishy Jacobson, a Politics & Prose bookseller.

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https://politics-prose.com/book/9781324094951?ic_referral=4ihiOdI-sYuLYY0mCksox8A_5Gx8zFw4eYHd0j1lGOMwM5yluLzJgbd-yUJqQJ_6y_VRlOyZpDJRAuJBPyHhXNqnE8MEPV0D-MzRSFDbBtdnHknWt07E-AQyVbneaP_CtPj-xLo