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Alfred, Lord Tennyson, Ulysses. Homer tells of how the mighty king of Ithaca arrived home after twenty years of war and wandering. However, in Tennyson’s monologue, one of the best-loved poems of the nineteenth century, we hear that he is restless and longs for the companionship and adventure that had come to define him.
We love hearing from all of you. Please email us at [email protected].
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Theme Music: "Nobility" by Wicked Cinema
Opening Passage Music: "Lord of the Dead" by CJ-0
You can also send comments and questions to Professing Literature via Text Message. Click here!
Charlotte Bronte, Jane Eyre, Chapter 12. Late on a winter afternoon a young woman is walking from the country manor where she works toward the neighbouring village. Jane Eyre has known great sadness. She is poor and friendless but also strong and wise, possessed of high integrity and deep faith. When she shortly encounters a strange man on horseback the meeting will change her, but it will change him even more.
We love hearing from all of you. Please email us at [email protected].
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Theme Music: "Nobility" by Wicked Cinema
Opening Passage Music: "Thoughts in A Minor" by Ian Kelosky
You can also send comments and questions to Professing Literature via Text Message. Click here!
St. Luke’s Gospel 8:40-56. In this episode Professing Literature tackles the New Testament. We discuss two intertwined miracle stories in Luke’s Gospel: a healing and a resurrection. Though the stories are short and seemingly simple Luke artfully deploys a handful of key details to help us understand the character of Jesus and the nature of his mission.
We love hearing from all of you. Please email us at [email protected].
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Theme Music: "Nobility" by Wicked Cinema
Opening Passage Music: "From the North" by Wicked Cinema
You can also send comments and questions to Professing Literature via Text Message. Click here!
David and Eric look back over the first series (episodes 1-10) of Professing Literature and David answers some listener questions. We got a great response from listeners and some great questions about episodes 1-10.
David also gives a few clues as to what's coming in the next series of episodes (Eric presses him on when there will be more Macbeth!).
As always, if you have any questions, comments, or otherwise, send us an email at [email protected].
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Theme Music: "Nobility" by Wicked Cinema
Opening Passage Music: "An Afternoon at the Versailles" by Cercles Nouvelles
You can also send comments and questions to Professing Literature via Text Message. Click here!
A Midsummer Night’s Dream, Act Four, Scene One. When four young aristocrats and a weaver spend a night in the forest outside of Athens they cross into the world of the faeries. The next morning they struggle to understand what happened.
We'd love to hear your thoughts on this episode. Please reach out with questions, comments, or critiques to [email protected]. We enjoy hearing from you!
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Theme Music: "Nobility" by Wicked Cinema
Opening Passage Music: "An Afternoon at the Versailles" by Cercles Nouvelles
You can also send comments and questions to Professing Literature via Text Message. Click here!
T. S. Eliot, “The Love Song of J. Alfred Prufrock” (Part Two). The conclusion of our discussion of “Prufrock,” Eliot’s seminal exploration of modern alienation.
Professing Literature is officially back! Thanks for your patience during our hiatus. We've got more episodes coming. Thanks so much for your support!
We'd love to hear what you think about this episode or any of the others. Please send questions, comments, or otherwise to [email protected].
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Theme Music: "Nobility" by Wicked Cinema
Opening Passage Music: “A Short Story” by Andrea Colella
You can also send comments and questions to Professing Literature via Text Message. Click here!
T. S. Eliot, “The Love Song of J. Alfred Prufrock” (Part One). This is the first of two episodes devoted to one of the most famous poems of the twentieth century, wherein Eliot’s enigmatic speaker invites us on an evening stroll through his memories, his fears and his inhibitions.
We'd love to hear what you think about this episode or any of the others. Please send questions, comments, or otherwise to [email protected].
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Theme Music: "Nobility" by Wicked Cinema
Opening Passage Music: “If My Companion” by John Dowland, performed by Jon Sayles
You can also send comments and questions to Professing Literature via Text Message. Click here!
Beowulf. A shining young warrior has crossed the water and saved the Danish people from a dreadful monster and his scarcely less dreadful mother. As the Danes honour Beowulf with feasting, gifts and music their aged king offers him some counsel. Hrothgar has ruled the Danes for fifty years, in times of triumph and adversity, and he wants to make sure his young friend can profit from his own hard-won wisdom.
Professing Literature is back! We'd love to hear what you think about this episode or any of the others. Please send questions, comments, or otherwise to [email protected].
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Theme Music: "Nobility" by Wicked Cinema
Opening Passage Music: "The White Birch" by Moorland Songs
You can also send comments and questions to Professing Literature via Text Message. Click here!
A quick message from David about the podcast and new episodes that will be available soon. Thanks for listening everyone!
Email us with questions or comments at [email protected].
J. D. Salinger, The Catcher in the Rye, Chapter 11. Jane Gallagher had been the sort of girl who kept her kings in the back row. Is she still? As sixteen-year-old Holden Caulfield unravels over the course of a few days in Manhattan his thoughts often return to Jane, who haunts his memory and is connected to so many of his most pressing obsessions: sex, vulnerability, change and authenticity.
As always, thanks for listening. Please send us your questions, comments, or otherwise to [email protected]. We love hearing from listeners!
You can also send comments and questions to Professing Literature via Text Message. Click here!
From the publisher's feed
Why do great novels, poems and plays move us and excite us? How can they change the way we look at ourselves and the world? What do these authors have to teach us? Why do they matter? There are no…

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