Potterversity: A Potter Studies Podcast

Featuring more of our book contributors, this episode is about various members of Harry's found family.

Katy, technical director Emma Nicholson, and Louise Freeman (Mary Baldwin University) discuss their chapters focused on character analysis: "Arthur Weasley and the Misuse of Muggle Artefacts," "Padfoot Revelio! The Life and Love of Sirius Black," and "The Weasley Witches: From Snitches to Stitches to 'Not-My-Daughter-You-Bitches'" (possibly the best title in the volume).

Emma was drawn to Sirius for his authenticity and passion but also because of his flaws that she feels enrich his character. Katy saw something of a dark underbelly to Arthur's seemingly charming Muggle obsession, leading her to wonder if there are hints of colonialism and cultural appropriation. Louise considered how Molly and Ginny do or don't fit into female archetypes, particularly as Ginny changes over the course of the series.

All of these characters are complex and sometimes misunderstood. We talk about the impact each has on Harry's emotional journey and their nurturing qualities. We also consider the pressure each faces to conform, whether to gender expectations, wizarding law, or social norms. Arthur, Sirius, and Ginny all come off as non-conformists in some way, while Molly often pressures her children to conform but learns to accept things not going the way she planned, like the success of Fred and George's joke shop and Bill and Fleur's relationship.

The next topic from our book up for discussion is old magic steeped in myth and tradition.

Katy talks with co-host and co-editor Emily Strand and contributor Lana Whited (Ferrum College) about their chapters "The Real Magic of Christmas in Harry Potter" and "Here Be Dragons and Phoenixes: A Thematic Direction for the Fantastic Beasts Series." Emily looks at the theological roots of magic and Christmas as a time for darkness turning to light - and thus an appropriate season for Harry to have significant experiences where he learns new information, often about the past. Lana discusses the origins of magical creatures in Asian mythology that hold deep significance in both The Crimes of Grindelwald and The Secrets of Dumbledore, which explore the past through prophecy and family history.

The wizarding world has a sense of being frozen in time, and journeys into magical worlds often feel like journeys into the past. Part of that is the lack of modern Muggle technology that comes not only from moving into the past but also into nature, which is especially prominent with a magizoologist as the protagonist of the Fantastic Beasts series. Christmas and creatures hold longstanding traditional connotations - ideas of rebirth and resurrection, enchantment and mystery - that come to the forefront when they are mentioned in these stories.

We're starting off the companion episodes to our new book with the dark side of Harry Potter.

Dr. Beatrice Groves (Oxford University and Bathilda's Notebook) and Dr. Amy Strugis (Lenoir-Rhyne University and Signum University) join us to discuss their chapters "Good Men and Monsters: The Influence of Bram Stoker's Dracula on Harry Potter" and "Dark Arts and Secret Histories: Investigating Dark Academia." They talk about what drew them to the more disturbing and Gothic aspects of the series.

Amy explains the difference between the Dark Academia aesthetic and the literary genre. The latter generally involves a school or university setting, elements of mystery and death, concern with the past, and social critique, especially of power dynamics that exist in the wider world and are concentrated in an academic institution - all of which are present in Potter. It might seem like heavy material for young readers, but adolescents can experience bullying, injustice, and grief and can relate to and learn from fiction. The aesthetic that has been popularized online tends to focus purely on style, romanticizing some of what the genre criticizes.

Harry Potter engages with dark and Gothic traditions but also breaks from them. Bea sees Mina Harker in Dracula as a parallel for Harry, both marked by evil, but the works ultimately seem to have different attitudes toward the nature of evil - while Dracula's influence can turn innocent Mina into a monster, Harry maintains his inherent goodness and the power to resist Voldemort.

What problems does knowledge of the Dark Arts pose? Going back to Mary Shelley's Frankenstein, danger lies in how people use such knowledge more than the knowledge itself. Knowledge is power, so keeping secrets and controlling access to knowledge are issues in Dark Academia - a genre that has only become more popular since the success of Potter.

Venture to infinity and beyond for a look at astronomy in the wizarding world.

We're joined by Jane Bright, a PhD candidate in astronomy and astrophysics at the University of Arizona. Astronomy is the one subject wizards and Muggles seem to have in common. Why is it important enough to be a required subject at Hogwarts, and how is it different from the astrology that is part of Divination? Jane has some theories regarding the historical split between disciplines and the usefulness of astronomical knowledge in ritual magic. As a bonus, wizards may actually be learning some math!

Astronomy is present in the wizarding world outside of the classroom as well. Dumbledore's watch, for instance, shows the movements of stars and planets, and a room in the Department of Mysteries appears to be devoted to the study of space. Magical telescopes seem old-fashioned, but wizards must be keeping up with Muggle scientific advances if they know about planets and phenomena that were discovered after wizards went into hiding.

Jane gives us insight into the astronomical names common among Harry Potter characters and connects astronomy to alchemy, going all the way back to the Big Bang at the dawn of the universe to discover a celestial Sorcerer's Stone. This comparison could potentially be useful for wizards as a form of representational magic, helping them to understand natural processes that relate to the magic they want to perform and thus make it more powerful.

On this episode, we dish about this year’s Harry Potter Academic Conference and preview our new book, Potterversity: Essays Exploring the World of Harry Potter (McFarland).

Katy and Emily welcome Potterversity producer Laurie Beckoff and technical editor Emma Nicholson, as well as Louise Freeman, Mark-Anthony Lewis, and Lana Whited to talk about HPACs past and present. This year’s virtual conference allowed people from all over the world to come together, and we included the comments of other conference attendees in the webinar chat. We reminisce about our first experiences at the conference. Looking back helps us to see the evolution of Potter Studies through the last dozen years.

What keeps us coming to the conference? Wonderful discussions, inspiration for new ideas, deep dives into the Potter stories, like-minded people, constructive argument and critique, and a space in which Harry Potter is taken seriously. There is always something new to say and fresh perspectives on the series, as well as the movies and other related works. We all value the friendships we’ve developed with people from all different disciplines and walks of life. Reflecting on presentations we heard at this year’s conference that we found especially illuminating, we made suggestions for what we’d like to hear more about in the future.

Katy and Emily also reveal details about the new Potterversity book - currently available from McFarland Publishers - providing an overview and hearing from some of the authors about their chapters. Mark-Anthony talks about his chapter “Uncle Remus’s Shack,” about tokenism as portrayed in characters like Lupin, Dobby, and Madame Maxime. Emma shares how she reconstructed Sirius Black’s story in “Padfoot Revelio!” and in the process uncovered details that will surprise you and build empathy toward this complex character. Laurie explains her chapter “It’s All Fun and Games Until . . . ,” in which she compares the use of games in Harry Potter and Arthurian literature.

Louise’s “The Weasley Witches” analyzes how Ginny and Molly can be interpreted through the archetypes of the Amazon and the Mother, as well as the significance of Weasley sweaters. Lana explores the mythic significance of fantastic beasts in “Here Be Dragons and Phoenixes.” Emily’s chapter investigates the motifs and themes of the holiday season in “The Real Magic of Christmas in Harry Potter,” and Katy ponders transhumanism and cultural appropriation in “Arthur Weasley and the Misuse of Muggle Artefacts.” We also provide hints about other chapters in the volume to whet your appetite for the book chapters and accompanying podcast conversations.

In honor of Banned Books Week, this episode explores the causes and effects of book banning in the Muggle and wizarding worlds.

Harry Potter is one of the most challenged works of the 21st century, frequently appearing on the American Library Association's list documenting book bans around the country. It has long been accused of inspiring interest in the occult and encouraging children to literally perform magic but has also been criticized for featuring characters who break rules, as discussed on our episode about resistance.

In a time of social change and upheaval, there has been an increased movement to present a sanitized version of history and combat more progressive ideas in literature. Behind many book bans is the desire to control what children read and thus how they think and behave. But even books that present dangerous ideas are worth discussing rather than silencing, and readers can examine them critically.

How does the wizarding world approach access to knowledge? The Restricted Section keeps books available in the Hogwarts library but accessible only to those undertaking advanced study with permission from a professor. Dumbledore eventually removed the books with information on Horcruxes, but would it have been better if they weren't there for Tom Riddle to read in the first place?

In recent years, Harry Potter, previously challenged mostly by the right wing, has been challenged by the left wing due to the author's attitudes towards transgender people as well as the inequality and injustice in the universe she created. But the complex and imperfect nature of fictional worlds provides opportunities for critical thinking.

Whatever the motivation, attempts to ban books shows an acute awareness of the power of words and ideas to influence readers.

Harry Potter may not technically be considered a work of horror, but there are plenty of horrifying aspects to explore in this episode.

Katy and Emily speak with Dr. Jeff Ambrose about the scariest parts of the series and the lasting effects horrific events have on characters (and readers and viewers). The series has its fair share of monsters, torture, murder, and soul-sucking, with Harry Potter and the Goblet of Fire bringing in such terrors as Death Eaters, Unforgivable Curses, and a gruesome graveyard resurrection. Horror as a genre traffics in trauma, which is bound to result from the characters' experiences.

Emotion is closely tied to magic in the Potter, so manifestations of trauma in the series come in the form of Thestrals, Dementors, and boggarts but also in Harry's role as a Horcrux, literally carrying past trauma within him, and in what Harry represents to Snape. While trauma can certainly be tied to personal identity, Jeff disagrees with the idea that it erodes characters' personalities, pointing to how Harry manages to function despite his traumatic past and how characters have different responses to their trauma.

Although the wizarding world and Hogwarts provide safe spaces for Harry, they are also full of dangerous and scary things: the shadow of a villain so frightening that people still fear to speak his name a decade later, a poltergeist, the ghost of a murdered student, a restricted section in the library, and the need to learn Defense Against the Dark Arts.

While Harry Potter does contain a great deal of darkness, it also shows us how to overcome it. Trauma can cause characters to make mistakes, like how Dumbledore keeps secrets and Snape harbors resentment, but Harry finds a community of support and Hagrid shows love to all kinds of creatures.

Join us for a special episode recorded live from LeakyCon Chicago!

Katy, Emily, and producer Laurie give LeakyCon attendees an overview of the current state of Potter studies, including areas of interest, such as social justice, responses to the author and how authorship does or does not affect our reading, and where we see the field going.

We also provide a preview of our upcoming companion book, available later this year from McFarland, and consider the symbiotic relationship between scholarship and fandom. We're particularly interested in how scholarship has benefited from fan expertise and how we can use scholarship to open up the text to analysis rather than close it off with a consensus, especially in an age of internet hot-take culture. Potter's portrayals of elves and goblins may be uncomfortable, but there are many possible interpretations, some of which have received quite thorough academic attention. J.R.R. Tolkien's thoughts on allegory versus applicability are helpful in thinking about intentional and interpreted symbolism.

Members of the audience, including Marjolaine Martin from French academic Potter podcast ASPIC and Harry Potter: Hogwarts Tournament of Champions Hufflepuff David Martin, weigh in with their own thoughts.

Return with us to the realm of refreshment in the wizarding world!

Following up on Episode 29, Katy and Emily continue our conversation about the food foundations of Harry’s magical universe, joined by guests Louise Freeman and Emma Nicholson. Australian Emma shares her different interpretation of wizarding foods based on her cultural heritage, including her expectations about butterbeer (why so sweet, America?). We ponder whether wizard butterbeer might have alcoholic content and consider the role of alcoholic beverages in the series, including firewhiskey and (perhaps) Felix Felicis. On the subject of beverages, we explore the cultural and symbolic significance of tea, tea shops, and tea leaf reading, as well as pumpkin juice.

Emma also shares with us her thoughts on foods associated with Norse mythology, like mead, and how this opens up associations between characters and specific Norse gods (Dumbledore and Odin, Hagrid and Thor). She points out connections between food abundance and Norse myths, and we wonder, where do house-elves shop for food? Sweets not only seem to provide an entrée into wizarding society (“Happee Birthdae Harry”), but also signal rebellion in the series (“Have a biscuit, Potter”).

Potter fans make a lot of wizard food, and Emily asks, “Why do we want to eat these books?” Louise points out that the theme of food is central to the Potterverse, and also the Cormoran Strike series and The Ickabog. We Muggles have attempted to replicate the drinks, sweets, and staple foods of the wizarding world, and you’ll hear about ones we’ve tried and how we rate them. Food has an immersive quality that engages all the senses and allows us to feel more a part of this magical realm, but the characters’ reactions, and the foods’ dangerous and edgy qualities, also make us want to join in the fun.

In our special segment we visit the Hogwarts kitchens to share Emma’s recipe for Cockroach Clusters (revolting and delicious!) and Louise’s experiment in competing butterbeers. Give these a try and let us know what you think!

Explore connections between the works of Jane Austen and Harry Potter.

Katy and Emily compare Austen's novels to the Potter series with Dr. Beatrice Groves (Trinity College, Oxford University), author of Literary Allusion in Harry Potter and columnist at Bathilda's Notebook. Bea first noticed a connection when she realized that Filch's cat shared a name with Mrs. Norris from Mansfield Park, and the similarities only continue from there.

The hero serves as a focalizing point for the narrative of Austen's books and the Potter books, using a third-person limited perspective that gives the reader a sense of having an omniscient view even though just one character's point of view is expressed. Emma seems to bear the strongest similarity to Potter in this sense. Austen and Potter also both explore riddles and the act of interpreting them, gossip and its pitfalls, and fame or notoriety.

Bea discusses her chapter in the recent anthology Open at the Close about communities of interpretation in Austen's works and Harry Potter. Reading creates communities among readers who have read the same work but also a dialogue between the reader and the writer when the reader recognizes allusions to texts they have also read. Writing generated by artificial intelligence would lack this particular human quality that allows us to feel connected to a writer when we know we have read the same books. Reading also allows us to use our imaginations in a way that a film adaptation does not, which provides an interpretation of the text.

Finally, Bea reveals an interesting parallel between Jane Austen's life and the backstory of a Potter character.