Primus Tracks

David Lefkowitz returns for another Master Class. Dave managed Primus/Les for about twenty years, and additionally was the president of Prawn Song Records when the label pivoted to releasing albums by talented Bay Area bands. We discuss the challenges and intricacies of running a record label (Dave's advice: don't.) and why it's not the greatest idea. Great talk with a true heavy!

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Our latest Legendary Show Dissection takes us back to 2004 as Primus marauded across North America to bring Frizzle Fry in its entirety to the masses in a two-set evening-with format. On this particular evening, the band graced the crowd with what we believe is a record of six consecutive songs on the six-string fretless "rainbow" bass. Considering that the rainbow is retired due to age and sentimental value, and replaced by a fantastic Pachyderm sixer, this specific feat may never be replicated. Frankie guides us through this evening of enigmatic enchantment. 

Primus Minneapolis 2004 on Youtube: https://www.youtube.com/watch?v=-XyQvcXlyJY

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The great Kello Gonzalez returns to wrap up Purple Onion in style with a breakdown of (and on) Cosmic Highway. We get into what makes this track a fan favorite, why it ends the record in a satisfying way, and what makes it so familiar to Primus fans picking up Les solo work for the first time. 

Find Kello on Youtube & Instagram 

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David Makalaster II continues the saga of our newscaster, whose manipulative messaging has taken a turn to the bellicose. Mak II stands as commentary on the media landscape post 9/11 and its exhortations to belligerence, whether abroad or domestic, and the music supports that military march to war, which we connect to Les Claypool's favorite film, perhaps finding some of the musical inspiration for this track. 

Think. It ain't illegal yet. 

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Sam Stewart of Flagman joins Primus Tracks to discuss Up On The Roof, and explains what makes it a certified banger in the Claypool catalogue. The track has familiar foundations in a percussive bass line and lyrics regarding drug addiction, but this tune remains fresh and vibrant over twenty years later. 

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LISTEN 2 FLAGMAN!


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Lights in the Sky is another structured, thoughtful piece that seems simple, but allows maximum space for Frog Brigade collaborators to shine. In this case, they keep it atmospheric and low key until a bit of a heavier, unexpected ending. Although the lyrics are fairly generic for a Claypool tune, they provide ample fodder for conversation, and we take advantage by discussing stories of alien abduction. Because, yknow, it stands to reason. 

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This week on the podcast, we address the Les Claypool live staple D's Diner, which has been performed by so many iterations of his bands that everyone has lost count, except for Frankie. Bay Area resident and D's Diner regular Anthony Garcia helps us choose what menu items will be worth our while, models the main bass lick, and explains why it's okay to have a one-riff jam track in the middle of, to this point, a focused record. Next time you're in Sebastopol, get the breakfast burrito with extra red sauce!

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Barrington Hall is a legendary location in the Primus world, and its debauched past pairs well with the refined nature of the music from this Purple Onion track. Matt Hunter models the bass parts and harmonies, and we delve into the sordid events that led to Barrington's demise as a student housing cooperative. 

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Ding Dang is a forceful number, both in terms of music and lyrics. We speak with bassist Alex Dalasio about the musicality of the tune, and what makes it memorable, as well as unpacking the lyrics, which are meant to provoke, and perhaps even make us uncomfortable, but there's a lesson to be learned and a resonant, timeless message. We get to the heart of the matter and solve all of the world's problems. Just another day at the office in Primus Tracks Towers!

Find Alex's musical efforts under the name Psychedelic Waves on Bandcamp and Spotify. 

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Les Claypool started banging on the Whamola on February 14, 2001, at a Frog Brigade show in Boston, Massachusetts, and it's accompanied him on nearly every subsequent tour, and numerous studio records. He popularized the one-stringed instrument that an enterprising person could construct for less than $100, and put his unique spin on it with percussive playing that utilizes distortion and evelope filter to achieve a big sound. Here, on the Purple Onion record, the track serves as a solo showcase for Les's side men, and they all deliver wild slices of sound, supported by drummer Fish Fisher of Fishbone. We examine the history of the instrument, numerous live cuts, and whether the track holds up 20+ years later. 

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