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‘Technologies of the self’ is a phrase from the French philosopher Michel Foucault to describe things people might do to shape the people they are, like dieting, exercise, journaling, or in an earlier age perhaps like prayer, or confession. Shahidha Bari hosts Radio 4's roundtable discussion programme asking how this idea might help us make sense of the age of social media influencers and lifestyle trends.

Elizabeth Oldfield, host of The Sacred podcast, author of Fully Alive: Tending The Soul In Turbulent Times

Producer: Luke Mulhall

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For nearly 60 years, Brian Eno has been a “proud non-musician” who changed the way people thought and sounded while inventing whole new ways of recording. We loved reading the updated edition of ‘On Some Faraway Beach’ which examines his staggering catalogue of avant garde experiment and wonders if there’s anyone remotely like him. Author David Sheppard looks back with us here at …

… a life of great good fortune: “luck is being ready”

… the rivalry with Bryan Ferry sparked by his getting more attention … and girls

... where you can hear the effect on his Oblique Strategy cards on the Bowie recordings

... the ingenious way he made U2 make up their minds

… his first experience of immersive sound via the organ his granddad built in the family home

… why Wire’s Colin Newman calling him “a Class A Bullshitter” was a compliment

… Bono: “We didn’t go to art school, we went to Brian Eno”

… was Coldplay “a Rubicon he should never have crossed?”

… the appeal of the sculptured sound of early ‘70s synths to someone who couldn’t play keyboards

… his greatest record, Another Green World, and the time he heard Music For Airports playing in an airport

Order copies of On Some Faraway Beach here: https://www.amazon.co.uk/Some-Faraway-Beach-Times-Brian/dp/1399605712/ref=tmm_pap_swatch_0

Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourear

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What do you do when you feel anxious or insecure? Many of us try to push the feeling away, or we ruminate on it, or try to solve it, or avoid the thought altogether. But what would happen if we did the exact opposite?

The Buddhist nun and teacher Pema Chödrön is the author of many beloved books, including “When Things Fall Apart,” “Welcoming the Unwelcome” and — my personal favorite — “Comfortable With Uncertainty.” And she has a way of inviting people to befriend the parts of life that typically induce dread — from uncertainty and suffering to loss and discomfort. And she argues that the process of sitting with these experiences and emotions actually releases their power over us. In a time as chaotic and tumultuous as ours, she has so much practical wisdom to share.

In this conversation, she shares what it looks like to actually let go of difficult emotions, the art of “collaborating with reality” when things don’t go as expected, and how to awaken yourself to the “nowness” of life.

Mentioned:

Comfortable with Uncertainty by Pema Chödrön

When Things Fall Apart by Pema Chödrön

Welcoming the Unwelcome by Pema Chödrön

Another Kind of Freedom by Pema Chödrön

Book Recommendations:

Shambhala: The Sacred Path of the Warrior by Chögyam Trungpa

Zen Mind, Beginner’s Mind by Shunryu Suzuki

Enlightened Vagabond by Matthieu Ricard

Thoughts? Guest suggestions? Email us at [email protected].

You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast, and you can find Ezra on Twitter @ezraklein. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.

This episode of “The Ezra Klein Show” was produced by Kristin Lin. Fact-checking by Kim Freda. Our senior engineer is Jeff Geld, with additional mixing by Johnny Simon. Our recording engineer is Johnny Simon. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Annie Galvin, Michelle Harris, Rollin Hu, Emma Kehlbeck, Jack McCordick, Marina King and Jan Kobal. Original music by Diane Wong, Dan Powell and Pat McCusker. Audience strategy by Shannon Busta. The director of New York Times Opinion Audio is Annie-Rose Strasser.

Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

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We’re talking about the new magic of money, or Musk-ism, as our guests call it. Quinn Slobodian and Ben Tarnoff are historians of different sorts—historians of the future. Oddly enough, their hair-raising new book is not really about the man Elon Musk or his famous money. It’s about the sci-fi system that he is creating to trap the rest of us inside it, as Jill Lepore puts it.

Chris, Ben Tarnoff, and Quinn Slobodian.

Techno sovereignty is the buzzword that rules the walled gardens of Musk World, private empires of far reaching wealth and power. Musk himself models the new class of emperors. Funny part is that the last time we spoke with Ben and Quinn, Elon Musk and his chainsaw were modeling just the opposite: his own ruthless destructive power in the chaotic post-democratic age of Donald Trump. A year and a half later, Donald Trump can look like a declining force compared with Elon Musk on the rise, at the dawn of a settled down, largely secret, post-capitalist or neo-capitalist age of Elon Musk.

The post Muskism: A Guide for the Perplexed appeared first on Open Source with Christopher Lydon.

This is a catch-up version of James O'Brien's Mystery Hour. To join the game, call 0345 60 60 973, Thursdays at 12pm.

Over a seven-decade career, Michael Frayn has been acclaimed as a novelist, playwright, journalist, translator & memoirist. From his comedies – including the stage farce Noises Off, and a screenplay for Clockwise starring John Cleese, and the novels Headlong and Skios – to the complex political, historical and scientific themes of his stage plays Democracy and Copenhagen, he has been prolific in a diverse array of genres and subjects. He is also renowned for his stage adaptations of the works of Russian writers including Anton Chekhov. At 92, Michael Frayn advised on a recent revival of Copenhagen for the Hampstead Theatre.

Producer: Edwina Pitman

Archive used:

Extract from To A Skylark, Percy Bysshe Shelley, read by Timothy West, BBC Radio 4, 27 April 1998

Misha Glenny and guests discuss the work of Maurits Cornelis Escher (1898-1972), the graphic artist and printmaker best known for his impossible buildings, paradoxical perspectives, and repeating geometric patterns. Born in Leeuwarden and trained as a printmaker, Escher visited the Alhambra in Granada and found inspiration in the tessellating shapes of Islamic art. Through his career he went on to create some of the most famous images of the twentieth century and has been called a one-man art movement. After his work was exhibited in a 1954 conference, Escher’s work also caught the eye of mathematicians who appreciated his intuitive geometric precision. Escher was influenced by their work, and they were influenced by his – despite Escher never thinking he was actually very good at maths himself.

Marcus du Sautoy

Reading list:

Marcus du Sautoy, Blueprints: How Mathematics Shapes Creativity (Fourth Estate, 2025)

Marcus du Sautoy, Finding Moonshine: A Mathematician’s Journey Into Symmetry (Harper Perennial, 2009)

Bruno Ernst, The Magic Mirror of M.C. Escher (Taschen, 2007)

M.C. Escher, M.C. Escher: The Graphic Work (Taschen America Llc, 1992)

Miranda Fellows, The Life and Works of Escher (Siena,1996)

Frederico Giudiceandrea, Escher op reis or Escher’s Journey (Publisher Wbooks, 2018, in Dutch)

Sarah Hart, Once Upon a Prime: The Wondrous Connections Between Mathematics and Literature (Flatiron Books, 2023)

Douglas Hofstadter, Gödel, Escher, Bach: An Eternal Golden Braid (first published 1979; Basic Books, 1999)

Siobhan Roberts, King of Infinite Space: Donald Coxeter, The Man Who Saved Geometry (Profile Books, 2007)

Claudio Salsi, Paolo Branca and Claudio Bartocci (eds.), M.C. Escher. Tra arte e scienza. Catalogo della mostra (24 Ore Cultura, 2025, in Italian)

Doris Schattschneider, “The Mathematical Side of M.C. Escher” (Notices of the American Mathematical Society, Vol. 57, 6, 2010)

Doris Schattschneider, M.C. Escher: Visions of Symmetry (Thames and Hudson Ltd, 2004)

Wouter van Reek, Nadir & Zenith in the World of Escher (Leopold, 2019)

In Our Time is a BBC Studios production

Spanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Misha Glenny and expert guests explore the characters, events and discoveries that have shaped our world.

Is AI taking us into a world where computer programmers, and perhaps the rest of us too, are obsolete? And if so, how quickly is it taking us there? Paul Taylor has been looking at code since the time when computer games didn't even have screens, and in this episode he talks to Tom about the enormous changes generative AI has brought to programming and the world of work in the past couple of years, from the threat of Claude’s secretive Mythos to one-person companies, and they consider what jobs might be like in the future, if they exist at all.

Read Paul Taylor on Claude: https://lrb.me/taylorclaude

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On today's episode we visit 11 Parnell Square in Dublin for the launch of Poetry Ireland/Éigse Éireann's restored headquarters. We hear about the new performance spaces, education resources and Seamus Heaney Library and talk to director Claire Power about her vision for the building and the organisation. We also talk to Poet in Residence Sean Borodale about his poetry and his plans for the residency. Sean's widely acclaimed books include Notes for an Atlas, Asylum, Bee Journal, Human Work: A Poet's Cookbook and Inmates.

This episode is supported by a Project Award from the Arts Council/An Chomhairle Ealaíon. 

Intro/outro music: Colm Mac Con Iomaire, 'Thou Shalt Not Carry' from The Hare's Corner, 2008, with thanks to Colm for permission to use it. 

Logo designed by Freya Sirr.

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Maria Popova writes one of the internet's best personal blogs. Originally called "Brain Pickings", it is now known as "The Marginalian". She has published more than 6 million pages of writing there, and it has become such a treasure that the Library of Congress recognized its value and made it part of their permanent archive.

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