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In Flower (Fitzcarraldo), his first work of non-fiction, Copenhagen-based artist Ed Atkins propels us into a world of junk food, invented memories and confessional anti-confessionalism. ‘Sometimes it brought me to tears and I’m not even sure why,’ writes Luke Kennard, ‘It’s the stuff most of us leave out, or wouldn’t even know how to articulate. By which I mean this book has made so much other writing feel like propaganda. It’s heroic. I’m not sure I’ll ever recover from it.’

Atkins read from his work and was joined in conversation by poet and novelist Holly Pester.

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Rutger Bregman's 2025 Reith Lectures, called "Moral Revolution", explore the moral decay and un-seriousness of today's elites, drawing historical parallels to past eras of corruption that preceded transformative movements especially the 19th Century campaign to abolish slavery. In his series, he argues that small, committed groups can spark moral revolutions, emphasizing the importance of perseverance and long-term vision.

Bregman advocates for a new "realist utopia" in the face of rapid technological change, promoting ideas like Universal Basic Income, fairer taxation and responsible tech regulation. Finally, he zooms out to reflect on humanity’s strange historical trajectory, warning of the existential risks posed by unchecked AI and urging privileged individuals to take on an active role in shaping a better future.

The Reith Lectures are presented by Anita Anand who chairs a Q & A. The programme was recorded in front of an audience in London.

The Dutch historian Rutger Bregman, whose BBC Reith Lectures start this week, is calling for a moral revolution to change our societies for the better, charting how small groups of committed people – abolitionists, suffragettes, and temperance activists – have brought about positive social change.

Politics, Bregman argues, is in trouble in an age of apathy and backsliding democracy: “The moral rot runs deep across elite institutions of every stripe”, he says, “if the right is defined by its shameless corruption, then liberals answer with a paralyzing cowardice”.

So where might our moral salvation come? What are the deep values that underpin our contrasting political worldviews – left and right – and which should we look to prioritise now? Does any part of the political spectrum have the greatest claim to morality?

Chair: Michael Buerk

The awe-inspiring true story of “Mountain Man” Dashrath Manjhi is an example of how we can transform pain into action that can help others. After his wife died for lack of medical care, Dashrath Manjhi spent more than twenty years single-handedly carving out a path to make his remote village more accessible.

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Visit Gretchen's website to learn more about Gretchen's best-selling books, products from The Happiness Project Collection, and the Happier app.

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Winter tends to get a bad rap: people complain endlessly about its shorter days, darker skies and plummeting temperatures. It's true that parts of winter can be unpleasant, but psychologist Kari Leibowitz, author of How to Winter: Harness your Mindset to Thrive on Cold, Dark, or Difficult Days, says that winter can also be a time of reflection, creativity and coziness. This episode, Leibowitz shares tips on learning to appreciate winter's unique opportunities. This episode originally published Dec. 9, 2024.

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Karl Ove Knausgaard speaks to Take Four Books about his new novel The School Of Night and together with presenter James Crawford they explore its connections to three other texts. The School of Night follows the character of Kristian Hadeland, a young photography student who's seething with ambition and contempt. Newly arrived in London, Kristian feels that his own family back in Norway don't understand him, and his fellow students bore him, but he knows he's destined for greater things.

Karl Ove's three choices were: Dr Faustus by Thomas Mann published in 1947; a non-fiction book examining the murder of the playwright Christopher Marlowe in 1593 called The Reckoning by Charles Nicholl published in l992; and a book of memoir entitled 'Bunnyman' by the Echo & the Bunnymen guitarist, Will Sergeant.

Producer: Dominic Howell

This was a BBC Audio Scotland production.

John Banville, Booker Prize winning novelist, in conversation with host Richard Wolinsky in the KPFA studios, on March 19, 2007 while on tour for the novel, “Christine Falls,” written under the pseudonym Benjamin Black.

John Banville is a giant of Irish literature, winner of the Booker Prize for his novel, The Sea, and the Franz Kafka Prize in 2011. A literary novelist of the first order, he took a turn in 2007 with a mystery novel, Christine Falls, featuring a detective named Quirke, under the pseudonym Benjamin Black. Since that time there have been ten Quirke mysteries, three written under his own name, and four novels under the pseudonym. He continues to write literary and noir fiction. His most recent novel is “Venetian Vespers,” published in October, 2025. This is the first posting of this interview, which never aired in its entirety.

The post The Bookwaves Archive: John Banville, Irish Literary Master, 2007 appeared first on KPFA.

Daniyal Mueenuddin reads his story “The Golden Boy” from the December 1, 2025, issue of the magazine. Mueenuddin is the author of the story collection “In Other Rooms, Other Wonders,” which was published in 2009 and won both the Story Prize and the Commonwealth Writers’ Prize. His first novel, “This is Where the Serpent Lives,” from which this story was adapted, will be published in January. 

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Filmmaker Noah Baumbach has spent the past three decades transmuting his experiences into cinema, culminating in his latest film, Jay Kelly, his love letter to movies (and the memories they evoke).

We begin with the “quiet crisis” Baumbach found himself in on the heels of releasing White Noise (5:30), finding his way back to the page, with co-writer Emily Mortimer, to create Jay Kelly for George Clooney (10:20), the films that defined his early years (15:00), and the week that Mike Nichols’ production of Heartburn took over his Park Slope childhood home (22:45). Then, we walk through his early, funny work in Kicking and Screaming (29:00) and Mr. Jealousy (30:45), how art imitated life in The Squid and the Whale (32:00), and the start of his lasting collaboration with Greta Gerwig in Greenberg (43:00).

On the back-half, Baumbach talks about his love of working with actors (45:30), setting the stage for the infamous Marriage Story fight scene (47:00), his process of writing personal stories (51:30), and how his subconscious seems to always be one step ahead of him (52:00). To close, the influence of Noah’s Hollywood mentor, the late Peter Bogdanovich (58:45) and a prescient essay from Baumbach’s mother, former film critic of The Village Voice, Georgia Brown (1:05:00).

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