It's time to enjoy a refreshing, ice cold glass of milk, dear listener, as we open the carton and pour out chiptune, retrowave and radiophonics. We have a commercial break and there's also the soundtrack to a highly instructive video about milking a cow.

It's time to enjoy a refreshing, ice cold glass of milk, dear listener, as we open the carton and pour out chiptune, retrowave and radiophonics. We have a commercial break and there's also the soundtrack to a highly instructive video about milking a cow.

We're back to the fake 80s for this week's show, dear listener, with our first concept album: a whole show about driving, at night, in a Delorean.

We have a fist-pumping selection of retrowave and synthwave from around the globe, as well as a special late night cruise to Shrewsbury. There's also a track from the latest edition in the Bedroom Cassette Masters series, an edition which features an almost subliminal appearance from none other than our very own Orb (praise it).

We're back to the fake 80s for this week's show, dear listener, with our first concept album: a whole show about driving, at night, in a Delorean.

We have a fist-pumping selection of retrowave and synthwave from around the globe, as well as a special late night cruise to Shrewsbury. There's also a track from the latest edition in the Bedroom Cassette Masters series, an edition which features an almost subliminal appearance from none other than our very own Orb (praise it).

Yes, it's the long awaited return of our cut-out-and-keep Rainbow Collection with the almost last show in the series.

As we approach the end of the visible spectrum, we arrive at plumptious purple, with a show of fake 80s, very gentle Japanese heavy metal, radioactive Russian pop, bucolic militarism, a sprinkling of percussive atonality and we leave you with some highly colourful edutatinment.

Yes, it's the long awaited return of our cut-out-and-keep Rainbow Collection with the almost last show in the series.

As we approach the end of the visible spectrum, we arrive at plumptious purple, with a show of fake 80s, very gentle Japanese heavy metal, radioactive Russian pop, bucolic militarism, a sprinkling of percussive atonality and we leave you with some highly colourful edutatinment.

It's time to chip away at the huge mountain of new arrivals here at the Moonbase, dear listener, with a show of new release, new reissues and tracks it's just taken us a while to notice.

We have some 80s-era British library music, Italian library music from the 70s, fake 80s music from right now, a rare example of a "nice" Sun Ra cover, a Moogtacular double-bill, spookological music from two very generous labels and some empowering music to make you feel as confident as a Golden Retriever.

It's time to chip away at the huge mountain of new arrivals here at the Moonbase, dear listener, with a show of new release, new reissues and tracks it's just taken us a while to notice.

We have some 80s-era British library music, Italian library music from the 70s, fake 80s music from right now, a rare example of a "nice" Sun Ra cover, a Moogtacular double-bill, spookological music from two very generous labels and some empowering music to make you feel as confident as a Golden Retriever.

We're hurtling back millions of years for this week's show, dear listener as we bring you a show all about terrifying lizards.

There's music from Vancouver, which may or may not have a beach, improvised music from Trondheim, Nazi dinosaurs from Australia and a version of the theme to Jurassic Park with the lyrics rightfully restored. We also have a remarkable 1980s treatment of a 1920s vision of prehistory and we close with a terrifying children's song from South Korea.

We're hurtling back millions of years for this week's show, dear listener as we bring you a show all about terrifying lizards.

There's music from Vancouver, which may or may not have a beach, improvised music from Trondheim, Nazi dinosaurs from Australia and a version of the theme to Jurassic Park with the lyrics rightfully restored. We also have a remarkable 1980s treatment of a 1920s vision of prehistory and we close with a terrifying children's song from South Korea.