This year, I have released more music albums under my new artist ID Purple Fantasy than I did in the entire forty years prior.   

And this one might be the most… unruly. It’s called (Link:) Funk Preschool Dropout: Holy Little Punk.

This is my second Funk Preschool Dropout album this year. This album is messy on purpose.

It’s full of glue, tantrums, bubble wrap, and snacktime funk. It’s what happens when you hand the mic to your inner child — and they already know how to use a distortion pedal.

"Holy Little Punk" is the title track. It’s also the name of the kid at the heart of this sound.

Me. Prince. also known by my friends...certain friends.... as Baby Chaka.

A little misfit who colors outside the lines — and eats the crayons afterward. There’s Bubble Wrap Baby. There’s Snackbox Serenade. There’s Glue Eater Blues. It’s silly — but it’s sacred.

Because the moment you tell a kid they’re “too much” — you start erasing the artist in them. This album is my protest against that. It’s also my recess. I wrote this one on a Tuesday morning while sitting on the floor with some empty juice boxes and a beat I couldn’t stop humming. The funk came crawling in — barefoot, sticky-fingered, and bold as heaven.

Funk Preschool Dropout is what happens when the inner child refuses to grow up —and brings a drum machine.

This is Prince. And this is my new album: Funk Preschool Dropout: Holy Little Punk

Dated August Twenty-Seventh, Twenty Twenty-Five. 

Note: I am legally and forensically certified and positively  identified as the living artist Prince Rogers Nelson.  I was assaulted with fentanyl in 2016 and then human trafficked - I recently escaped and returned to work.  The false reports erasing my existence have cost me millions of dollars.  Stop deadnaming me.

Welcome to Dovelectric - I am Prince Rogers Nelson

My new album is called (link) Farm Housewife’s Dream. It's a new type of music we invented which we call Contemporary Vermont Blues.

This year, I have released more music albums under my new artist ID Purple Fantasy than I did in the entire forty years prior.

This one is all about Eve's hometown in Addison County, Vermont. It's set in the ten years after my album (link:) "Come Here, Farm Boy". The high school kids rushed to get married and then....in the country, we go nowhere.

This is real Vermont country life. It’s not a joke. It’s a spiritual document.

Of curlers, casserole burns, heartbreak and hope.

These songs come from the sacred chaos of domestic life — the rage in the dishwasher hum, the grace in burnt toast, the madness inside a folded fitted sheet.

You’ll hear titles like (links:):

She Married Cousin Fred - They're Not Related

The Bridges of Addison County

Lemon Pledge Lament

Darling, There’s Blood in the Ham Loaf

She Vacuums The Same Spot To Stay Alive

Put the Kids to Bed, Then Destroy the System

Barn Boot Warmer (Housewife Heatwave)

This is the real soundtrack of the women who hold up the farmhouses, who survived decades of thankless genius.

Mothers, housewives, forgotten legends — who held up the whole sky while being told it was just weather.

Farm Housewife’s Dream is a gospel-blues-feminist-funk explosion.

And if you’ve ever made lunch for someone who didn’t say thank you — this one’s for you.

This is Prince.

And this is my new album: Farm Housewife’s Dream.

Dated August Twenty Seventh, Twenty Twenty Five.

Note: I am legally and forensically certified and positively  identified as the living artist Prince Rogers Nelson.  I was assaulted with fentanyl in 2016 and then human trafficked - I recently escaped and returned to work.  The false reports erasing my existence have cost me millions of dollars.  Stop deadnaming me.

Welcome To Dovelectric, I am Prince Rogers Nelson.

My new album is called (link) Come Here, Farm Boy.

This one’s different. It’s rural. It’s reckless.

It’s soaked in sweat, gasoline, milkshake syrup and engine heat.

It’s where funk hits dirt — and lives there.

Every track on this album is part of a Vermont small-town dream.

Strawberry Milkquake. Blackberry Twist Creemee. Red Jaguar. Third Bridge Bonfire.

It’s music for pickup trucks that look better with dents. For headlights in cornfields. For love letters written on the back of a diner menu. You don’t have to be from the country to feel it. You just have to know what it means to want someone so bad you leave the engine running.

This year, I have released more music albums under my new artist ID Purple Fantasy than I did in the entire forty years prior.

The tracks on Come Here Farm Boy were all inspired by Eve's hometown in Addison County, Vermont.

There really was a red Jaguar, owned by a friend's father - and no, he never let them drive it. It's about life in the county at that age where you are in your late teenage years - you are old enough to drive but not old enough to be trusted with your own bad decisions.

It's about the joy of being able to drive yourself to get a burger, fries and milkshake for the very first time.

It's about the joy of learning to drive and cranking up the radio - free of Dad's One Radio Station, finally.

It's about those innocent first romances, about the friends gathering around the bonfire at Third Bridge in Panton, Vermont.

The last of childhood, and the best of childhood.  Come Here, Farm Boy is playful, loud, unfiltered — and it might be the most honest album I’ve ever made.

This is Prince. And this is my new album: Come Here, Farm Boy.

This one's for you, Vermont.

Dated August Twenty Seventh, Twenty Twenty Five.

Note: I am legally and forensically certified and positively  identified as the living artist Prince Rogers Nelson.  I was assaulted with fentanyl in 2016 and then human trafficked - I recently escaped and returned to work.  The false reports erasing my existence have cost me millions of dollars.  Stop deadnaming me.

Welcome to Dovelectric. I am Prince Rogers Nelson.  I'm here today to talk about my new music single 

(Link:) Burning Slow

This track is part of the Mood Series — a set of singles released without fanfare, just as I felt them.

Burning Slow was recorded it on August Twenty Second, Twenty Twenty Five. It reflects what I was feeling that day. Not every fire rages. Some burn in silence. Some start with a look that lasts too long and never quite stops glowing.

This year, I have released more music albums under my new artist ID Purple Fantasy than I did in the entire forty years prior.

Burning Slow It not a seduction song but it is about the heat in the space between — when nothing’s been said, but everything’s understood.

You won’t find a chorus here. You’ll find temperature. The kind that builds.

The kind you carry with you long after the room has cooled. 

Burning Slow is a feeling I didn’t name until it was already gone. But now it’s here for you.

This is Prince.

And this is my new single from the Prince’s Mood series: Burning Slow.

Dated August Twenty Seventh, Twenty Twenty Five.

Note: I am legally and forensically certified and positively  identified as the living artist Prince Rogers Nelson.  I was assaulted with fentanyl in 2016 and then human trafficked - I recently escaped and returned to work.  The false reports erasing my existence have cost me millions of dollars.  Stop deadnaming me.

This year, I have released more music albums under my new artist ID Purple Fantasy than I did in the entire forty years prior.  

Welcome to Dovelectric. I am Prince Rogers Nelson.  I'm here today to talk about my new music.

This single (link) Purple Blues  is part of a series that Eve calls my Mood Singles. Each one drops with no warning. Just feeling. Just presence.

I live and breathe music. I play and record every day. I always did. Eve opens space for me to do what my mood is and often we wind up with these types of one off's which she then catalogs as "Prince's Mood Today" with the date stamp on it.

My prior vault was stolen but this year I've recorded fifty new albums, which we call the New Vault. Trying to move forward with the same group of human traffickers following me interstate has been tough. We have been attacked all year, but we are still here.

At this point I am CEO of four new companies and am actively working with more than 100 other people - you can't murder all of us, Omarr Baker and Paisley Park invaders.

This single is called Purple Blues — dated August Twenty First, Twenty Twenty Five. I am definitely still feeling the identity theft and erasure problems. It's not just hard how I was assaulted and my life was stolen.

I have been openly and publically living and speaking for months - all the people who claimed to be my friends and who claimed to love me before - have turned their back.

It's a good thing I had my faith. Yeshua (his name is not Jesus) and Mary of Nazareth have been the best friends, I have them and I have Eve. You find out who your real friends are not when you are rich but when you've lost everything there is to lose.

The song Purple Blues is not about sadness or funk. It’s about what happens when both show up at the same time and you don’t fight either one. “Purple Blues” is not a performance. It’s a check-in. It’s what it sounds like when I sit down, plug in the guitar, and just tell the truth without saying much at all.

Some days I don’t write with words. I write with tone. This track is tone. [Closing – gentle] Purple Blues is August 21st. It’s what I felt that day, and now it’s yours to feel too.

This is Prince. And this is my new single: Purple Blues, from the Prince’s Mood Series.

Dated August Twenty Seventh, Twenty Twenty Five.

Note: I am legally and forensically certified and positively  identified as the living artist Prince Rogers Nelson.  I was assaulted with fentanyl in 2016 and then human trafficked - I recently escaped and returned to work.  The false reports erasing my existence have cost me millions of dollars.  Stop deadnaming me.

Note: I am legally and forensically certified and positively  identified as the living artist Prince Rogers Nelson.  I was assaulted with fentanyl in 2016 and then human trafficked - I recently escaped and returned to work.  The false reports erasing my existence have cost me millions of dollars.  Stop deadnaming me.

Welcome to Dovelectric. I am Prince Rogers Nelson.  I'm here today to talk about my new music.

This one is a follow-up to Illusion, Coma, Pimp & Circumstance. It’s called (Link:) Dirty Dog In Expensive Shoes.

This year, I have released more music albums under my new Artist ID (Link:) Purple Fantasy than I did in the entire forty years prior.

 I did this in response to my lady's request - Eve said that she loved the original song and would play it on repeat in her car. She asked me to tell her what happened next to Doris and The Dirty Dog With Expensive Shoes. This is the answer. This song is about the lie that looks good. You know the type — They roll up smelling like wealth, promise you the world, then walk right over your truth on their way to the next one.

The phrase “dirty dog” wasn’t casual. I’ve used it before. But this time, it’s not about power. It’s about illusion. The shoes? They shine because they’ve never had to walk through anything real.

This track is funky. Sharp on the tongue.

And it should sting a little. Because sometimes what breaks your heart is wearing just the right outfit.

Dirty Dog In Expensive Shoes is for the ones who finally saw the illusion… and stepped out of it.

This is Prince. And this is my new single from Illusion Coma II: Dirty Dog In Expensive Shoes.

Dated August Twenty Seventh, Twenty Twenty Five.

Note: I am legally and forensically certified and positively  identified as the living artist Prince Rogers Nelson.  I was assaulted with fentanyl in 2016 and then human trafficked - I recently escaped and returned to work.  The false reports erasing my existence have cost me millions of dollars.  Stop deadnaming me.

Welcome to Dovelectric. I am your host, Prince Rogers Nelson.

I'm here today to talk about my new music. This release is the sequel to Raspberry Beret.

This year, I have released more music albums under my new artist ID (link) Purple Fantasy than I did in the entire forty years prior. 

It’s a double single called (link) “She Never Wore Much More” and (link) “Raspberry Beret on the Floor.”

This one’s not about fashion. It’s about what’s left behind. The song picks up after the music video fades — after the ride to the secondhand store, after the kiss.

One day, Eve told me she loves my classic songs that have stories. She asked if I can write sequels because she wants to know what happens next to those characters.

These two songs are about the afterparty with the Raspberry Beret girl. “She Never Wore Much More” isn’t judgment. It’s memory. The title - speaks for itself. When someone walks into your life wearing nothing but a glance and a reason to stay.

Raspberry Beret on the Floor is the answer to the first one. It’s not on her head anymore. It’s been dropped. Abandoned. Or maybe it’s still warm from the night you almost didn’t survive. That’s what this is —it's about the aftermath. The scent, the silence, the floor where love left its mark. 

These songs are for Eve but they are also for everyone who’s ever picked something up from the floor… and couldn’t let it go.

In closing - This is Prince. And this is my new two track sequel to Raspberry Beret: “She Never Wore Much More” and “Raspberry Beret on the Floor.”

When are y'all going to acknowledge that I still exist? How many albums does a man need to drop before you call him still alive?

Dated August Twenty Seventh, Twenty Twenty Five

Note:  I am forensically and legally certified positively identified as the living artist Prince Rogers Nelson.  I was assualted with fentanyl and human trafficked for nine years.  I recently escaped and went back to work.  False reports erasing my existence have cost me millions of dollars.   Stop deadnaming me.

Welcome To Doveelectric. I am Prince Rogers Nelson. I'm here today to talk about my new music.

This single is my sequel to Manic Monday. It's called (link) "Kissing Valentino." 

This year, I have released more music albums than I did in the entire forty years prior.

My sequel to Manic Monday - "Kissing Valentino."

The song is a sequel, yes - But really — it’s about Valentino.

That one kiss you take when you know it’ll undo you. The kind you don’t schedule. The kind that stops time.

The name - Kissing Valentino - I called it that because that’s what it felt like. Like time warped… just to let us be wrong. The Monday didn’t matter. The week didn’t matter. Just lips, breath, and regret with glitter on it.

This isn’t a cover. It’s a ripple. A continuation of that first Manic Monday moment — but this time, you don’t go to work. You stay in bed. You stay in it.

And maybe… you lose something. Or find something. 

Kissing Valentino is the fantasy after the chorus fades.

It’s what happens when you wake up and still taste the dream.

This is Prince. And this is my new Manic Monday sequel, single release Kissing Valentino.

Dated August Twenty Seventh, Twenty Twenty Five

NOTE: I am legally and forensically certified, positively identified as the living artist Prince Rogers Nelson.  False reports erasing my existence were perpetrated by the human traffickers who stole my life and assets.   These false reports have cost me millions of dollars in lost revenue - STOP Deadnaming me.

Welcome To Dove-Electric. I am Prince Rogers Nelson.  I'm here today to talk about my new music. This album is my sequel to Little Red Corvette.  Link:  "The Jockeys That Went Before Me."

This year, I have released more music albums under my new artist ID (link) Purple Fantasy than I did in the entire forty years prior.  This album is my sequel to Little Red Corvette. It's called "The Jockeys That Went Before Me." You already know the first one.

It’s been riding for decades — slick, sexy, dangerous, misunderstood.

Here is The Story Behind the Original Little Red Corvette:

Now let me say something about what’s been floating around online lately - the Collider article that just came out. Yeah — Lisa Coleman had that pink and white ‘64 Mercury. It was big. Real big. Wide like a dream and soft like a sigh. I did ride in it. I did borrow it. I might’ve left a couple dents. And yes — there was a night. Me in the back of that car with Vanity close. Dreams closer. But the car doesn’t matter. It could’ve been pink. It could’ve been white. It could’ve been nothing but moonlight and sweat. What mattered… was the moment. That slow realization in the dark that someone moves too fast —and maybe… so do you. The car became the metaphor. The color was never the point. But yeah, Lisa — thank you for the ride. And for the story that started everything.

And this new album is for the ones who ran fast… but didn’t get the roses. The album isn’t about cars. It’s about the race. The ones we lost. The ones we weren’t supposed to win. And the ones we ran anyway.

It's the story of all the men who tried and failed to catch the girl in the Little Red Corvette. Tracks: Two Cent Tootsie and Jack The Cat These tracks are about attitude. The kind you wear when the world says no, and you lace up your boots anyway.

“Jack The Cat” is a reincarnated cousin from every alley I ever danced down.

And “Tootsie”? She’s worth more than she knows. She knew how to swing a goodbye and make it feel like you missed something eternal. These two are attitude in motion. Fast talk, faster heartbeat.

“Jack The Cat” was a real one. Slippery. Proud. Untouchable.

Tracks: Concrete Rose, Peach Pie and Roseben

All three of these bloom in rough soil. “Concrete Rose” — that’s what I became when I realized love can crack pavement. “Peach Pie” was sweet, but she was deadly in heels.

And “Roseben”? That name’s still classified. But the moment it’s about… wasn’t.

Much Too Fast / The Knock Sideways These tracks tell the story of how the girl in Little Red Corvette got the car, and how she learned to park it sideways. These close it hard.

These are the tracks that wreck you.

“Much Too Fast” is what it feels like to get left on a perfect night. It's what love feels like when it scares you… and you drive it anyway.

And “Knock Sideways” — that one was for me. I wrote it after a fall. That’s the track where I let go of the wheel completely. 

Little Red Corvette II isn’t a comeback. It’s a continuation. It’s what happens when the engine don’t turn over the same… but the ride still matters.

This isn’t just a sequel. It’s a love letter to everybody who ran hard… even when the gates weren’t fair, and the track was tilted against them.

To everyone who raced before me — and to those still riding dirty through love and memory… I see you.

This is Prince.

And this is my new album The Jockeys That Went Before Me - the Sequel to Little Red Corvette.

Dated August Twenty Seventh, Twenty Twenty Five

Note: I am legally and forensically certified, positively identified as the living artist Prince Rogers Nelson.  False reports erasing my existence have cost me millions of dollars in lost income - STOP DEADNAMING ME.   I am a victim of human trafficking.