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The first railway line in Russia opened in 1837 and ran from St. Petersburg to Pavlovsk. In the summers, tourists from St. Petersburg would travel to Pavlovsk to visit the site of an 18th century royal palace, to dine at the elegant Vauxhall restaurant, or take in an orchestral concert. Johann Strauss’s orchestra performed at Pavlovsk in the 1850s, and it remained a popular summertime concert venue for decades.
On today’s date in 1913, the young Sergei Prokofiev traveled to Pavlovsk to appear as the soloist in the first performance of his Piano Concerto No. 2–and the music of the young firebrand composer-performer proved to be far from the standard light classical fare normally offered in Pavlovsk.
One reviewer wrote: “Prokofiev’s music left listeners frozen with fright, their hair standing on end.” Another critic wrote: “One couple stood up and ran for the exit, commenting, ‘Such music is enough to drive you crazy! Is he making fun of us? We came here to enjoy ourselves.’”
Even so, one calmer review concluded: “This means nothing. Ten years from now the public will atone for the catcalls by applauding unanimously a new composer with a European reputation.”
Sergei Prokofiev (1892 - 1953) — Piano Concerto No. 2 (Alexander Toradze, piano; Kirov Orchestra; Valery Gergiev, cond.) Philips 462 048
4.7
1010 ratings
The first railway line in Russia opened in 1837 and ran from St. Petersburg to Pavlovsk. In the summers, tourists from St. Petersburg would travel to Pavlovsk to visit the site of an 18th century royal palace, to dine at the elegant Vauxhall restaurant, or take in an orchestral concert. Johann Strauss’s orchestra performed at Pavlovsk in the 1850s, and it remained a popular summertime concert venue for decades.
On today’s date in 1913, the young Sergei Prokofiev traveled to Pavlovsk to appear as the soloist in the first performance of his Piano Concerto No. 2–and the music of the young firebrand composer-performer proved to be far from the standard light classical fare normally offered in Pavlovsk.
One reviewer wrote: “Prokofiev’s music left listeners frozen with fright, their hair standing on end.” Another critic wrote: “One couple stood up and ran for the exit, commenting, ‘Such music is enough to drive you crazy! Is he making fun of us? We came here to enjoy ourselves.’”
Even so, one calmer review concluded: “This means nothing. Ten years from now the public will atone for the catcalls by applauding unanimously a new composer with a European reputation.”
Sergei Prokofiev (1892 - 1953) — Piano Concerto No. 2 (Alexander Toradze, piano; Kirov Orchestra; Valery Gergiev, cond.) Philips 462 048
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