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Meg Wolitzer presents a show of stories about our need to have “proof of love”—some demonstration by those nearest and dearest of exactly how much they care. A lot, in Etgar Keret’s sweetly improbable “Almost Everything,” in which a husband looks for the perfect gift for a demanding wife. It’s read by Liev Schreiber. In Jacob Guajardo’s “Conquistadors, on Fairchild,” read by Michael Hartney, old flames reconnect, but it’s not clear where they are headed.And in a classic from our archives, Haruki Murakami’s “Ice Man,” a shy woman marries a man who carries winter within and without. Jane Curtin is the reader.
By Symphony Space4.4
27452,745 ratings
Meg Wolitzer presents a show of stories about our need to have “proof of love”—some demonstration by those nearest and dearest of exactly how much they care. A lot, in Etgar Keret’s sweetly improbable “Almost Everything,” in which a husband looks for the perfect gift for a demanding wife. It’s read by Liev Schreiber. In Jacob Guajardo’s “Conquistadors, on Fairchild,” read by Michael Hartney, old flames reconnect, but it’s not clear where they are headed.And in a classic from our archives, Haruki Murakami’s “Ice Man,” a shy woman marries a man who carries winter within and without. Jane Curtin is the reader.

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