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In which a contrast between the way folk music is seen in England and the US leads to speculation about the role of Harry Smith’s Anthology of American Folk Music in weirding the US folk scene. When is folk music otherworldy and weird and when it is, what is the weirdness due to?
MUSIC
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In which an old, traditional ceremony – The Ancient Castleton Garland Ceremony – is compared with a new, invented one – the burning of the hare at Sin-Eater Festival and the differences between them that make one spellbinding and the other less so are drawn out.
Music by Sharron Kraus
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In which an examination of M.R. James’ approach to writing ghost stories leads to a distinction between two ways of thinking about the past, the first being a parallel to Edward Said’s Orientalism – a way of treating the past as an exotic and mysterious ‘Other’ – the second, viewing the past as continuous with and persisting into the present, the present as containing palimpsests or time capsules that allow us access to the past.
Music by Sharron Kraus, with Harriet Earis and Guy Whittaker
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In which the enchanting music of The Pied Piper, the natural magic of The Secret Garden, and other fictional portrayals of magic are examined and some are shown to convey aspects of the preternatural magic we can find in the world.
Music by Sharron Kraus, with Harriet Earis, Tara Burke, Helena Espvall, Norman Fetter and Howard Wuelfing
REFERENCES
Susan Cooper, The Dark is Rising
Kenneth Grahame, The Wind in the Willows
Frances Hodgson Burnett, The Secret Garden
C.S. Lewis, The Chronicles of Narnia
Of Other Worlds: Essays & Stories
In which the idea that the sense of wonder we are born with automatically diminishes as we mature is brought into question. The factors that erode our sense of wonder are examined and the possibility of reaching adulthood with a sense of wonder intact is argued for.
In which the idea that the sense of wonder we are born with automatically diminishes as we mature is brought into question. The factors that erode our sense of wonder are examined and the possibility of reaching adulthood with a sense of wonder intact is argued for.
Music by Sharron Kraus, with Guy Whittaker, James Green, Aby Vulliamy, Harriet Earis, Oliver Parfitt and Nick Jonah Davis
Clips from Jefferson Airplane’s ‘Lather’ and Rupert Holmes’ ‘Escape (The Piña Colada Song)’
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