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For this year's Halloween episode, we take a windswept walk across the Yorkshire moors with Emily Brontë’s Wuthering Heights — not as a tale of doomed romance, but as a novel steeped in gothic horror, mystery and the supernatural.

With our resident spooky authorities, Andrew Male and Laura Varnam, we explore the book’s darker undercurrents, ghostly visitations, and the uncanny wildness of Brontë’s imagination.

There's also lots of Brontë backstory - so whether you're a lifelong devotee or only know it from Kate Bush and damp film adaptations, please join us for our Halloween special.
And, yes we do cover the only question that really matters: who’s your favourite Brontë?

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This edition of our Nothing But The Poem podcast, hosted as usual by Samuel Tongue, features two poems by Isabelle Baafi, from her 2025 Forward Prize winning debut collection Chaotic Good.

‘In this wise-hearted and deft debut, Baafi gets to the grain of family, inheritance, the grit of growing up and the grappling to become oneself.’ - Rachel Long

‘Isabelle Baafi’s Chaotic Good is a debut of amazing endurance. Its formal pressures create a kind of kaleidoscopic intensity that – with each turn of the chamber – brings newly beautiful and painful shapes into focus. - Will Harris

The two poems discussed in the podcast from Chaotic Good are The Cottage and Burst Me Into Song

If AI language models can "learn" human languages, and translate between them, could AI also help us to decode what animals are saying? Off the coast of Dominica, a Caribbean island known for its sperm whale population, some ambitious scientists are trying to find out. Project CETI aims to use advanced robotics and AI to break the barrier of human-animal communication.

• Guest: Professor David Gruber, Project CETI President and Founder and National Geographic Explorer
• Producers: Rebecca Metcalf and Alex Tighe

Continuing on bits of Thomas Aquinas: Selected Philosophical Writings, completing our analysis of his arguments for the existence of God and then turning to eternity and the possibility of actually talking about God, given our finitude.

Get more at partiallyexaminedlife.com. Visit partiallyexaminedlife.com/support to get ad-free episodes and tons of bonus discussion.

Sponsor: Visit functionhealth.com/PEL to get the data you need to take action for your health.

The internationally renowned choreographer Sir Wayne McGregor swaps stage for gallery in a landmark exhibition exploring his multifaceted career at Somerset House (from 30 Oct 2025–22 Feb 2026). ‘Infinite Bodies’ investigates how Wayne McGregor has combined body, movement and cutting-edge digital technologies to redefine perceptions of physical intelligence. Throughout the gallery space he draws together designers, musicians, engineers and dancers to bring the artworks to life.

The Booker prize winning novelist Anne Enright is in the studio to talk about her latest work, ‘Attention, Writing on Life, Art and the World’. Unlike her fiction, in these essays, Enright speaks directly to the reader, elucidating her thoughts on everything from family history to Irish politics and the control of women, to new perspectives on literary legends.

There’s a screen idol at the heart of Tanika Gupta’s new play, Hedda (at the Orange Tree Theatre, Richmond, until 22nd November). Inspired by the life of Anglo-Indian film star Merle Oberon, Gupta sets her play just after India’s independence and transforms Ibsen’s classic into a story about power, identity and representation.

Producer: Katy Hickman

Sanae Takaichi is the first female prime minister of Japan.

Once the drummer in a heavy metal band, she is now a staunch conservative, tough on immigration and against same sex marriage. More Iron Lady than Iron Maiden, the 64-year-old models her strong leadership style on Margaret Thatcher.

She entered politics in 1993, the same year as future prime minister Shinzo Abe. A loyal ally, she quickly rose the ranks in his cabinet. After several unsuccessful leadership attempts, she finally became prime minister on October 21st 2025.

To some this is a victory for women in Japan, but others see her conservative views as evidence there is still a long way to go.

Production

Sometimes, helping can hurt. When people are struggling, our impulse is to try to pull them back on their feet, when what they really need is for someone to sit beside them and ask, "What do you need? What can I do?"

Get in touch: [email protected]

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Shaun Usher's Letters of Note project became a cultural empire spanning multiple books, stage shows, and an online archive. He's now produced Diaries of Note - a collection of diary entries that span centuries from the great and the good . He discusses the relationship between a diary entry and a poem.

Katrina Naomi on her latest pamphlet of poems, Dance As If, in which she reconnects with her body, as a woman of a certain age, through the medium of dance.

Amani Saeed on the culmination of the Language Is A Queer Thing project which for the last three years has brought poets from India and England together to create new work.

Mother and daughter, Fran Edwards and Jennifer Jones, on Rebirth - a collection of poems which began as a private conversation reflecting on their relationship, during the pandemic.

Presenter Ian McMillan

Nathan Blum reads his story “Outcomes” from the November 3, 2025, issue of the magazine. Blum received his M.F.A. from Vanderbilt University, where he taught creative writing. He is currently working on a collection of stories and a novel. 

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The Belgian surrealist René Magritte was a smart artist, but could the 20th century futurist really have predicted the end of the Worldwide Web age? Not exactly, of course. But according to That Was The Week publisher, Keith Teare, Magritte’s 1929 painting, “The Treachery of Images” (featuring the image of a pipe with the immortal words “Ceci n’est pas une pipe”), is a helpful way of thinking about OpenAI’s introduction this week of their new Atlas “browser”. It’s not really a browser in the conventional way that we think about web browsers like Chrome, Firefox or Internet Explorer. And yet AI products like Atlas are about to once again revolutionize how we use the internet. They might even represent the end of the web age with its link architecture and advertising economics. So do we have words for what comes next? The not-a-browser age, perhaps. L’ère sans navigateur, to be exact.

* The Browser Is Becoming an Agent, Not a Link Map - For thirty years, browsers like Netscape, Internet Explorer, and Chrome were rendering engines for HTML that displayed blue links to web pages. AI products like ChatGPT’s Atlas and Google’s AI mode in Chrome are transforming browsers into conversational agents that answer questions, summarize content, and even execute tasks like booking flights—pushing the traditional web “down a level” in the user interface hierarchy.

* The Web’s Trillion-Dollar Advertising Model Must “Reprice Fast” - The web’s business model has been largely advertising-based, built on users clicking links that generate revenue. As AI interfaces replace link-based browsing, this nearly trillion-dollar annual revenue stream faces an existential threat. Publishers like Keith Teare and platforms like Google must figure out how to transition their economics to an AI-driven world where links aren’t surfaced by default.

* Google Deserves Its Stock Price for “Being Brave in Undermining Its Own Business Model” - While AI threatens to upend Google’s AdWords cash cow, the company’s stock has surged roughly 50% over the past year. Keith argues Google has earned this bullishness by aggressively investing in AI infrastructure (like Anthropic’s $10 billion commitment to Google’s TPUs) and integrating AI features into Chrome—even though these moves could cannibalize its core search advertising business.

* The “Victim Here Is the Publisher, Not the User” - Keith acknowledges that while the shift to AI agents feels like “an absolute change of paradigm,” it’s genuinely better for users who get more intuitive, conversational interfaces. Publishers and content creators are the ones facing disruption, as AI may eliminate their distribution channels without yet providing alternatives for reaching audiences or monetizing content. The challenge is that “most of the narrative that doesn’t like it is publisher-centric.”

* Tim Wu and Antitrust Regulators Are “Fighting Yesterday’s War” - Columbia law professor Tim Wu’s new book The Age of Extraction focuses on the monopolistic dangers of Google, Amazon, and Facebook—but Keith argues this framing is already obsolete. The real competitive battlefield is AI, where Google is a “laggard” behind OpenAI and Anthropic. The underlying internet architecture (TCP/IP) remains neutral enough to allow challengers to emerge, making heavy-handed government intervention both unnecessary and potentially innovation-killing, as seen in the over-regulated EU.

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