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With the revelations about the abuses of Harvey Weinstein and others like him came a scramble to uncover the misdeeds of other powerful men. Some people did this for noble reasons. Others wanted to make a name for themselves. In this episode, Jessa talks with Laura La Rosa, a Darug and Calabrian writer in Australia, about a controversy that overtook the MeToo movement there, and how it relates to larger problems within the feminist community.
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Support this podcast: http://patreon.com/publicintellectual
What makes a feminist artist feminist? Is it just by being a woman and political? Is it something to do with the art itself, must it carry a specific feminist message? Jessa speaks with artist Jen May about how her politics align -- and don't -- with her collages, and how her political development coincided with her artistic development.
Support this podcast: http://patreon.com/publicintellectual
Before DNA testing, the father was, ultimately, a question mark. Because paternity was always in question, there were legal, familial, societal, and national interest in finding ways either to definitely prove paternity or to disprove it. Nara Milanich joins Jessa to discuss how while patriarchy is dependent on the father to reproduce itself it is mostly myth and supposition, how America both sentimentalizes and forcibly breaks up families and has for decades, and the destabilizing force 23 and Me has been.
Support this podcast: http://patreon.com/publicintellectual
Jessa speaks with Nathalie Olah about her new book, Steal As Much As You Can and the bland cultural landscape, created by upper classes and dominated by middle class taste. They talk about the rising power of the university, the growing hostility of the alt-right toward art, and the how the new culture wars aren't between left and right but between the classes.
Support this podcast. Go to http://patreon.com/publicintellectual
Jessa speaks with cultural critic, academic, and leftist thinker Yasmin Nair about the exploitative, dumbed down, and click-baity hot take culture in which we all consume. They discuss trying to write and think in a sea of opinion, the way leftist magazines take advantage of young writers, and how readers can take responsibility for the world created.
Support this podcast: http://patreon.com/publicintellectual
Jessa speaks with Justin Ward about the disappearance of the working class journalist. With local, small, and alternative newspapers folding, there are fewer avenues for people who want to be journalists to learn the trade except for in expensive, exclusive, and elitist university systems. How has that changed media coverage of politics and the economy? Why does the New York Times only know four Trump voters? How do we go about reforming a journalism culture that is cozy with power and devoted to the status quo?
Support this podcast: http://patreon.com/publicintellectual
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