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Today we talk about two different theories for why we ritualize self-destructive behavior. We check out a lesser-known work from Dostoevsky called The Gambler. We consider how much we can hold people morally accountable for this kind of stuff. Then we look at the work of Georges Bataille, his book The Accursed Share, and how a hidden underlying economics may be a way we can understand self-destructive behavior from a new angle. Hope you love it and have a great week. :)

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What would Immanuel Kant say about a fender bender? In a surprisingly funny trip through the teachings of some of history's great philosophers, TV writer and producer Michael Schur (from hit shows like "The Office" and "The Good Place") talks through how to confront life's moral dilemmas -- and shows how understanding ethical theories can help you make better, kinder decisions.

This episode originally aired on July 7, 2022.

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After nearly ten years, Late Night Live has changed its theme music. Composer Elena Kats-Chernin, responsible for previous Late Night Live themes Russian Rag and Eliza Aria, joins David Marr to play some of the show's old music on the grand piano, and introduce our new theme: Chatterbox Rag. 

• Guest: Elena Kats-Chernin, composer and pianist
• Sound engineer: Emrys Cronin

Continuing on the 1785 course lecture notes by Georg Ludwig Collins. We cover duties to oneself, which are actually the most important ones. There are some interesting subtleties even though Kant is clearly a creature of his time and place, e.g. in his views of sexuality.

Get more at partiallyexaminedlife.com. Visit partiallyexaminedlife.com/support to get ad-free episodes and tons of bonus discussion.

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Learn about Mark's online political philosophy class at partiallyexaminedlife.com/class.

The internet was supposed to set us free. But somewhere along the way, it became a tool for surveillance, extraction, and control. What happened? And is there still time to reclaim the weird, untapped potential of the digital world?

This week, Sean is joined by Douglas Rushkoff. He’s a media theorist, author of Survival of the Richest and Team Human, and host of the Team Human podcast. They trace the arc of the internet from its utopian beginnings to its corporate capture, and explore what it would take to build something different. Along the way, they talk about the loss of weirdness, the logic of capitalism, the dangers of scale, and the difference between systems thinking and systems feeling. They also reflect on whether it’s still possible to use technology to foster a more connected and communal life.

Host: Sean Illing (@SeanIlling)

Guest: Douglas Rushkoff, media theorist and host of Team Human

We’d love to hear from you. Email us at [email protected] or leave a voicemail at 1-800-214-5749. Your questions and feedback help us make a better show.

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This humorous collection of phrases, puns, and other kinds of wordplay is a good reminder of the delights of language. 

Resources & links related to this episode:

• Secrets of Adulthood

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Visit Gretchen's website to learn more about Gretchen's best-selling books, products from The Happiness Project Collection, and the Happier app.

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Isaac Asimov (1920-1992), in conversation with Richard Wolinsky, recorded in New York City on August 10, 1983.

Isaac Asimov, who died at the age of 72 in 1992, was considered, along with Ray Bradbury and Robert Heinlein, one of the three great masters of American science fiction in the 20th century.

Isaac Asimov began sending in stories and getting published in science fiction magazines at the age of nineteen, and at the age of 21, with the publication of the short story “Nightfall” in John W. Campbell’s Astounding Stories magazine. moved into the first ranks of science fiction writers. That status was confirmed a year later with the publication of the short story, “Foundation,” later renamed “The Encyclopedists,” which would be the first of several short stories and novellas republished as the three volumes of the Foundation trilogy.

In the 1940s, he turned to a series of stories focused on robots, which became the collection I Robot and then in the 1950s turned to novels, including Pebble in the Sky, The Caves of Steel and The End of Eternity. Along the way, through his entire career, he wrote dozens of non-fiction books on a wide variety of topics, along with young adult novels, and mystery novels and short stories. In the end, the number of books he wrote or edited exceeded 500, not counting separate short stories and articles.

This interview was conducted in a New York City bookstore Asimov was visiting to sign copies of a new collection, The Union Club Mysteries, a year after his return to the world of the Foundation trilogy, Foundation’s Edge, was published. Because his two –volume autobiography had come out a couple of years earlier and dealt with the plots and themes of his fiction, the interview focused instead on his life as a writer and his work with editors and publishers.

A miniseries adaptation of the Foundation Trilogy is now in its third season on Apple+. This podcast was originally posted August 22, 2021.

The post The Probabilities Archive: Isaac Asimov (1920-1992), Science Fiction Grandmaster, 1983 appeared first on KPFA.

Kiran Desai reads her story “An Unashamed Proposal,” from the August 11, 2025, issue of the magazine. Desai is the author of the novels “Hullabaloo in the Guava Orchard” and “The Inheritance of Loss,” which won the Booker Prize in 2006. A new novel, “The Loneliness of Sonia and Sunny,” from which this story was adapted, will be published this fall.

David Mamet is one of the most celebrated American playwrights of the last century: Sexual Perversity in Chicago, Speed-the-Plow, American Buffalo, and Glengarry Glen Ross— which won the Pulitzer Prize for Drama in 1983 and remains timely today. Our conversation unfolds, fittingly, in three acts. 

Act I: the inspiration behind his new novel about education, Some Recollections of St. Ives (5:38), weathering the ‘emotional hurricane’ of his childhood in Chicago (18:22), and how the drama of those early years materialized in his 1994 play The Cryptogram and beyond (27:00).

In Act II, Mamet talks writing dialogue for the stage and screen (29:16), his disdain for psychoanalysis and the Actors Studio (32:32), and the philosophy that guided both his first theatre company (33:24) and subsequent plays (38:01).

In the closing act, we wrestle with Mamet’s rightward shift: his views on DEI (41:48), late-stage capitalism (51:33), ‘Constitutional Conservatism’ as it relates to the 2020 election (1:01:48), his latest book The Disenlightenment: Politics, Horror, and Entertainment (1:07:06), and what he believes a ‘peaceful and patriotic’ protest should look like (1:10:12).

Watch this conversation on our new YouTube channel.

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“In tyranny, you may not have a whole lot of political freedom, but you can still live a pretty free life under tyranny,” says Roger Berkowitz in this week’s episode of The World in Time. “In your private world, you can live under a dictator and still read what books you want and talk to people as long as you don’t act out in the public sphere. Totalitarianism is quite different. It tries to get inside your head, and make you, and make everyone, believe. And it has secret police, and snitches, and surveillance. And it tries to fully organize society. It’s the most organized and successful attack on freedom that one can imagine. And so for Arendt, you can’t just be an individual and sit in jail and be free if you’re going to protect yourselves from the dangers of totalitarianism and the end of constitutional, free government, which is what she’s worried about. You need to act politically, and you need to act politically with a certain amount of power.”