Politics and Prose Presents

Why institutional neutrality is nothing but an illusion. 
 
Can a university ever truly be neutral in today’s social and political climate? Pushing against the tide of universities increasingly pledging to stay neutral about contentious issues, law professor Brian Soucek argues that their promises are doomed to fail—universities can’t help being opinionated.
In The Opinionated University, Soucek shows that neutrality is a myth by taking a deep dive into several prominent campus controversies of the day, including diversity, equity, and inclusion (DEI) efforts and restrictions on campus speech and protest. Each issue requires universities to choose a side in what they do, if not also in what they say. In everything from curricular and admissions decisions to their response to outside rankings and their evaluation of faculty, universities express the values at the heart of their mission. Soucek argues that those pushing for neutrality are only preventing universities from standing up for their values, whether in today’s current moment of crisis or in periods of political calm.
Both timely and deeply engaging, The Opinionated University calls on universities to dispense with neutrality as a governing principle and focus instead on what their mission should be, and who should determine it.  

Brian Soucek is a Martin Luther King Jr. Professor of Law at the University of California, Davis. A scholar of free speech and equality law, Soucek has shaped national policy on academic freedom, nondiscrimination, and campus speech through his work with the American Association of University Professors’ “Committee A” on Academic Freedom and Tenure and the University of California’s Academic Senate.

Soucek is joined in conversation with Mary Anne Franks, an internationally recognized expert on the intersection of free speech, civil rights, and technology. She is the Eugene L. and Barbara A. Bernard Professor in Intellectual Property, Technology, and Civil Rights Law at George Washington Law School and the author of Fearless Speech (Bold Type Books, 2024) and The Cult of the Constitution (Stanford Press, 2019). 

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Chloe Yelena Miller’s second full-length poetry collection, Perforated, is about the grief of private and public losses. Architecture and light frame loss through the lens of motherhood, mortality and love from the United States to Italy. Covid, immigration, climate change and school shootings sound alarms in Perforated. Woven through the collection is “New York City,” a long poem broken into smaller pieces reflecting on 9/11 as it continues to reverberate in the author’s life. Public events transform into private experiences as the narrator searches for strength. English and Italian Vocabulary poems, a series that began in Miller’s first book, Viable (Lily Poetry Review Books 2021) and chapbook, Unrest (Finishing Line Press, 2013) explore how language can structure emotions. In “English Vocabulary: To Mourn,” Miller asks, “What if mourning is my engine?” She remembers relatives and loved ones who have died, working to undo mortality through memory. Miller reflects on her family’s Italian origins and her time in Italy. As the final poem, “Palimpsest," offers, we can make our worlds visible through art and light as we build upon the past. We are mortal and fragile, but we can remember each other and persist.

Chloe Yelena Miller lives in Washington, D.C., with her family. She is the author of Perforated (Lily Poetry Review Books, 2026), Viable (Lily Poetry Review Books, 2021) and Unrest (Finishing Line Press, 2013). She holds an MFA in Writing from Sarah Lawrence College (poetry) and a BA from Smith College (Italian language and literature). She has received residencies from Bread Loaf, A Room of Her Own and Vermont Studio Center and has received three DC Arts and Humanities grants for her writing.

Miller is in conversation with Rose Solari, the author of three full-length collections of poetry, The Last Girl, Orpheus in the Park, and Difficult Weather; the one-act play, Looking for Guenevere, in which she also performed; and a novel, A Secret Woman. She has lectured and taught writing workshops at many institutions, including Arizona State University’s Virginia G. Piper Center for Creative Writing; the University of Maryland, College Park; St. John’s College, Annapolis, Maryland; and The Centre for Creative Writing at Oxford University in Oxford, England. In 2010, she co-founded Alan Squire Publishing, an independent literary press.

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A bold manifesto arguing that there is a clear precedent for paying reparations to atone for America’s original sin of slavery, offering a compelling legal strategy to achieve this goal—from the acclaimed author of The Whiteness of Wealth.
The idea of reparations is not a new or original one; it is one that is baked into American history.
When the District of Columbia Emancipation Act of 1862 went into effect, wealthy slaveowners like Margaret Barber were compensated for the loss of their enslaved workers. Barber received $9,000—an equivalent to $250,000 today. When a group of Italian immigrants were lynched in 1892, President Harrison compensated Italy a total of $25,000 for their deaths—an equivalent to almost $766,000 today. The Indian Claims Commission, an arm of the federal government, paid Indigenous Americans $818 million for underhandedly stealing their land in the eighteenth and nineteenth centuries—an equivalent to almost $350 billion today.
Dorothy A. Brown addresses the glaring question: if reparations can be achieved for others, why not for Black Americans? If lynching can be remedied for Italian immigrants, and slaveholders compensated for losses associated with abolition and emancipation, then the government’s failure to provide such remedies to Black communities harmed by similar violence, loss, and destruction is long overdue. The fight for reparations is truly a fight for the soul of America, to produce the country our founding fathers idealized but never achieved.
Getting to Reparations makes a logical and necessary case for reparations for Black Americans. It lays out a path as to how we might achieve this, built on the frameworks used throughout U.S. history by the government to pay restitution. It is now time to do the same for America's Black population.

Dorothy A. Brown is a professor of law and the Martin D. Ginsburg Chair in Taxation at Georgetown University Law Center. She is also the author of The Whiteness of Wealth. A graduate of Fordham University and Georgetown Law, she received her LLM in taxation from New York University. A nationally recognized scholar in the areas of race, class, and tax policy, she has published dozens of articles, essays, and book chapters on the topic. She has appeared on ABC's The View, CNN, MSNBC, PBS, NPR, The Armchair Expert, New Yorker Radio Hour, and Code Switch, and her opinion pieces have been published in The Atlantic, The New York Times, and The Washington Post. Born and raised in the South Bronx in New York City, Dorothy Brown currently resides in Washington, D.C.

Brown is in conversation with Errin Haines, the editor at large and a co-founder of The 19th*, a nonprofit newsroom focused on the intersection of women, politics, and policy. She is also an MSNBC Political Analyst. Prior to joining The 19th*, Errin was a national writer on race and ethnicity for The Associated Press, offering sharp news analysis and original perspectives on current events on topics including urban affairs, policing, historically black colleges, civil rights, and the black electorate. Errin has worked at The Washington Post, the Los Angeles Times, and Orlando Sentinel and has also contributed to numerous outlets including NBCNews, NPR, The Guardian, TIME, and POLITICO Magazine.

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In this moving memoir, an acclaimed poet and novelist tells the remarkable story of the year when her life and her future were irrevocably changed, turning an impossibly difficult chapter of her life into a beacon of sisterhood, love, and growth
On September 24, 2021, Rachel Eliza Griffiths married her husband, the novelist Salman Rushdie. On the same day, hundreds of miles of away, Griffiths’ closest friend and chosen sister, the poet Kamilah Aisha Moon, who was expected to speak at the wedding, died suddenly. Eleven months later, as Griffiths attempted to piece together her life as a newlywed with heartbreak in one hand and immense love in the other, a brutal attack nearly killed her husband. As trauma compounded trauma, Griffiths realized that in order to survive her grief, she would need to mourn not only her friend, but the woman she had been on her wedding day, a woman who had also died that day.
In the process of rebuilding a self, Griffiths chronicles her friendship with Moon, the seventeen years since their meeting at Sarah Lawrence College. Together, they embraced their literary foremothers—Lucille Clifton, Toni Morrison, Alice Walker, to name a few—and fought to embrace themselves as poets, artists, and Black women. Alongside this unbreakable bond, Griffiths weaves the story of her relationship with Rushdie, of the challenges they have faced and the unshakeable devotion that endures.
In The Flower Bearers, Griffiths inscribes the trajectories of two transformational relationships with grace and honesty, chronicling the beauty and pain that comes with opening oneself fully to love.

Rachel Eliza Griffiths is a poet, visual artist, and novelist. She is a recipient of the Hurston/Wright Foundation Legacy Award and the Paterson Poetry Prize and was a finalist for a NAACP Image Award. Griffiths is also a recipient of fellowships from many organizations, including Cave Canem Foundation, Kimbilio, the Provincetown Fine Arts Work Center, the Robert Rauschenberg Foundation, and Yaddo. Her work has been published in The New York Times, The New Yorker, Tin House, and other publications. Her debut novel, Promise, was a Kirkus Reviews and Chicago Public Library Best Book of the Year.

Griffiths is in conversation with Carolyn Forché, an American poet, translator, and memoirist. Her books of poetry are In the Lateness of the World, Blue Hour, The Angel of History, The Country Between Us, and Gathering the Tribes. Her memoir, What You Have Heard Is True, was published by Penguin Press in 2019. In 2013, Forché received the Academy of American Poets Fellowship given for distinguished poetic achievement. In 2017, she became one of the first two poets to receive the Windham-Campbell Prize. She is a University Professor at Georgetown University. She lives in Maryland with her husband, photographer Harry Mattison.

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An illuminating, hilarious, and practical guide to 99 of the most terrifying ways to die and how to avoid them from an emergency medicine doctor.
Dr. Ashely Alker is a self-described death escapologist—or, in more familiar terms, an emergency medicine doctor. She has seen it all, from flesh-eating bacteria to the work of a serial killer to the more mundane but no less deadly, and her work outwitting the end has uniquely prepared her to write this book.

Dr. Alker manages to shock readers while making them laugh, educating them on how to outsmart a wide range of deadly situations and conditions. Many of the chapters include stories from her experiences in life and medicine, at times heartwarming, others heartbreaking. Sections include explorations of sex, poison, drugs, biological warfare, disease, animals, crime, the elements, and much more.
An Anthony Bourdain-style greatest hits tour of death, 99 Ways to Die is entertaining while it informs. Full of valuable advice and wild stories, this riveting read might just save your life.

Ashely Alker, M.D., M.Sc., is an emergency medicine physician on a mission to improve public health. While completing her master’s degree, Dr. Alker studied at Harvard School of Public Health’s multinational institute in Cyprus, where she lived near the United Nations Green Zone and worked in humanitarian affairs at the Unit for the Rehabilitation of Victims of Torture. After graduating from the George Washington University School of Medicine, Dr. Alker served as a healthcare advisor for a member of the US Congress. During her residency in emergency medicine at the University of California, San Diego, Dr. Alker became a technical consultant and medical screenwriter, improving medical accuracy on over twenty shows, including TV and film for Netflix, Hulu, HBO, and Disney. Her nonprofit, Meaningful Media, connects writers, artists, and reporters with certified public health experts to develop scientifically accurate messaging. You can visit Dr. Alker online at AAlkerMD.com.

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A moving cultural history of disability—and a powerful call to action to change how our medical system and society supports those with complex chronic conditions.
 
From lupus to Lyme, invisible illness is often dismissed by everyone but the sufferers. Why does the medical establishment continually insist that, when symptoms are hard to explain, they are probably just in your head?
 
Inspired by her work with long COVID patients, medical anthropologist Emily Mendenhall traces the story of complex chronic conditions to show why both research and practice fail so many. Mendenhall points out disconnects between the reality of chronic disease—which typically involves multiple intersecting problems resulting in unique, individualized illness—and the assumptions of medical providers, who behave as though chronic diseases have uniform effects for everyone. And while invisible illnesses have historically been associated with white middle-class women, being believed that you are sick is even more difficult for patients whose social identities and lived experiences may not align with dominant medical thought. Weaving together cultural history with intimate interviews, Invisible Illness upholds the experiences of those living with complex illness to expose the failures of the American healthcare system—and how we can do better.

Emily Mendenhall is Professor in the Walsh School of Foreign Service at Georgetown University, a Guggenheim Fellow, and contributor to Scientific American, Psychology Today, and Vox.

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The deepest dive yet into the heart and soul, secret affairs, unexplored alliances, and bitter feuds of a generally worshipped, intermittently reviled American icon.
Perhaps no founding father is as mysterious as Thomas Jefferson. The author of the Declaration of Independence was both a gifted wordsmith and a bundle of nerves. His superior knowledge of the human heart is captured in the impassioned appeal he brought to the Declaration. But as a champion of the common man who lived a life of privilege on a mountaintop plantation of his own design, he has eluded biographers who have sought to make sense of his inner life. In Being Thomas Jefferson, acclaimed Jefferson scholar Andrew Burstein peels away layers of obfuscation, taking us past the veneer of the animated letter-writer to describe a confused lover and a misguided humanist, too timid to embrace antislavery.
Jefferson was a soft-spoken man who recoiled from direct conflict, yet a master puppeteer in politics. Whenever he left Monticello, where he could control his environment, he suffered debilitating headaches that plagued him for decades, until he finally retired from public life. So, what did it feel like to be Thomas Jefferson? Burstein explains the decision to take as his mistress Sally Hemings, the enslaved half-sister of his late wife, who bore him six children, none of whom he acknowledged. Presenting a society that encouraged separation between public and private, appearance and essence, Burstein paints a dramatic picture of early American culture and brings us closer to Jefferson's life and thought than ever before.

ANDREW BURSTEIN recently retired from Louisiana State University where he was the Charles P. Manship Professor of History. He is the author of eleven previous books, including The Passions of Andrew Jackson; and  Jefferson’s Secrets; along with Madison and Jefferson and The Problem of Democracy. A noted Jefferson scholar and biographer, he was prominently featured in the Ken Burns PBS documentary Thomas Jefferson. He lives in Charlottesville.

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A REAL-LIFE DISASTER MOVIE: A minute-by-minute account of 2 simultaneous catastrophes during a 1982 blizzard—and the extraordinary courage of civilians and first responders
For fans of Deep Survival and Adam Higginbotham’s Midnight in Chernobyl and Challenger: A True Story of Heroism and Disaster on the Edge of Space
Dedicated to first responders and every person who steps up to act when it matters…
More than 40 years before a Black Hawk helicopter collided mid-air with American Airlines Flight 5342 over the Potomac River, a desperate race against time took place nearby in overwhelming conditions.
Washington, DC, was in the grips of a historic snowstorm on January 13, 1982 that gridlocked the city when Air Florida 90 crashes into a bridge jammed with traffic and plunges into the iced-over Potomac River.
6 people survive the crash, clinging to wreckage in the icy river as a Park Police helicopter risks a daring rescue in nearly whiteout conditions. As the rescue is taking place, DC’s Metro system suffers its first fatal derailment nearby, with dozens injured.
In this page-turning drama, journalist and former firefighter/EMT Bruce Goldfarb recreates the harrowing struggles for survival and acts of incredible courage. Told through the eyes of survivors, firefighters, police, and bystanders, many of whom have never before shared their stories, Goldfarb explores the day’s impact on these participants as well as on the resulting aviation and transit safety measures that have protected us over the decades.

Bruce Goldfarb, former firefighter/EMT, is an award-winning journalist who lives in Baltimore, MD. Goldfarb's work has appeared in the Baltimore Sun, Washington Post, USA Today, Baltimore magazine, American Archaeology, American Health and many other publications. For 10 years, Goldfarb served as executive assistant to the Chief Medical Examiner for the State of Maryland. He was public information officer for the OCME and curator of the Nutshell Studies of Unexplained Death. His first book of popular nonfiction, 18 Tiny Deaths, was published in 2020 by Sourcebooks. In 2023 Steerforth Press published his next book OCME: Life in America's Top Forensic Medical Center.

Goldfarb is in conversation with Bryan Sears, who covers the governor and General Assembly, state politics and transportation for Maryland Matters. He has covered the Maryland State House for the last two decades at the Baltimore Sun Media Group, Patch.com and most recently, The Daily Record. Sears has won multiple state and national awards for police and crime reporting, local and state government coverage and investigative reporting that resulted in a guilty plea by a government official for stealing from his own campaign account. He’s a frequent radio and television contributor.

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A paradigm-shifting work that explores humanity’s most fundamental desire.

MacArthur Fellow and National Humanities Medalist Rebecca Newberger Goldstein, author of Plato at the Googleplex and The Mind-Body Problem, returns with a revelatory book about the primal drive that in our species alone has been transformed into one of our most persistent and universal motivations: the longing to matter.
Drawing on biology, psychology, and philosophy, Goldstein argues that this need to matter—and the various “mattering projects” it inspires—is the source of our greatest progress and our deepest conflicts: the very crux of the human experience.
Goldstein brings this profound idea to life through unforgettable stories of famous and not-so-famous people pursuing their unique mattering projects: the ragtime genius Scott Joplin, whose dedication to his ignored masterpiece, Treemonisha, ended in tragedy; the pioneering psychologist William James, who rose above the depression of his young adulthood to become perhaps the first great theorist of mattering; an impoverished Chinese woman who rescued abandoned newborns from the trash; and a neo-Nazi skinhead who as a young man dealt racial violence to feel he mattered but ultimately renounced that hateful past after realizing that mattering isn’t a zero-sum game. These portraits illuminate how our instinct for significance shapes identity, relationships, culture, and conflict—and they point the way to a future where we all might see that there is, fundamentally, enough mattering to go around.
Deeply revealing and insightful, and decades in the making, The Mattering Instinct is a must read for those curious about why we seek to matter to ourselves and others—and how this insatiable longing that drives us apart may be the key to finally understanding each other.

Rebecca Newberger Goldstein is an award-winning philosopher, writer, and public intellectual. She is the author of ten books of acclaimed fiction and non-fiction, including 36 Arguments for the Existence of God: A Work of Fiction and Betraying Spinoza: The Renegade Jew Who Gave Us Modernity. She holds a Ph.D. in philosophy of science from Princeton University and has taught at Yale, Columbia, NYU, Dartmouth, and Harvard. A fellow of the American Academy of Arts and Sciences, her work has been supported by the MacArthur “Genius” grant and fellowships from the Guggenheim, Whiting Institute, Radcliffe Institute, and the National Science Foundation. In 2015, she was awarded the National Humanities Medal by President Obama. She lives in Boston, Massachusetts.

Goldstein is in conversation with Franklin Foer, a staff writer at the Atlantic. For seven years, he was the editor of the New Republic. He is the author of the New York Times bestseller, The Last Politician: Inside Joe Biden's White House and the Struggle For America's Future. Sports Illustrated named his book How Soccer Explains the World one of the "most influential books of the decade;" it has been translated into 29 languages. He is a native of Washington, D.C.

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For readers of The Sum of Us and South to America, an essential new look at the roots of American inequality—and the seeds of its transformation
Once the powerhouse of a fledgling country’s economy, the Mississippi Delta has been consigned to a narrative of destitution. It is often faulted for the sins of the South, portrayed as a regional backwater that willfully cleaved itself from the modern world. But buried beneath the weight of good ol’ boy politics and white-washed histories lies the Delta’s true story.
Mississippi native and award-winning writer W. Ralph Eubanks digs through this loamy topsoil, revealing a microcosm of economic oppression in the US. He traverses the Delta, examining its bellwether efforts to combat income inequality, and introduces people like

• Theodore G. Bilbo and William Whittington, segregationist congressmen who sabotaged federal reparations for former sharecroppers in the 1940s and ’50s
• Gloria Carter Dickerson, founder of the Emmett Till Academy, whose parents were instrumental in desegregating schools in Drew, MS, where Till was murdered
• Calvin Head, a community organizer who runs a farming co-op in Mileston, who revived the legacy of his hometown, the only Black resettlement community in Mississippi

Eubanks delivers a powerful and insightful examination of how racism and economic instability have shaped life in the Mississippi Delta. He traces the enduring consequences of political decisions that have entrenched inequality across generations. At the same time, he brings attention to the resilience of local communities and the grassroots movements working toward meaningful change. The book offers a thoughtful framework for policy reform and community investment, underscoring the need to support those who have long sustained the region through their labor and lived experience.

W. Ralph Eubanks is a faculty fellow and writer in residence at the Center for the Study of Southern Culture at the University of Mississippi. He is the author of A Place Like Mississippi: A Journey Through a Real and Imagined Literary Landscape, as well as 2 other works of nonfiction, Ever Is a Long Time and The House at the End of the Road. He is a writer and an essayist whose work focuses on race, identity, and the American South, and his writing has appeared in Vanity Fair, the American Scholar, the Georgia Review, and the New Yorker. He is a 2007 Guggenheim fellow, a 2021-2022 Harvard Radcliffe Institute fellow, and the recipient of a 2023 Mississippi Governor’s Arts Award for excellence in literature and in recognition of his role as a cultural ambassador for the state of Mississippi.

Eubanks will be in conversation with Vann R. Newkirk II, a senior editor at the Atlantic, and the host and co-creator of the Peabody-award-winning podcast Floodlines. Newkirk was a 2022 Andrew Carnegie fellow, and was a 2020 James Beard Award Finalist, a 2020 11th Hour Fellow at New America, and a 2018 recipient of the American Society of Magazine Editors's ASME Next Award. In 2024, Newkirk was named Journalist of the Year by the Washington Association of Black Journalists.

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