Politics and Prose Presents

In 1978, Greta Rideout was the first woman in United States history to accuse her husband of rape, at a time when the idea of "marital rape" seemed ludicrous to many Americans and was a crime in only four states. After a quick and conservative trial acquitted John Rideout and a defense lawyer lambasted that "maybe rape is the risk of being married," Greta was ridiculed and scorned from public life, while John went on to be a repeat offender. Thrust into the national spotlight, Greta and her story would become a national sensation, a symbol of a country's unrelenting and targeted hate toward women and a court system designed to fail them at every turn.

A now little-remembered trial deserving of close, wide, and lasting attention, Sarah Weinman turns her signature intelligence and journalistic rigor to the enduring impact of this case. Oregon v. Rideout directly inspired feminist activists, who fought state by state for marital rape laws, a battle that was not won in all fifty until as recently as 1993. Mixing archival research and new reporting involving Greta, those who successfully pressed charges against John in later years, as well as the activists battling the courts in parallel, Without Consent embodies vociferous debates about gender, sexuality, and power, while highlighting the damaging and inherent misogyny of American culture then and still now.

Sarah Weinman is the author of Scoundrel and The Real Lolita and, most recently, is the editor of Evidence of Things Seen: True Crime in an Era of Reckoning. She was a 2020 National Magazine Award finalist for reporting and a Calderwood Journalism Fellow at MacDowell, and her work has appeared in Vanity Fair, the Atlantic, Esquire, and New York magazine. Weinman is the Crime & Mystery columnist for the New York Times Book Review and lives in New York City.

Weinman is in conversation with Molly O'Toole, a Pulitzer Prize-winning journalist and author from San Diego, California. She most recently worked as the Immigration and Security Reporter for The Los Angeles Times, in Washington, D.C. She is currently working on a nonfiction book, as well as an accompanying podcast, about migration from around the world, through Latin America, to the U.S. border. Crown Publishing, a Penguin Random House imprint, is set to publish “The Route” in 2026. 

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What is going on with our atmosphere? The headlines are filled with news of devastating hurricanes, murderous tornadoes, and cataclysmic fires affecting large swaths of America. Gale force advisories are issued on a regular basis by the National Weather Service.

In 2022, a report was released by atmospheric scientists at the University of Northern Illinois, warning that winds--the force at the center of all these dangerous natural events--are expected to steadily increase in the years ahead, strengthening in power, speed, and frequency.

While this prediction worried the insurance industry, governmental leaders, scientists, and conscientious citizens, one particular segment of society received it with unbridled enthusiasm. To the energy industry, rising wind strength and speeds as an unalloyed boon for humankind--a vital source of clean and "safe" power.

Between these two poles--wind as a malevolent force, and wind as savior of our planet--lies a world of fascination, history, literature, science, poetry, and engineering which Simon Winchester explores with the curiosity and vigor that are the hallmarks of his bestselling works. In The Breath of the Gods, he explains how wind plays a part in our everyday lives, from airplane or car travel to the "natural disasters" that are becoming more frequent and regular.

The Breath of the Gods is an urgently-needed portrait across time of that unseen force--unseen but not unfelt--that respects no national borders and no vessel or structure in its path. Wind, the movement of the air, is seen by so many as a heavenly creation and generally a thing of essential goodness. But when it flexes its invisible muscles, all should take care and be very afraid.

Simon Winchester is the acclaimed author of many books, including The Professor and the Madman, The Men Who United the States, The Map That Changed the World, The Man Who Loved China, A Crack in the Edge of the World, and Krakatoa, all of which were New York Times bestsellers and appeared on numerous best and notable lists. In 2006, Winchester was made an officer of the Order of the British Empire (OBE) by Her Majesty the Queen. He resides in western Massachusetts.

Winchester is joined in conversation with Kirk Johnson, a geologist, paleobotanist, and museum director whose research focuses on fossil plants and the extinction of the dinosaurs. He has excavated fossils on all continents, and is known for his support for science, nature, and museums using public talks, scientific articles, popular books, museum exhibitions, documentaries, and collaborations with artists.

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America’s Founding Era reconsidered through the lives of two women as formidable as, and in some respects stronger than, the men they loved, married, and mothered.
Angelica and Elizabeth Schuyler, born to wealth and privilege in New York’s Hudson Valley during the latter half of the eighteenth century, were raised to make good marriages and supervise substantial households. Instead they became embroiled in the turmoil of America's insurrection against Great Britain—and rebelled themselves, in ways as different as each was from the other, against the destiny mapped out for them. 
Glamorous Angelica, who sought fulfillment through attachments to powerful men, eloped at twenty with a war profiteer and led a luxurious life, first in Paris, then in London, charming Benjamin Franklin, Thomas Jefferson, and the Prince of Wales. Eliza, one year her junior, too candid for flirtation and uninterested in influence or intrigue, married a penniless illegitimate outsider, Alexander Hamilton, and devoted herself to his career. But after his appointment as America’s first Treasury Secretary, she was challenged by the controversies in which he became involved, not the least of which was the attraction that grew between him and her adored sister. 
When tragedy followed, everything changed for both women: one deprived of her animating spirit, the other improbably gaining a new, self-determined life. “You would not have suffered if you had married into a family less near the sun,” wrote Angelica to Eliza, “but then [you would have missed] the pride, the pleasure, the nameless satisfactions.”
Drawing on deep archival research, including never-published records and letters, Amanda Vaill interweaves this family drama with its historical context, creating a narrative with the sweep and intimacy of a nineteenth-century novel. Full of battles and dinner parties, murky politics and transparent frocks, fierce loyalty and betrayals both public and personal, Pride and Pleasure brings two extraordinary American heroines to life.

Amanda Vaill is the author of Hotel Florida: Truth, Love, and Death in the Spanish Civil War; the bestselling Everybody Was So Young: Gerald and Sara Murphy—A Lost Generation Love Story, which was a finalist for the National Book Critics Circle Award in biography; and Somewhere: The Life of Jerome Robbins, for which she was awarded a Guggenheim Fellowship. In addition to writing the screenplay for the Emmy– and Peabody Award–winning public television documentary Jerome Robbins: Something to Dance About, she has written features and criticism for many publications, including The New York Times, The Washington Post, and Harper's Bazaar. She lives in New York City.

Vaill is in conversation with Elisabeth Griffith, Historian Elisabeth Griffith is an author, activist, and expert on American women’s history. Her biography of suffragist Elizabeth Cady Stanton, IN HER OWN RIGHT, was hailed by both Oprah and the Wall Street Journal as “one of the five best books on women’s history.” It was the basis of Ken Burns’ documentary on Stanton and Anthony, NOT FOR OURSELVES ALONE, his only film about women’s history. Betsy’s 2022 book, FORMIDABLE: AMERICAN WOMEN AND THE FIGHT FOR EQUALITY, 1920-2020, is an “engaging, relevant, sweeping chronicle,” according to the New York Times, “a multiracial, inclusive timeline of the struggles and triumphs of both Black and white women.

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Today, South Carolina congressman James E. Clyburn is renowned as a Democratic kingmaker and our nation’s most august Black political leader. But behind him stand eight other remarkable men: the first Black politicians to go to Congress from his home state, and who blazed a path for his own ascent. Since his own arrival in Congress in the early nineties, Congressman Clyburn has been guided by the wisdom and example of these men, and also instructed by their struggles—especially with the demon of American racism. South Carolina’s first eight Black congressmen all rose to office following the Civil War and emancipation, but then the dark veil of Jim Crow fell across the South. It would take nearly a century before the ninth Black representative, Clyburn himself, was elected.
In The First Eight, Congressman Clyburn shares these men’s stories, and their message of liberty, with the nation they served. Among them are Joseph Rainey, the first Black politician to be elected to the U.S. House of Representatives in our nation’s history, who was born enslaved in 1832; Robert Smalls, iconic for his heroism during the Civil War, when he fled the Confederacy, stole a ship, and fought for the Union Army; and Richard Cain, who ran a widely read newspaper for Black South Carolinians and is associated with the Emanuel AME Church, one of the oldest and most distinguished Black churches in America, and where neo-Nazi Dylan Roof killed nine Black congregants in a mass shooting in 2015. Through the trials, tribulations, triumphs, and challenges that all nine men faced, Congressman Clyburn reveals a whole new way of understanding the period between the Civil War and the present.
A unique blend of history and memoir, The First Eight is both a monument to the legacies of these eight trailblazing Americans, and also a clear-eyed appraisal of how far we’ve come, and how far we have left to go, in our nation’s ongoing struggle for true democracy.

James E. Clyburn is the Congressman representing South Carolina’s 6th Congressional District in the U.S. House of Representatives, where he previously served as Majority Whip. A more than 30-year Congressional veteran, he has been an influential and effective legislative leader and an unwavering voice for civil rights. Born in Sumter, South Carolina, during the Jim Crow era, he has been awarded the NAACP’s highest honor – the Spingarn Medal, the Lyndon Baines Johnson Foundation’s Liberty and Justice for All Award, the Harry S. Truman Foundation’s Good Neighbor Award, and holds honorary degrees from nearly 40 colleges and universities. In 2024, he was bestowed the Presidential Medal of Freedom, the highest civilian honor in the United States.

Norman Ornstein was a long-time scholar at the American Enterprise Institute. He is co-host of the Words Matter podcast. He is also chairman emeritus of the Campaign Legal Center.  He was a political science professor at Johns Hopkins University and The Catholic University of America for fifteen years. His professional career has been built around understanding and reforming American political institutions and its election system. He is a member of the American Academy of Arts and Sciences Commission on the Practice of Democratic Citizenship and the Protect Democracy Task Force on Election Crises.

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Americans have always fought over the meaning of freedom and equality. What is not commonly recognized is that the battles most pivotal in defining our democracy, from the framing of the Constitution to the decades-long backlash to the civil rights movement, hinged on one issue--taxes.

In The Price of Democracy, Vanessa S. Williamson challenges the myth that Americans are instinctively anti-tax, revealing that fights over taxes have always been proxies for deeper conflicts over who is included in "We the People." Poorer people have repeatedly built movements that sought to tax all Americans to create a more equal and democratic nation. Wealthy people have responded by constraining the power to tax and stifling democracy through voting restrictions, gerrymandering, and violence. Yet as hard as anti-tax crusaders have fought to create an America that redistributes not from rich to poor, but from non-white people to rich white people, the battle rages on.

The Price of Democracy uncovers how fights for fiscal fairness have defined American history, delivering a powerful message to the present: that taxes are the public's most powerful weapon in the fight for a real democracy.

Vanessa S. Williamson is a senior fellow in governance studies at the Brookings Institution, and a senior fellow at the Urban-Brookings Tax Policy Center. The author or coauthor of two previous books, her writing has appeared in the New York Times, Washington Post, Atlantic, Nation, and elsewhere. She lives in Washington, DC.

Williamson is in conversation with Dorian Warren, co-president of Community Change and Community Change Action, and co-founder of the Economic Security Project. Warren taught for over a decade at the University of Chicago and Columbia University. He's the co-author of The Hidden Rules of Race, co-editor of Race and American Political Development, and has penned numerous academic articles. Dorian previously worked as a guest host and contributor at MSNBC. He sits on several boards, including the Leadership Conference on Civil and Human Rights Education Fund Board and The Nation Magazine Editorial Board. As a commentator on public affairs, Warren has appeared regularly on television and radio and has also written for The New York Times, Newsweek, and Ebony.com, among others. 

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A “big-hearted and true” (Andrew Sean Greer, Pulitzer Prize winner) debut novel set in a small rural town amid a congressional race that forces the candidates, their families, and a clique of gay second homeowners to confront lies, betrayals and shifting allegiances.
The trendy rural town of Griffin has become a popular destination for weekenders and the city’s second homeowners, but now a congressional race in this swing district is highlighting tensions between life-long residents and new arrivals. The campaign pits local pub owner and town supervisor Chip Riley against the wealthy young carpetbagger Paul Banks, challenging the social and political loyalties of their families and friends with lasting repercussions.
Diane Riley, Chip’s wife, is a religiously devout real estate agent who feels conflicted about selling second homes—including to Paul and his much older husband, Stan. Their elder son, Joe, is grieving the recent overdose death of his best friend and spiraling into drugs himself, while their younger son, Will, is a newly out college student seduced by the decadent lifestyle of Paul’s circle.
Meanwhile, Stan Banks uses the race to give purpose to the pain of losing a loved one to AIDS, even as he begins to doubt Paul’s readiness for office. And within their growing fraternity of city transplants, Eric Larimer finds unexpected connection with a local farmer that opens his eyes to the region’s complexity as Leon Rogers, still reeling from a divorce, becomes increasingly desperate to infiltrate the Banks’s exclusive crew.
Spanning six months from Memorial Day to Election Day, Town & Country paints a kaleidoscopic portrait of a community in flux. For readers of Fredrick Backman and Jen Beagin, this “powerful and extremely well-written book” (Colum McCann, National Book Award winner) asks the essential and timeless questions: What makes a home, and what do we owe our neighbors?

Brian Schaefer contributes regularly to The New York Times and has written for The New Yorker, New York magazine, and more. He is a recipient of a National Endowment for the Arts Fellowship in Arts Journalism and was a finalist for the Livingston Award for International Reporting. He earned his master’s degree in creative writing from Bar-Ilan University in Tel Aviv. He and his husband live in New York City and the Hudson Valley. Town & Country is his first novel.

Schaefer is in conversation with Marisa Kashino was a journalist for 17 years, most recently at The Washington Post. She spent the bulk of her career at Washingtonian magazine, writing long-form features and overseeing the real estate and home design coverage. She grew up near Seattle, graduating from the University of Washington with a degree in journalism and political science. She lives in the DC area with her husband, two dogs, and two cats. Her debut novel Best Offer Wins publishes November 25.

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Hundreds of female eyes, locked in oil and clay, latch onto Jacquelyn's body as she wanders the Uffizi Gallery in Florence, Italy. Female images frozen in frames and on pedestals as virgins and victims adrift in a sea of male kings and conquerors. The fierce female gaze ignites a panic attack, and she swears she can hear their plea: Set us free.

Two months later, a dream as insistent as the female eyes shakes her awake with a question: Where is my rogue? She searches New York sidewalks and Montana meadows. When she awakens, she knows her rogue is not outside but in.

Jacquelyn knew rogue energy as a child but puberty stole her away. The eyes insist she get the energy back. How? By acknowledging her innate female agency, and replacing obsessions over external appearance with trust for her body, instincts, intuition and dream wisdom. Search, the eyes urge, for female rogue-models through time, and scour history for lies and blank spaces. Reject the biggest lie of all: sin wallpapers female bodies.

Rogue is her passion and soul. "Be fierce," rogue commands. "I am your body, soul, intellect and self." Jacquelyn says yes. The eyes have it.

Jacquelyn L. Jackson is a writer, clinical social worker, and yoga instructor whose career has focused on female body issues. Her essays have been aired on NPR and she has published articles and op eds in the Los Angeles Times, Boston Globe, the Atlanta Journal and Constitution, the Arizona Republic, and Arizona Daily Star. She completed a Winter Course at the Jungian Institute in Zurich and incorporates dream analysis in her clinical practice. She lives in Tucson, Arizona.

Jackson is in conversation with Ellen McDonnell. McDonnell had a 35-year career at National Public Radio where she retired in March 2015 as Executive Editor overseeing all NPR news programs. She is currently President of Ellen McDonnell Consulting, LLC where she supports public radio stations nationally to identify, coach and advise emerging leaders in public media.

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Aphorisms are literature's hand luggage. Light and compact, they contain everything you need to get through a rough day at the office or a dark night of the soul. Aphorisms, the oldest written art form on the planet, have been going viral for thousands of years, delivering the short, sharp shock of old forgotten truths. Today, visual artists are mixing pithy language with compelling imagery and using social media to take the form into the future. In a world of disinformation and deepfakes, aphorisms point to the power of fresh debate over tired dogma and inconvenient truths over comfortable lies.

Starting in ancient China and ending with contemporary meme-makers and street artists, The World in A Phrase tells the story of the aphorism through brief biographies of some of its greatest practitioners: sages like Lao-tzu and the Buddha, philosophers like Schopenhauer and Nietzsche, writers like George Eliot and Marie von Ebner-Eschenbach, humorists like Mark Twain and Dorothy Parker, activists like James Baldwin and Audre Lorde, poets like Langston Hughes and Kay Ryan, and artists like Jenny Holzer and David Byrne.

The World in A Phrase is for lovers of words and seekers of wisdom. This new edition of The New York Times bestseller features 26 additional aphorists and explores the aphorism in the age of social media, showing why these short sentences are the ultimate deep dives in an era when TL;DR has become a cultural catchphrase.

James Geary, an adjunct lecturer in public policy at the Harvard Kennedy School, is the author of Wit's End: What Wit Is, How It Works, and Why We Need It, I Is an Other: The Secret Life of Metaphor and How It Shapes the Way We See the World, and Geary's Guide to the World's Great Aphorists, among other books. He likes to juggle.

PURCHASE: https://politics-prose.com/book/9780226838601?ic_referral=gfosZvHHKJs4xxsJkTyqJyVdE9uDU6z9IgI1uaqQAKIwM7WPHobeiusvcXoUugF-JERbL2T8qR9c7hrgptPRheB15gXCfmFm8ptXWsusgmZjaacSegwepei-S6z-LIN15SiMR8g

A sympathetic and illuminating account of the stories of John Cheever, and the intersecting life and work of the legendary writer John Cheever, as told by his eldest daughter.
The Stories of John Cheever, published in 1978, brought together some of the finest short fiction ever written. The collection was honored with the Pulitzer Prize and the National Book Award, and it would go on to sell millions of copies and to define the American short story and shape generations of writers. Cheever’s chronicles of modern life both emerged from a distinctly American culture and also created it—inspiring everything from Mad Men to a Raymond Carver story, from rock songs to a Seinfeld episode.
Growing up, Susan Cheever, John Cheever’s eldest child and only daughter, read what he read, heard what he heard, bantered and gossiped with him and her brothers and mother at the dinner table, and later watched her father type on the cheap yellow paper he favored. A daughter much like Susan appears in many of Cheever’s stories and a family much like theirs is at the center of his writing.
In When All the Men Wore Hats, Susan Cheever looks back on her father’s work and seeks to understand the connections between art and life. How did a bit of local gossip, a slice of Greek myth, and a new translation of Madame Bovary somehow become a brilliant gem like “The Country Husband” or “The Swimmer”? In her 1984 book Home Before Dark, published two years after her father’s death, Cheever wrote movingly about her father and the secrets he kept, but here, years later, she tells the story of the remarkable stories themselves, six of which appear in full in the book’s appendix.

Susan Cheever is the author of many books on American history, the most recent of which is Drinking in America: Our Secret History, published in 2015. She is also the author of numerous novels; My Name Is Bill: Bill Wilson—His Life and the Creation of Alcoholics Anonymous, a biography of the Alcoholics Anonymous cofounder Bill Wilson; and Home Before Dark, a memoir about her father, John Cheever. She teaches at Bennington College and the New School in their MFA programs.

Cheever is in conversation with Molly Jong-Fast, a contributing writer at The New York Times, a political analyst at MSNBC News, and host of the podcast Fast Politics with Molly Jong-Fast. She is the author of three previous books. She lives in Manhattan.

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With the 2024 reelection of Donald Trump, it has become impossible to deny that male supremacy is America's chief value system. To deny this is to ignore the root cause of democratic crises here and all over the Western world. And denial undermines our ability to resist and overcome.

With her trademark "skill, wit, and sharp insight" (Laura Bates, author of Girl Up), Soraya Chemaly walks us through how we got to this moment of terrible backlash while also offering hope to a better, more equitable future for men and women. All We Want Is Everything is a fresh and inspiring feminist manifesto that is crucial reading for our times.

Soraya Chemaly is an award-winning writer and activist whose work focuses on the role of gender in culture, politics, religion, and media. She is the director of the Women's Media Center Speech Project and an advocate for women's freedom of expression and expanded civic and political engagement. A prolific writer and speaker, her articles appear in Time, The Verge, The Guardian, The Nation, HuffPost, and The Atlantic. Follow her on X at @SChemaly and learn more at SorayaChemaly.com.

Chemaly is in conversation with Rachel Louise Snyder, the author of Fugitive Denim: A Moving Story of People and Pants in the Borderless World of Global Trade, the novel What We’ve Lost is Nothing, No Visible Bruises: What We Don’t Know About Domestic Violence Can Kill Us and the award-winning memoir Women We Buried, Women We Burned. Her work has appeared in the New Yorker, the New York Times magazine, the Washington Post and on NPR, and she was a 2021 Guggenheim Fellow. Over the past two decades, Snyder has traveled to sixty countries, covering stories of human rights, gender-based violence, natural disasters, displacement and war. She is currently a professor in creative writing in the MFA program at American University and a contributing writer to the New York Times opinion section.

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