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Michael Cunningham in conversation with host Richard Wolinsky, recorded while on the book tour for “Specimen Days,” recorded in the KPFA studios, June 24, 2005.

Michael Cunningham is a celebrated author of eight novels, along with several short stories, and two produced screenplays to date. His novel The Hours, which won the Pulitzer Prize for fiction in 1999, was adapted into an award winning film in 2003.

As with several interviews recorded during the presidency of George W. Bush, talk turned to the rise of fascism in America and the dangers of corporatism and rampant Capitalism. His novel Nightfall came out in 2010, followed by The Snow Queen in 2014 and Day in 2023. He was also a part of the writers room for the first season of the TV series Masters of Sex and the Netflix season of Armistead Maupin’s Tales of the City.The film discussed in the interview, “Good Grief” starring Julia Roberts, was never made.

This interview comes from the Bookwaves archives and has never before been posted or aired in its entirety and is the first of three Bookwaves conversations.

The post Michael Cunningham, Pulitzer Prize Winning Novelist discussing “The Hours” & “Specimen Days,” 2005 appeared first on KPFA.

There can be few writers more deserving of Backlisted’s attention than the Irish writer, Maeve Brennan. An adopted New Yorker, Brennan died there in 1993 and was by that time so thoroughly forgotten in her native land, that she received no obituaries in any Irish papers. We are joined by the writers Sinéad Gleason and David Hayden to discuss her collection, The Springs of Affection – subtitled ‘stories of Dublin’ – which was first published posthumously by Houghton Mifflin in 1997, although all but one of these first appeared in the New Yorker, where Brennan was a staff writer for twenty-seven years. It was the enthusiastic praise from other writers including Alice Munro, Edna O’Brien and Mavis Gallant among others, that helped get The Springs of Affection the kind of international attention that the two collections published in Maeve’s lifetime failed to achieve. Since then, Maeve Brennan’s reputation has grown steadily, and her stories are now regularly and favourably compared to those of Joyce, Chekov and Colette. In Ireland, in particular, she has won the admiration of a new generation of women writers, who in Anne Enright’s phrase, see her as ‘a casualty of old wars not yet won.’ This episode also features Andy revisiting the Linda Nochlin’s classic 1971 essay, Why Have There Been No Great Women Artists? while John is impressed by Orlam, P.J. Harvey’s dark and brooding verse novel, written entirely in Dorset dialect.

* To purchase any of the books mentioned in this episode please visit our bookshop at uk.bookshop.org/shop/backlisted where all profits help to sustain this podcast and UK independent bookshops.

* For information about everything mentioned in this episode visit www.backlisted.fm

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On Point news analyst Jack Beatty has questions about how money is being raised for the  Democratic National Committee and Democratic candidates and how that money is being spent.

***

If someone asked you to describe the state of the world right now, odds are you’d reach for the bad news first: political division, AI panic, war, ecological crisis, unraveling everywhere. And none of that is imaginary. But Rebecca Solnit thinks the pessimistic view is incomplete. We’re good at seeing catastrophe and reversal, and much worse at seeing the slower, more positive transformations that unfold over decades.

Solnit’s new book, The Beginning Comes After the End, is an argument for noticing those changes without denying the darkness of the present. She joins Sean to talk about hope, backlash, political despair, and why fragile victories are still victories worth defending.

Host: Sean Illing (@seanilling) 

Guest: Rebecca Solnit 

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Think you know how to go No. 2? Think again. Dr. Trisha Pasricha, author of the new book You’ve Been Pooping All Wrong: How to Make Your Bowel Movements a Joy, shares common bathroom practices she wishes would go away — like holding your poop — and tips on how to reduce strain on the toilet.

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A surprising formula to create a compelling title provides the name for a card deck of creative inspiration.

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Presenter James Crawford speaks to award-winning novelist Amitav Ghosh about his new book, Ghost Eye, and its three key literary influences.

Ghost Eye is told through the memories and recollections of its narrator, Dinu, who grew up in Calcutta and now lives in New York. Set during the COVID pandemic, the story unfolds as Dinu recalls a story his Auntie Shoma once told him - one that takes place in Calcutta in 1969. At the time, Shoma was a psychiatrist investigating cases of the reincarnation type, and her work led her to a particular case involving Varsha, a three-year-old girl.

Amitav Ghosh was shortlisted for the 2008 Booker Prize for his novel Sea of Poppies, and for the International Booker Prize in 2015 for his entire body of work. He was also awarded the Erasmus Prize for his writing on climate change in 2024.

For his three influences, Amitav chose: The Hungry Stones by Rabindranath Tagore (1895); The Willows by Algernon Blackwood (1907); and Is a River Alive? by Robert Macfarlane (2025).

Producer: Rachael O’Neill

Shane Ross joins Pat to chat about his latest book ‘RTÉ: Saints, Scholars and Scandals’.

Today’s episode was recorded in front of a live audience at the Regent Street Cinema in London: David talks to the writer and broadcaster Misha Glenny about Carol Reed’s 1949 masterpiece The Third Man, written by Graham Greene and featuring a notorious film-stealing performance from Orson Welles. It’s a film about friendship and betrayal, double-crosses and double lives, divided loyalties and dubious moralities. It is also all about Vienna, a city with a double life of its own. Everyone involved in this film had something to hide: the question is, what?

Join us on Wednesday 20th May at the Regent Street Cinema in London for the next film in our spring and summer season: a screening of George Clooney’s Good Night, and Good Luck followed by a live podcast recording with David and writer and broadcaster Helen Lewis. Tickets available now https://bit.ly/4wfM5tb 

You can find out everything you need to know about this podcast – who we are, what we do, plus merch, events and full lists of all episodes including PPF+ bonus episodes on our website https://www.ppfideas.com

Next time: Where Are We Going? The Future of Work

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Taking a breather from our moment’s unrelentingly grim headlines, Abby, Patrick, and Dan return to a favorite analytic thinker – Donald Winnicott (1896-1971) – and begin the first of a two-part episode on one of his most famous papers, “Transitional Objects and Transitional Phenomena” (1951/1953). Winnicott’s ostensible subject here is infantile development, and specifically the attachment very young children frequently develop towards a particularly favored object, whether that be a blanket, a stuffed animal, or the like. But Winnicott also imbues an infant’s “lovie” with profound significance that goes beyond its material incarnation. Rather than being just another plaything, it holds an essential role in the development of a child’s incipient subjectivity, and demands that we think beyond binary distinctions between subject and object, inside and outside, and self and other. As a “transitional object,” it even suggests a kind of template for sophisticated adultg activities ranging from artistic creation to religious rituals to sexual fetishism to addiction and more. Close reading the first six pages of the essay, Abby, Patrick, and Dan unpack Winnicott’s deceptively simple prose and delightful lists, exploring how play is in fact neither frivolous nor merely the province of children, but in fact something much more serious, and thinking through the implications of Winnicott’s idea of “transitional phenomena” for psychotherapy, education, aesthetics, and more.

Works Cited:

Donald Woods Winnicott, “Transitional Objects and Transitional Phenomenon,” in Playing and Reality (essay originally published in 1951; Playing and Reality, 1971)

Also as mentioned in the episode, the Brooklyn Institute for Social Research’s Annual Social is June 4th! Abby is on the host committee and we’ll both be there – come join us to support BISR? 

For more details and tickets: https://thebrooklyninstitute.com/items/events/2026-annual-institute-social/

And a link to Abby’s summer Brooklyn Institute class, Theories of Consent: Subjectivity and Sexual Ethics: https://thebrooklyninstitute.com/items/courses/new-york/theories-of-consent-subjectivity-and-sexual-ethics-2/

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