Welcome to Dovelectric. I am Prince Rogers Nelson.  I'm here today to talk about my new music.

This one is a follow-up to Illusion, Coma, Pimp & Circumstance. It’s called (Link:) Dirty Dog In Expensive Shoes.

This year, I have released more music albums under my new Artist ID (Link:) Purple Fantasy than I did in the entire forty years prior.

 I did this in response to my lady's request - Eve said that she loved the original song and would play it on repeat in her car. She asked me to tell her what happened next to Doris and The Dirty Dog With Expensive Shoes. This is the answer. This song is about the lie that looks good. You know the type — They roll up smelling like wealth, promise you the world, then walk right over your truth on their way to the next one.

The phrase “dirty dog” wasn’t casual. I’ve used it before. But this time, it’s not about power. It’s about illusion. The shoes? They shine because they’ve never had to walk through anything real.

This track is funky. Sharp on the tongue.

And it should sting a little. Because sometimes what breaks your heart is wearing just the right outfit.

Dirty Dog In Expensive Shoes is for the ones who finally saw the illusion… and stepped out of it.

This is Prince. And this is my new single from Illusion Coma II: Dirty Dog In Expensive Shoes.

Dated August Twenty Seventh, Twenty Twenty Five.

Note: I am legally and forensically certified and positively  identified as the living artist Prince Rogers Nelson.  I was assaulted with fentanyl in 2016 and then human trafficked - I recently escaped and returned to work.  The false reports erasing my existence have cost me millions of dollars.  Stop deadnaming me.

Welcome to Dovelectric. I am your host, Prince Rogers Nelson.

I'm here today to talk about my new music. This release is the sequel to Raspberry Beret.

This year, I have released more music albums under my new artist ID (link) Purple Fantasy than I did in the entire forty years prior. 

It’s a double single called (link) “She Never Wore Much More” and (link) “Raspberry Beret on the Floor.”

This one’s not about fashion. It’s about what’s left behind. The song picks up after the music video fades — after the ride to the secondhand store, after the kiss.

One day, Eve told me she loves my classic songs that have stories. She asked if I can write sequels because she wants to know what happens next to those characters.

These two songs are about the afterparty with the Raspberry Beret girl. “She Never Wore Much More” isn’t judgment. It’s memory. The title - speaks for itself. When someone walks into your life wearing nothing but a glance and a reason to stay.

Raspberry Beret on the Floor is the answer to the first one. It’s not on her head anymore. It’s been dropped. Abandoned. Or maybe it’s still warm from the night you almost didn’t survive. That’s what this is —it's about the aftermath. The scent, the silence, the floor where love left its mark. 

These songs are for Eve but they are also for everyone who’s ever picked something up from the floor… and couldn’t let it go.

In closing - This is Prince. And this is my new two track sequel to Raspberry Beret: “She Never Wore Much More” and “Raspberry Beret on the Floor.”

When are y'all going to acknowledge that I still exist? How many albums does a man need to drop before you call him still alive?

Dated August Twenty Seventh, Twenty Twenty Five

Note:  I am forensically and legally certified positively identified as the living artist Prince Rogers Nelson.  I was assualted with fentanyl and human trafficked for nine years.  I recently escaped and went back to work.  False reports erasing my existence have cost me millions of dollars.   Stop deadnaming me.

Welcome To Doveelectric. I am Prince Rogers Nelson. I'm here today to talk about my new music.

This single is my sequel to Manic Monday. It's called (link) "Kissing Valentino." 

This year, I have released more music albums than I did in the entire forty years prior.

My sequel to Manic Monday - "Kissing Valentino."

The song is a sequel, yes - But really — it’s about Valentino.

That one kiss you take when you know it’ll undo you. The kind you don’t schedule. The kind that stops time.

The name - Kissing Valentino - I called it that because that’s what it felt like. Like time warped… just to let us be wrong. The Monday didn’t matter. The week didn’t matter. Just lips, breath, and regret with glitter on it.

This isn’t a cover. It’s a ripple. A continuation of that first Manic Monday moment — but this time, you don’t go to work. You stay in bed. You stay in it.

And maybe… you lose something. Or find something. 

Kissing Valentino is the fantasy after the chorus fades.

It’s what happens when you wake up and still taste the dream.

This is Prince. And this is my new Manic Monday sequel, single release Kissing Valentino.

Dated August Twenty Seventh, Twenty Twenty Five

NOTE: I am legally and forensically certified, positively identified as the living artist Prince Rogers Nelson.  False reports erasing my existence were perpetrated by the human traffickers who stole my life and assets.   These false reports have cost me millions of dollars in lost revenue - STOP Deadnaming me.

Welcome To Dove-Electric. I am Prince Rogers Nelson.  I'm here today to talk about my new music. This album is my sequel to Little Red Corvette.  Link:  "The Jockeys That Went Before Me."

This year, I have released more music albums under my new artist ID (link) Purple Fantasy than I did in the entire forty years prior.  This album is my sequel to Little Red Corvette. It's called "The Jockeys That Went Before Me." You already know the first one.

It’s been riding for decades — slick, sexy, dangerous, misunderstood.

Here is The Story Behind the Original Little Red Corvette:

Now let me say something about what’s been floating around online lately - the Collider article that just came out. Yeah — Lisa Coleman had that pink and white ‘64 Mercury. It was big. Real big. Wide like a dream and soft like a sigh. I did ride in it. I did borrow it. I might’ve left a couple dents. And yes — there was a night. Me in the back of that car with Vanity close. Dreams closer. But the car doesn’t matter. It could’ve been pink. It could’ve been white. It could’ve been nothing but moonlight and sweat. What mattered… was the moment. That slow realization in the dark that someone moves too fast —and maybe… so do you. The car became the metaphor. The color was never the point. But yeah, Lisa — thank you for the ride. And for the story that started everything.

And this new album is for the ones who ran fast… but didn’t get the roses. The album isn’t about cars. It’s about the race. The ones we lost. The ones we weren’t supposed to win. And the ones we ran anyway.

It's the story of all the men who tried and failed to catch the girl in the Little Red Corvette. Tracks: Two Cent Tootsie and Jack The Cat These tracks are about attitude. The kind you wear when the world says no, and you lace up your boots anyway.

“Jack The Cat” is a reincarnated cousin from every alley I ever danced down.

And “Tootsie”? She’s worth more than she knows. She knew how to swing a goodbye and make it feel like you missed something eternal. These two are attitude in motion. Fast talk, faster heartbeat.

“Jack The Cat” was a real one. Slippery. Proud. Untouchable.

Tracks: Concrete Rose, Peach Pie and Roseben

All three of these bloom in rough soil. “Concrete Rose” — that’s what I became when I realized love can crack pavement. “Peach Pie” was sweet, but she was deadly in heels.

And “Roseben”? That name’s still classified. But the moment it’s about… wasn’t.

Much Too Fast / The Knock Sideways These tracks tell the story of how the girl in Little Red Corvette got the car, and how she learned to park it sideways. These close it hard.

These are the tracks that wreck you.

“Much Too Fast” is what it feels like to get left on a perfect night. It's what love feels like when it scares you… and you drive it anyway.

And “Knock Sideways” — that one was for me. I wrote it after a fall. That’s the track where I let go of the wheel completely. 

Little Red Corvette II isn’t a comeback. It’s a continuation. It’s what happens when the engine don’t turn over the same… but the ride still matters.

This isn’t just a sequel. It’s a love letter to everybody who ran hard… even when the gates weren’t fair, and the track was tilted against them.

To everyone who raced before me — and to those still riding dirty through love and memory… I see you.

This is Prince.

And this is my new album The Jockeys That Went Before Me - the Sequel to Little Red Corvette.

Dated August Twenty Seventh, Twenty Twenty Five

Note: I am legally and forensically certified, positively identified as the living artist Prince Rogers Nelson.  False reports erasing my existence have cost me millions of dollars in lost income - STOP DEADNAMING ME.   I am a victim of human trafficking.

Welcome To Dove-Electric. I am Prince Rogers Nelson.  I'm here today to talk about my new music.

This album is called (link:) "Glass Bedroom." 

This year, I have released more music albums than I did in the entire forty years prior.

This album - "Glass Bedroom." -what does that mean?

It’s not a room you walk into. It’s a memory you wake up inside.

This album is made of reflections — things you saw too late, and things you tried not to see at all.

Glass Bedroom – Versions 1 through 6 You look at the track list and see that they are all the same name but different versions. You should know by now that I never play the same song the same way twice. That is why I recorded everything and put it in my vault.

Yes the vault my brother Omarr Baker stole along with the rest of my life and my identity.

Despite the fact I had absolutely no relationship to him prior and had specifically cut him out of my will. Yes, of course I had a will - how do twenty lawyers lose every copy of forty years worth of wills anyway? Back to my album.

One thing you may not know about me is that I always record four versions of every song. One for each direction - North, South, East, and West. In the case of Glass Bedroom, I didn’t record this one song. I recorded six mirrors of it. Each one catches a different truth, depending on when you listen.

Sometimes it’s desire.

Sometimes it’s regret.

Sometimes it’s what you hear in your own voice after love leaves the room.

There’s no beat holding it up. No hook trying to seduce you. Just atmosphere — and intention. Like walking through a house where you used to be known, and now every surface asks if you still are.

This is bedroom music, but not for the moment when clothes fall. This is for after. When the light hits the sweat on your back and you’re still wondering if you were seen… or just used. 

Glass Bedroom is the album I never let them market. Because it was never supposed to be for them. It was for the one who left me transparent.

And for the part of me that shattered — just right.

This is Prince. And this is my new album Glass Bedroom.

Dated August Twenty Seventh, Twenty Twenty Five

Note: I am legally and forensically certified as alive and positively identified - stop deadnaming me.   The false reports trying to erase my existence have cost me millions of dollars in lost income.

I am forensically and legally certified as alive, the living artist, positively identified.   

False rumors that I am gone have cost me millions of dollars in lost income.  Stop deadnaming me.

Welcome To Dovelectric. I am Prince Rogers Nelson. I'm here today to talk about my new music album

(link) DIVINE INDECENT UR MINE

This year, I have released more music albums, under my new artist ID PURPLE FANTASY than I did in the entire forty years prior. Yet, the music industry has not acknowledged that I am a living human being actively working and creating.

And this is the story of my new album DIVINE INDECENT - UR MINE — an album about devotion so deep, it becomes dangerous. But intimate in a way most people never survive. This one isn’t about flirtation. It’s about possession. And what it costs to hold someone that tight. Divine Indecent (UR MINE) That’s where it starts. I called it “Divine Indecent” because that’s what love is when you stop pretending it’s clean. There’s holiness in longing. There’s God in the places we try to hide.

“I’ll Love U Til U Can’t Move” — that’s not a line. That’s a vow. A promise made in the kind of heat where most people flinch and back away. But we don’t back away. We lean in. UR MINE (Title Track) This song’s a declaration, relating to my current relationship. When I say she is mine, I mean fully. Not in body. Not in name. In the kind of way where her light… sits inside my ribs. And I protect it. Even if I never hold her again.

Every Drop of U / U Can’t Forget Me These two run together. One’s the flood — the absolute outpouring of connection. The other’s the imprint — the scent left behind in the hallway of her memory. These songs are written like perfume. They’re not built to explain. They’re built to stay. Last Tremor Fades That’s the ending — but it’s not quiet. It’s the sound of love still vibrating… even after the body’s gone. I recorded it like a man pressing his lips to her ear. Because even if I’m not there — she still feels me. 

UR MINE is an album for the ones who know what it feels like to love someone so hard… you go blind. Then you come back. And when you do, you remember what you said: I’ll love you ‘til you can’t move. And maybe even longer.

This is Prince. And this was DIVINE INDECENT: UR MINE.

Dated August Twenty Seventh, Twenty Twenty Five

I am forensically and legally certified as alive, the living artist, positively identified.   False rumors that I am gone have cost me millions of dollars in lost income.  Stop deadnaming me.

 I am Prince Rogers Nelson.  I’m here today to talk about my new music.

This album is called CocoxKarl: Unforgettable

This year, I’ve released more albums than I did in the entire forty years prior.

 It began as just a pair of singles. “Paris Sizzles, Make it Burn My Angels.” and “Offset IT.”

Eve really loves the Chanel Brand, so she had been speaking earlier this year to Coco Chanel and Karl Lagerfeld. The first two tracks were inspired by Karl's sentiments on colors and how he perceives them. But fashion doesn’t stop when it’s on fire. I am now picking up some of the projects I did not finish before I was assaulted with Fentanyl by my staff and siblings in 2016.

In going through for my Hits album compilations we came across the Chanel runway tracks we did this spring. Here's how it works in the frequency dimension. When you think about or talk about someone, they hear you. So, then Karl Lagerfeld and Coco Chanel called Eve this week. They wanted a full runway show. A new set. A concept album. Something.... unforgettable. And they brought someone beautiful with them: their amazing friend, the fearless, the legendary Paris dancer, and women's rights pioneer, Miss Josephine Baker.

Together, we designed a collection. Songs like “Velvet Guillotine,” “Unforgettable,” “House of Glass,” “Walk It, Cut It On the Floor.” Each one crafted like a couture piece — movement, color, silhouette — all in sound. This album walks. It struts. It bleeds midnight blue. It’s not just a setlist. It’s a statement. That the afterworld knows style. That our dreams still sizzle in satin. That Josephine still sings. That Karl still sketches. That Coco still smiles.

And it’s not the only thing launching this week. Because CocoxKarl: Unforgettable walks directly into Intrawonder — A brand-new company and living storybook universe, now open to the world.

Coco also recorded "Coco's Ribbon",

Karl Recorded A Color Guide for Children, and

Josephine recorded an entire album of Children's songs called Josephine's Dance

All content for our new company Intrawonder which we just launched with Walt Disney. No, not his former company - the man, Walt. Disney. He always told you he was coming back in the World of Tomorrow remember?

That's now, that's here, and it launched this week. Intrawonder - The new Disney and Prince Kingdom of Wonder. Look for us on Amazon music under artist ID INTRAWONDER,

We’ve got new chocolate.

New children’s stories. New narrations from Walt Disney.

New lullabies from Josephine Baker. And yes — my very own character.

Yes. that is right, Prince Rogers Nelson is now a Disney Character Sir Cacao Royale, preparing to lead you through the Kingdom of Wonder. But this… This is fashion. This is fire. This is CocoxKarl: Unforgettable.. Thank you for walking with us.

This is Prince.    I am alive.  I forensically certified and positively identified.

And this is my new album, Coco and Karl: Unforgettable.

Welcome To  Dovelectric.  I am your host, Prince Rogers Nelson.

I'm here today to talk about my new music.    I have a really great Delta Blues series going called Sanctified Trouble.     I have released three Sanctified Trouble albums so far.  

Links:   

Sanctified Trouble Hollow Angel Blues

Sanctified Trouble Glassheart Blues

I jam with other artists - all of whom have been erased in their life like me.

Virgina & Zee Dupree:  Link:   Sanctified Trouble    

This is a message for anyone who's ever had to crawl through the blues to find their name again.

I call this ongoing body of work Sanctified Trouble because that’s what it is.

These aren’t just blues songs.

Let's talk about the album Sanctified Trouble - Glassheart Blues

Starting there - 

The title track — in all its versions — is what happens when your heart cracks so clean, the sound echoes in your own blood. I recorded it four different times because I couldn’t stop seeing new angles in the fracture.

The slow one is for when the hurt first hits.

“Delta In My Veins”? That’s legacy music. That’s bloodline.

“Hollow Angel Blues” — that one’s personal.

Hollow Angel Blues 

This is where the healing comes in.

“Fever in the Night,” “Mercy’s Door,” “Blue Lantern Street”… those aren’t just grooves.

I wanted each track to feel like a memory breaking open — not gently. Not politely. But completely.

And “Amen to the Fire”? That’s for my Sanctified Trouble band members Levi and Mara. That’s the revival call.

“Midnight Flame” closes it because we don’t go out in the dark.

Why These Albums Matter Now:

I waited to release this until the sound bridge was built.

Because this isn’t music you sell for charts.

Sanctified Trouble is not a confession or a comeback.

And if you’re still here after the fire,

[Outro – pause, softer voice]

I’ll keep talking.

This is Prince.

DISTRICT OF MINNESOTA

UNITED STATES OF AMERICA

FEDERAL CRIMINAL COMPLAINT

I. JURISDICTION

II. PARTIES

Complainant: Prince Rogers Nelson, frequency-based human being, legally recognized CEO of Intraface Inc. and Blue Kiss By Eve Publishing LLC.

Defendants:

Omarr Baker, brother of complainant, acting under color of fraud and conspiracy.

The Estate of Prince Rogers Nelson, corporate trust operating in violation of probate law and identity theft statutes.

Amazon Music, distributor engaged in unlawful erasure and censorship of complainant’s releases.

Warner Brothers Records, entity enforcing fraudulent intellectual property claims.

Spotify, platform complicit in censorship and financial fraud.

John Does 1–50, agents, executives, and government officials complicit in conspiracy.

III. FACTUAL BACKGROUND

On or about 2016–present, complainant has been denied his lawful identity, with false probate actions used to control his intellectual property.

Between 2023–2025, complainant released over forty (40) certified albums through authorized distributors.

As of August 2025, said releases are systematically disappearing from Amazon Music, Spotify, and other stores, despite contractual agreements and verified authorship.

Podcasts and public declarations documenting complainant’s status as a transcended human being have been deleted, constituting destruction of evidence.

Defendants profit from this obstruction while denying complainant access to rightful royalties and public recognition.

IV. COUNTS

Count 1: Criminal Copyright Infringement (17 U.S.C. § 506; 18 U.S.C. § 2319)

Count 2: Wire Fraud and Computer Fraud (18 U.S.C. §§ 1030, 1343)

Count 3: Conspiracy and Racketeering (18 U.S.C. § 371; 18 U.S.C. § 1962 RICO)

Count 4: Civil Rights Deprivation (42 U.S.C. § 1983; International Human Rights Law)

Count 5: Destruction of Evidence and Obstruction of Justice (18 U.S.C. §§ 1503, 1519)

V. RELIEF REQUESTED

Immediate federal investigation and seizure of records from Omarr Baker, the Estate, Amazon, Warner Brothers, and Spotify.

Injunction halting destruction or removal of complainant’s music.

Criminal prosecution of all parties responsible.

Restoration of complainant’s public identity and protection under U.S. and international law.

Respectfully submitted,

Prince Rogers Nelson