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Lauren Groff joins Deborah Treisman to read and discuss “The Faithful,” by Elizabeth Hardwick, which was published in The New Yorker in 1979. Groff’s works of fiction include the novels “Fates and Furies” and “Matrix,” both of which were finalists for the National Book Award, and “The Vaster Wilds,” which was published in 2023. A new story collection, “Brawler,” will come out in February of 2026. In 2024, she opened the bookstore The Lynx, in Gainesville, Florida.

Why does critical theory matter today? In Critical Theory: The Basics (Routledge, 2024), Martin Shuster, a Professor of Philosophy and the Isaac Swift Distinguished Professor of Jewish Studies at the University of North Carolina at Charlotte, explores the history, thought and legacy of the Frankfurt School to demonstrate the urgency of critical theory for explaining the world. Beginning with the idea of needless suffering as a concept animating the theory and practice of thinkers such as Adorno, Horkheimer, Marcuse and Benjamin, the book ranges widely across topics including subjectivity, the social world, art, culture and religion. An accessible introduction to complex, but urgent, thought, the book is essential reading for arts, humanities and social science scholars, as well as for anyone who would like to change the world.

Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester.

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Meg Wolitzerpresents three stories featured in the  anthology A Century of Fiction in the New Yorker.The magazine celebrates its 100th birthday, and this is the second of two programs this season in which we join the party.  Robert Coover’s “Going for a Beer” begins with a date and a drink, but you’ll be surprised where it ends up.  The reader is SELECTED SHORTS’ late founder and host, Isaiah Sheffer.  Cynthia Ozick’s moving story “The Shawl” pulls grace from the worst of circumstances in a powerful reading by Lois Smith.  And V.S. Pritchett turns a ladder into a sly symbol of marital discord in our third tale.  “The Ladder” is performed by Cynthia Nixon.

On this episode of The London Magazine Podcast, we speak to translator and editor Ann Goldstein, renowned for bringing Elena Ferrante’s work to English readers. A former editor at the New Yorker, Goldstein has also translated works by Primo Levi, Jhumpa Lahiri and, most recently, Donatella Di Pietrantonio’s The Brittle Age.

In the episode, we discuss the oxymoron of the ‘celebrated translator’, her early encounters with Italian through Dante and the story of how she became Ferrante’s translator. Goldstein reflects on Ferrante’s unique syntax and style, as well as the broader challenges of Italian–English translation.

Timestamps

• 0.45 - The oxymoron of the ‘celebrated translator’
• 2.44 - Dante, Italian language lessons and the New Yorker
• 6.31 - Elena Ferrante: how it started
• 8.05 - Ferrante’s style, syntax and appeal
• 11.10 - Ann’s translation process: method vs instinct
• 14.58 - Translating difficult subject matter
• 16.09 - Technical problems in Italian–English translation
• 23.09 - The ‘gold standard’ of translation?
• 25.00 - Dealing with Ferrante fanatics

Follow The London Magazine Podcast here to never miss an episode. To discover more content exclusive to our print and digital editions, subscribe here to receive a copy of The London Magazine to your door every two months, while also enjoying full access to our extensive digital archive of essays, literary journalism, fiction and poetry.

This is a catch-up version of James O'Brien's Mystery Hour. To join the game, call 0345 60 60 973, Thursdays at 12pm.

Today we’re continuing our series on Harry Frankfurt’s seminal work, On Bullshit. I have the privilege to speak with Arvind Narayanan co-author of the book AI Snake Oil: What Artificial Intelligence Can Do, What it Can’t, and How to Tell the Difference (Princeton University Press, 2024). Arvind is the perfect guest to explore the subject of bullshit in AI as AI Snake Oil takes on the ridiculous hype ascribed to the promise of AI. AI chatbots often hallucinate and many of the promoters of AI engage in the art of bullshit when selling people on wild and crazy AI applications.

Arvind Narayanan is professor of computer science at Princeton University and director of its Center for Information Technology Policy.

Caleb Zakarin is editor of the New Books Network.

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Can dehumidifiers dry out your house - and your clothes?

Greg Foot gathers the experts, dives into the data and crunches the numbers to get answers for listener Rhys.

Each episode Greg investigates the latest ad-hyped products and trending fads promising to make us healthier, happier and greener. Are they really 'the best thing since sliced bread' and should you spend your money on them?

All of our episodes start with YOUR suggestions. If you’ve seen an ad, trend or wonder product promising to make you happier, healthier or greener, email us at [email protected] OR send a voice note to our WhatsApp number, 07543 306807.

RESEARCHER: PHIL SANSOM

In this textured conversation, author Eimear McBride joins Adam Biles at Shakespeare and Company to discuss her latest novel The City Changes Its Face. Set in Camden Town in the 1990s, the book revisits characters from The Lesser Bohemians as they navigate the complexities of love, art, aging, trauma, and parenthood. McBride explores the enduring impact of childhood abuse, the fraught territory of families, and the search for creative meaning as her protagonists transition from actors to writers and filmmakers. She also reflects on the changing face of London, her writing process, and how voice, rhythm, and instinct drive her work. With warmth, candour, and a touch of wry humour, McBride shares insights into the emotional and formal risks of fiction, the influence of modernism, and why survival—not just suffering—deserves narrative space.

Buy The City Changes Its Face: https://www.shakespeareandcompany.com/books/the-city-changes-its-face

Eimear McBride is the author of four novels: A Girl is a Half-formed Thing, The Lesser Bohemians, Strange Hotel and The City Changes Its Face. She held the inaugural Creative Fellowship at the Beckett Research Centre, University of Reading and is the recipient of the Women’s Prize for Fiction, Goldsmiths Prize, Kerry Group Irish Novel of the Year, and the James Tait Black Memorial Prize.

Adam Biles is Literary Director at Shakespeare and Company.

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

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The largest excavation in a lifetime is underway at the famous archaeological site of Pompeii - the Roman city buried in ash when Mount Vesuvius erupted in 79AD. Remarkable new discoveries continue to be unearthed.