Politics and Prose Presents

Every year, we are dangerously warping the climate by putting gigantic amounts of carbon dioxide into the air. But CO2 isn't merely the by-product of burning fossil fuels--it is also fundamental to how our planet works. All life is ultimately made from CO2, and it has kept Earth bizarrely habitable for hundreds of millions of years. In short, it is the most important substance on Earth. But how is it that CO2 is as essential to life on Earth as it is capable of destroying it?

In The Story of CO2 Is the Story of Everything, award- winning science journalist Peter Brannen reveals how carbon dioxide's movement through rocks, air, water, and life has kept our planet's climate livable, its air breathable, and its oceans hospitable to complex life. Starting at the dawn of life almost 4 billion years ago, and working all the way up through today's global climate crisis and beyond, he illuminates how CO2 has been responsible for the planet's many deaths and rebirths, for shaping the evolution of life, and for the development of modern human society. And he argues that it's only by reckoning with this planetary-scale history that we can understand the cosmic stakes of our current moment on Earth--and how dangerous our experiment with the climate really is.

Drawing on groundbreaking research and with a clear- eyed perspective, Brannen shows how a deep exploration of the carbon cycle can shed light on the way forward for humanity as we try to avert environmental catastrophe in the future. And it all begins with a richer understanding of the critical role of CO2 in our world.

Peter Brannen is a contributing writer at The Atlantic. He is the author of The Ends of the World, about the biggest mass extinctions in Earth's history. His work has also appeared in the New York Times, the Washington Post, and other publications.

Brannen is in conversation with Ross Andersen. Andersen is a staff writer at The Atlantic, where he covers science, technology, and culture. He is also at work on a book on the search for intelligent life elsewhere in the universe for Random House.

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As heat waves, wildfires, storms, and floods become ever more deadly, it has become apparent that we have a shared stake in protecting the air, water, and climate--for ourselves and for future generations. There is a groundswell of action as citizens of all ages struggle to address the problem--some commit civil disobedience or move money out of fossil fuels.

In Common Ground, veteran Quaker activist, facilitator, and teacher Eileen Flanagan takes us on a personal journey through her environmental direct-action experiences as well as her relationships with community elders to understand how we can form coalitions to actually make a difference. Flanagan shows that "the illusion of separation" is at the root of interlocking environmental crises and that it's often politicians and corporations who benefit by keeping the rest of us divided across lines of race, class, religion, and generation. But we are at a new moment in human history.

Amid the chaos and conflict of our times, people are stretching their hands across old divides and are ready to take action. In Common Ground, Flanagan argues that more than technology or even elections, acting in solidarity with all life is humanity's best hope for survival.

Eileen Flanagan brings a forty-year commitment to justice to her speaking, writing, and climate leadership. From a working-class Irish American family, she has confronted corporate CEOs, prayed in their lobbies, and been arrested alongside Indigenous water protectors, Black preachers, and fellow Quakers. Nationally known for helping people to make their activism more effective and spiritually-grounded, she shepherded a scrappy group of Quakers to pressu e a $4 billion-a-year bank to stop financing mountaintop removal coal mining. She earned a BA from Duke and an MA from Yale as a first-generation college-student, focusing on resistance to colonialism, which she taught on the college level. The Dalai Lama endorsed her award-winning book The Wisdom to Know the Difference, and some of the best-known climate activists in the world endorsed her memoir Renewable. She lives with her husband on Lenape land in Philadelphia.

Alongside the rise of mass incarceration, a second profound and equally disturbing development has transpired. Since the 1980s, US policing and punishment have been remade into tools for stripping resources from the nation's most oppressed communities and turning them into public and private revenues. Legal Plunder analyzes this development's origins, operations, consequences, and the political struggles that it has created.

Drawing on historical and contemporary evidence, including original ethnographic research, Joshua Page and Joe Soss examine the predatory dimensions of criminal legal governance to show how practices that criminalize, police, and punish have been retrofitted to siphon resources from subordinated groups, subsidize governments, and generate corporate profits. As tax burdens have declined for the affluent, this financial extraction--now a core function of the country's sprawling criminal legal apparatus--further compounds race, class, and gender inequalities and injustices. Legal Plunder shows that we can no longer afford to overlook legal plunder or the efforts to dismantle it.

Joshua Page is the Beverly and Richard Fink Professor of Sociology and Law at the University of Minnesota. He is the author of The Toughest Beat: Politics, Punishment, and the Prison Officer Unions in California and coauthor of Breaking the Pendulum: The Long Struggle over Criminal Justice.

Joe Soss is the Cowles Professor for the Study of Public Service in the Hubert H. Humphrey School of Public Affairs at the University of Minnesota.

Page and Soss are in conversation with Nazgol Ghandnoosh. Nazgol Ghandnoosh, Ph.D., conducts and synthesizes research on criminal justice policies. She has written about racial disparities, lengthy sentences, and the scope of reform efforts. She regularly presents to academic, practitioner, and general audiences and her work has been featured in outlets including The Washington Post, The New York Times, and WNYC’s On the Media.  She also edits The Sentencing Project’s Race and Justice Newsletter

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On New Year's Eve, 1977, on a state visit to Iran, President Jimmy Carter toasted Shah Mohammad Reza Pahlavi, King of Kings, Light of the Aryans, Shadow of God on Earth, praising Iran as "an island of stability " due to "your leadership and the respect and admiration and love which your people give to you." Iran had the world's fifth largest army and was awash in billions of dollars in oil revenues. Construction cranes dotted the skyline of its booming capital, Tehran. The regime's feared secret police force SAVAK had crushed communist opposition, and the Shah had bought off the conservative Muslim clergy inside the country. He seemed invulnerable, and invaluable to the United States as an ally in the Cold War. Fourteen months later the Shah fled Iran into exile, forced from the throne by a volcanic religious revolution led by a fiery cleric named Ayatollah Khomeini. The ensuing hostage crisis forever damaged America's standing in the world. How could the United States, which had one of the largest CIA stations in the world and thousands of military personnel in Iran, have been so blind?

The spellbinding story Scott Anderson weaves is one of a dictator blind to the disdain of his subjects and a superpower blundering into disaster. Scott Anderson tells this astonishing tale with the narrative brio, mordant wit, and keen analysis that made his bestselling Lawrence of Arabia one of the key texts in understanding the modern Middle East. The Iranian Revolution, Anderson convincingly argues, was as world-shattering an event as the French and Russian revolutions. In the Middle East, in India, in Southeast Asia, in Europe, and now in the United States, the hatred of economically-marginalized, religiously-fervent masses for a wealthy secular elite has led to violence and upheaval - and Iran was the template. King of Kings is a bravura work of history, and a warning.

Scott Anderson is the author of two novels and five works of nonfiction, including Lawrence of Arabia, an international bestseller which was a finalist for the National Book Critics Circle Award and a New York Times Notable Book. He is a contributing writer for The Times Magazine. The New York Times Magazine devoted an entire issue to his reportage across the Middle East in August 2016, which was published in book form as Fractured Lands: How the Arab World Came Apart.

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War changes every part of human culture: art, education, music, politics. Why should food be any different? For nearly twenty years, Michael Shaikh's job was investigating human rights abuses in conflict zones. Early on, he noticed how war not only changed the lives of victims and their societies, it also unexpectedly changed the way they ate, forcing people to alter their recipes or even stop cooking altogether, threatening the very survival of ancient dishes.

A groundbreaking combination of travel writing, memoir, and cookbook, The Last Sweet Bite uncovers how humanity's appetite for violence shapes what's on our plate. Animated by touching personal interviews, original reporting, and extraordinary recipes from modern-day conflict zones across the globe, Shaikh reveals the stories of how genocide, occupation, and civil war can disappear treasured recipes, but also introduces us to the extraordinary yet overlooked home cooks and human rights activists trying to save them. From a sprawling refugee camp in Bangladesh and a brutal civil war in Sri Lanka to the drug wars in the Andes and the enduring effects of America's westward expansion, Shaikh highlights resilient diasporic communities refusing to let their culinary heritage become another casualty of war.

Much of what we eat today or buy in a market has been shaped by violence; in some form, someone's history and politics is on the dinner table. The Last Sweet Bite aims to tell us how it got there. Weaving together histories of food, migration, human rights, and recipes, Shaikh shows us how reclaiming lost cuisines is not just a form of resistance and hope but also how cooking can be a strategy for survival during trying times.

Michael Shaikh is a writer and human rights investigator who has worked for twenty years in areas marred by political crisis and armed conflict. He has worked at Human Rights Watch, International Crisis Group, the Center for Civilians in Conflict, the UN's Office of the High Commissioner for Human Rights, and the New York City Mayor's Office of Climate and Environmental Justice. Michael is on the board of Adi Magazine. Originally from Cleveland, Ohio, he lives in New York City.

Shaikh is in conversation with Sarah Yager, the Washington Director at Human Rights Watch, and leads the organization’s engagement with the United States government on global human rights issues. Prior to joining Human Rights Watch, she was the first senior advisor on human rights in the Chairman’s Office at The Joint Staff of the U.S. Department of Defense and, prior, served as deputy chief of staff for policy at the U.S. Mission to the United Nations under Ambassador Samantha Power. For nearly a decade Sarah was executive director of Center for Civilians in Conflict (CIVIC), leading efforts to advise warring parties on civilian protection and responsible use of force. She has worked extensively with the U.S. military and its allies in Afghanistan, Iraq, Somalia, CAR, Burma, and elsewhere. Sarah was a member of the Clinton Administration’s White House AIDS Policy team, a senior associate at West Wing Writers, and consulted for Human Rights Watch, Ford Foundation, the William J. Clinton Foundation, and International Committee of the Red Cross. She was a senior fellow on security issues at Open Society Foundations and the U.S. Institute of Peace. Sarah holds degrees from Georgetown and Columbia Universities, is a member of the Council on Foreign Relations, a board director at Center for Civilians in Conflict (CIVIC), and an adjunct professor at Georgetown University.

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As the seventeenth century burns to a close in Tidewater, Virginia, America's character is wrought in the fires of wealth, race, and freedom.

Young Bless, the only child left to her enslaved mother, stubbornly crafts the terms of her vital existence. She stands as the lone bulwark between her mother and irreparable despair, her mother's only possibility of hope, as Bless reshapes the boundaries of love.

David is a helping child and a solace to his parents, and he gave a purpose to their trials. His survival hinges on his mother's shrewd intellect and ferocious fight, but his sustenance is his freed Black father's dream of emancipation for the entire family.

Jack Dane, a Scots-Irish boy, sails to Britain's colonies when his father sells him into indentured servitude as an escape from poverty. There Jack learns from the rich the value of each person's life.

A breathtaking, haunting, and epic saga, This Here Is Love intimately intertwines us with these beautifully drawn, unforgettable American characters. Bless, taken to serve the slaveowner's daughter, must decide where she belongs: with the enslaved or above them. David, sold away from his people, retreats into himself even as he yearns to unite with others. Jack, acting impetuously, changes his fortune, but will doing so sacrifice his humanity?

All three come together on Jack's land. As they face and challenge each other, they will relinquish and remake beliefs about family and freedom, even as they confront the limits of love.

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Princess Joy L. Perry is the recipient of a Virginia Commission for the Arts Fellowship and a winner of the Zora Neale Hurston/Richard Wright Award. Her short stories have appeared in All About Skin, African American Review, and Kweli Journal. She lives in Norfolk, Virginia.

Nobody knows quite who Rudolph Sullivan is, or how he ascended so quickly to the glittering top of New York's art scene. When aspiring artist and struggling gallery assistant Ingrid meets the charismatic dealer at a party, she falls fast--Rudolph offers her a seductive taste of luxury and an escape from her humdrum existence. 

But Rudolph is hiding much more than his dazzling facade lets on. With insatiable tastes and a need to keep up appearances, his debts mount rapidly, and he turns to double dealing to stay afloat. As his adversaries close in, Rudolph realizes his fall from grace could cost him more than his reputation. Panicking, paranoid, and willing to sacrifice anyone to maintain his precarious foothold, he plans his most audacious gambit yet--and Ingrid is at the center of it. 

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Anna Barrington has worked in galleries and auction houses in the art world for over five years. She received an MA from the Courtauld Institute of Art and a BA from the University of St. Andrews in Scotland. Originally from Atlanta, she currently lives in London, where she worked at a leading international art gallery. This is her first novel.

Barrington is in conversation with Eleanor Stern. Stern is a writer and critic originally from New Orleans. Her fiction and her writing on literature and linguistics can be found in Joyland, The New Inquiry, the Southern Humanities Review, and on her Substack, Wicked Tongue.

Ophelia Blue Rivers is a descendant of Cherokee Freedmen: Blacks formerly enslaved by rich southern Cherokee. She is "Black" but doesn't understand why that makes her different. She is "Cherokee" but struggles to know what that means.

Their town of Etsi--once a reservation--still lives with the wounds of its disbanding. When the town, and the river that sustains it, are put in mortal danger personal rivalries threaten their very survival. Against this backdrop Ophelia begins her spirited, at times harrowing, search for place and family. She must discover: what does it mean to belong when belonging comes at such a high price?

With dazzling language, keen insight, and an unforgettable voice, Black Cherokee is an astonishing novel from an emerging literary talent.

Antonio Michael Downing is the author of the acclaimed memoir Saga Boy and children's book, Stars in My Crown. Antonio Michael is the current host of the CBC Radio program The Next Chapter where he discusses books with authors and columnists. He spends his time writing books, singing songs, and trying to make his grandma proud. Black Cherokee is his debut novel.

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Teo Anand, former ne'er-do-well second son of the Anand Tech empire and current solar fugitive, has just crash-landed on the Moon after escaping the latest attempt on his life. But if anyone can help exonerate him, it's his best friend, bold Korean space pilot Ocean Yoon.

Falsely accused of murdering his family, Teo is running out of both time and options. But loyalties are uncertain in their group of steadfast comrades and tentative new allies, and it's difficult to know who to trust in the tangled web that awaits them in Artemis, a city on the Moon rich in Korean history and haunted by ghosts from Teo's and Ocean's pasts. Further complicating matters are Haven--the pensive medic whose beliefs challenge Ocean's--and the dashing Phoenix--a space raider who's come blazing into Teo's life in more ways than one.

All the while Corvus, the real culprit behind the slaying of the Anands, is sowing a path of destruction that threatens to swallow the solar whole. The crew will wrestle with clashing ideals, flying bullets, and undeniable feelings, as they race toward a stunning final stand.

Teo's Durumi brings Cho's space opera duology to an exhilarating close, one that contends with questions of identity and acceptance; grief and redemption; and loyalty and sacrifice, as Teo, Ocean, and the people they love will decide once and for all how to forge their paths into the future.

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Elaine U. Cho is the author of Ocean's Godori. She has an MFA in flute performance from CalArts, and is a former film critic, former bookseller at Elliott Bay Book Company, and current associate editor for Shelf Awareness.

Cho is in conversation with Alice Stephens. Author of the novel, Famous Adopted People, Alice Stephens is also a book reviewer, essayist, and short story writer. Her work has appeared in LitHub, the Los Angeles Review of Books, The Margins, the Korea Times, the Washington Post, and other publications. Her historical novel, The Twain, is forthcoming in 2027.

Crafted during the reign of Augustus Caesar at the outset of the Roman Empire, Virgil's Aeneid is a tale of thrilling adventure, extreme adversity, doomed romance, fateful battles, and profound loss. Through its stirring account of human struggle, meddling gods, and conflicting destinies, the poem brings to life the triumphs and trials that led to one of the most powerful societies the world has ever known. Unlike its Homeric predecessors, which arose from a long oral tradition, the Aeneid was composed by a singular poetic genius, and it has ever since been celebrated as one of the greatest literary achievements of antiquity. 
This exciting new edition of the Aeneid, the first collaborative translation of the poem in English, is rendered in unrhymed iambic pentameter, the English meter that corresponds best, in its history and cultural standing, to Virgil's dactylic hexameter. Scott McGill and Susannah Wright achieve an ideal middle ground between readability and elevation, engaging modern readers with fresh, contemporary language in a heart-pounding, propulsive rhythm, while also preserving the epic dignity of the original. The result is a brisk, eminently approachable translation that captures Virgil's sensitive balance between celebrating the Roman Empire and dramatizing its human costs, for victors and vanquished alike. This Aeneid is a poem in English every bit as complex, inviting, and affecting as the Latin original. 
With a rich and informative introduction from Emily Wilson, maps drawn especially for this volume, a pronunciation glossary, genealogies, extensive notes, and helpful summaries of each book, this gorgeous edition of Rome's founding poem will capture the imaginations and stir the souls of a new generation of readers.

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Scott McGill is Deedee McMurtry Professor in Humanities at Rice University. He lives in Houston, Texas.
Susannah Wright is an assistant professor of classical studies and Roman history at Rice University. She lives in Houston, Texas.

McGill and Wright will be in conversation with Nandini Pandey, an associate professor of classics at Johns Hopkins University. She lives in Baltimore, Maryland.