We and Sean McCann joined William Ramsey for a discussion about the recent Obama-produced apocalyptic thriller Leave the World Behind. Directed by Sam Esmail, the movie is filled to the brim with globalist propaganda concerning social collapse, 'disinformation,' and the need to trust the technocratic elite at all costs. It also includes the usual subtext concerning the virtues of dissociative pop-culture mind control.

https://www.williamramseyinvestigates.com/

https://onegreatworknetwork.com/sean-mccann

https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
http://psyop-cinema.com/
https://linktr.ee/psyopcinema

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Thomas and Steven discuss the spiritual and social themes of The Tree of Life, Terrence Malick's 2011 coming-of-age of drama with a cosmic background. They unpack the narrative's biblical references to Genesis and Job, and Steven describes the film's resonances with Augustine, Freud, and Dostoevsky. Analyzing the film's dichotomy between a motherly "way of grace" and a fatherly "way of nature," they disagree about whether The Tree of Life's critiques of 1950s American family life are biblical or aligned with standard Hollywood worship of the divine feminine.

https://twitter.com/StevenDeLay4
https://stevendelay.com/
https://sunypress.edu/Books/L/Life-Above-the-Clouds

https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
http://psyop-cinema.com/
https://linktr.ee/psyopcinema

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Continuing the discussion that began with our analysis of Blade Runner, we look at the legacy sequel released in 2017 and directed by Denis Villeneuve. Blade Runner 2049 intensifies the psy-op of the original film, making the Monarch tropes and mind control themes far more obvious. The ever-sus Leto appears as a Elon Musk style tech-oligarch with Promethean aspirations. Considering the various perspectives advanced within the film on human/tech hybridity, we find Blade Runner 2049 to be promoting an anti-human worldview even more insidious than that of the Jared Leto villain.

https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
http://psyop-cinema.com/
https://linktr.ee/psyopcinema

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Brett and Steven DeLay appeared recently on Sean McCann’s Wake the Dead podcast to discuss the shockingly detailed accusations of ritual murder, blackmail, and human trafficking made by Richie Albertini, an associate of the Gambino crime family who grew up in the 80s alongside a bevy of future Hollywood A-listers. Albertini was later involved in running phone sex blackmail operations for Mossad, and he was the bar-back at Johnny Depp’s Viper room in the 90s. Citing specific films, Brett and Steven explain how incidents like the alleged ritual murder/blackmail initiation detailed by Albertini make their way into Hollywood productions. A must-listen for fans of our Joker series, as one of the top creative contributors to that film is directly implicated by Albertini.

https://onegreatworknetwork.com/sean-mccann

https://stevendelay.com/

https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
http://psyop-cinema.com/
https://linktr.ee/psyopcinema

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We are joined by Sean McCann for a discussion of the films of Panos Cosmatos, analyzing Beyond the Black Rainbow's MKUltra New Age horror and Mandy's dark psychedelic Nic Cage rampage. Getting into his biting commentary on 1960s boomer spirituality and 1980s Reagan conservatism, we discern which countercultural psyops Cosmatos is rejecting and which ones he wholeheartedly embraces. Dark goddess worship, Programmed to Kill style mind control, and dissociative power trips for the powerless make their usual appearances. Finally, we make some comments about The Viewing, Cosmatos' episode of Guillermo del Toro's Cabinet of Curiosities.

https://onegreatworknetwork.com/sean-mccann

https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
http://psyop-cinema.com/
https://linktr.ee/psyopcinema

[email protected]
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We talk about Blade Runner, getting into its attack upon the boundaries of the human and its prevalent Illuminati symbolism. Differentiating Philip K. Dick's ill-fated Gnostic impulses from Ridley Scott's overt promotion of the superclass worldview, we contrast the source material and the film, also noting key distinctions between the several cuts of the movie. Blade Runner turns out to be a standard Hollywood sci-fi vehicle for Luciferian transhumanism.

https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
http://psyop-cinema.com/
https://linktr.ee/psyopcinema

[email protected]
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Our Terrence Malick series continues with The New World, Malick's depiction of the Pocahontas story. Thomas and Steven analyze the film's treatment of religion, romance, and civilization, while continuing to consider the extent to which Malick's mystical themes are Christian. They discuss philosophical questions raised by the film regarding religious pluralism and phenomenology.

https://twitter.com/StevenDeLay4
https://stevendelay.com/
https://sunypress.edu/Books/L/Life-Above-the-Clouds

https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
http://psyop-cinema.com/
https://linktr.ee/psyopcinema

[email protected]
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An extended preview of the most in-depth content yet from Brett's Monarch series. In clips from three full length Patreon-only episodes, Brett details his research on the nightmarish 1985 children's film Return to Oz. This preview of the Monarch subseries provides information on the history of Wizard of Oz programming, the occultic career of of child star Fairuza Balk, and how the entire plot of the film is a coded depiction of mind control techniques designed to generate alter personalities.

https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
http://psyop-cinema.com/
https://linktr.ee/psyopcinema

[email protected]
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Geoff Shullenberger joins us for an analysis of the recent David Gordon Green Halloween trilogy. He discuses a Girardian reading of Halloween Ends as well the "lab leak theory of Michael Myers." Is the 2018 film correctly read as based and right-wing, or is it more of the same MK-culture fetishization of trauma? Why is Halloween Kills so terrible? And does Halloween Ends present a cringe lib approach to evil or a positive subversion of typical Hollywood incel revenge fantasies?

https://outsidertheory.com/
https://twitter.com/g_shullenberger
https://compactmag.com/

https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
http://psyop-cinema.com/
https://linktr.ee/psyopcinema

[email protected]
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We continue through the Halloween franchise, this time joined by Sean McCann to discuss the strange cult classic Halloween III: Season of the Witch. This unique entry in the series showcases some intense revelation of the method in its combined depiction of technology, witchcraft, and corporate media. We discuss the significance of Samhain and demonic pagan religion in both its ancient and modern forms.

https://onegreatworknetwork.com/sean-mccann

https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
http://psyop-cinema.com/
https://linktr.ee/psyopcinema

[email protected]
[email protected]