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Shannon Chamberlain is a former tutor at St. Johns College, an expert in the influence of fiction upon Adam Smith, a mystery writer, Substacker, and amateur pilot. She is no longer an academic, and now works as a writer and editor. We talked about the history of the novel (Defoe, Swift, Fielding, Richardson), the links between Smith and Austen, epistolatory fiction, what Free Indirect Style actually is, fan fiction and the history of the novel, moral ambivalence, Adam Smith as a literary critic, what Ian Watt got right and wrong, and much more. My thanks to Shannon for a very interesting conversation!

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Since Zadie Smith published her début novel, “White Teeth,” twenty-five years ago, she has been a bold and original voice in literature. But those who aren’t familiar with Smith’s work outside of fiction are missing out. As an essayist, in The New Yorker and other publications, Smith writes with great nuance about culture, technology, gentrification, politics; “There’s really not a topic that wouldn’t benefit from her insight,” David Remnick says. He spoke with Smith about her new collection of essays, “Dead and Alive.” “The one thing about talking about essays,” she notes, ruefully, “is you find yourself saying the same thing, but worse—without the commas.” One of the concerns in the book is the role of our devices, and social media in particular, in shaping our thoughts and our political discourse. “Everybody has a different emphasis on [Donald] Trump and what’s going on. My emphasis has been on, to put it baldly, mind control. I think what’s been interesting about the manipulations of a digital age is that it is absolutely natural and normal for people to be offended at the idea that they are being manipulated. None of us like to feel that way. And I think we wasted about—whatever it’s been since the invention of the Iphone—trying to bat away that idea, calling it a moral panic, blaming each other, [and] talking about it as if it were an individual act of will.” In fact, she notes, “we are all being manipulated. Me, too. . . . Once we can all admit that, on the left and the right, then we can direct our attention to who’s been doing this and to what advantage.”

New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

On Point news analyst Jack Beatty sees Washington state’s first-in-the-nation social insurance program for long-term care as a portent for the future of the politics of remedy in the U.S.

Epic poetry, notably the Iliad and the Odyssey, stands as one of the most enduring legacies of ancient Greece. Although the impact of these epics on Western civilization is widely recognized, their origins remain the subject of heated debate. Were they composed in a single era or over the course of centuries? Were they crafted by one or by many poets? Do they reflect historical reality? These and other important questions are answered in this book. Michael Cosmopoulos, in The World of Homer: Archaeology, Social Memory, and the Emergence of Epic Greek Poetry (Cambridge UP, 2025), reconstructs the world of the Homeric poems and explores the interplay between poetry, social memory, and material culture. By integrating key insights from archaeology, philology, anthropology, and oral tradition, he offers a nuanced perspective of the emergence and early development of Greek epic. His wide-canvas approach enables readers to appreciate the complexity of the Homeric world and gain a deeper understanding of the intricate factors that shaped these magnificent poems.

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In the 1970s, the radical leftwing German terrorist organisation may have spread fear through public acts of violence – but its inner workings were characterised by vanity and incompetence By Jason Burke. Read by Noof Ousellam. Help support our independent journalism at theguardian.com/longreadpod

Albania’s prime minister has installed a new minister. Only it isn’t human, it’s Artificial Intelligence. What does this signal for the evolution of government administration around the world?

This is a catch-up version of James O'Brien's Mystery Hour. To join the game, call 0345 60 60 973, Thursdays at 12pm.

UnHerd's Freddie Sayers speaks with Helen Andrews, former senior editor at The American Conservative and author of Boomers, to discuss her provocative and widely-debated article in Compact Magazine "The Great Feminization". They discuss: why female group dynamics (consensus-seeking, covert undermining, social ostracism) are the engine behind cancel culture; the threat a "feminised" legal system poses to the objective "rule of law," replacing evidence with emotional sympathy; and why this shift wasn't a meritocratic victory, but the result of "social engineering" that makes it "illegal for women to lose." Is this the unspoken truth behind our institutional collapse? Watch the full, explosive conversation with Helen Andrews.

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Josef Stalin left this earthly realm on March 5, 1953. The circumstances of his death were deeply chaotic – his guards and inner circle were too afraid to open the door to his room, and he was found days later lying on the floor. Stalin’s ghost however, still haunts modern day Russia – from tea-leaf readers to mediums on the internet, there's no shortage of people trying to contact the Soviet dictator on the other side.

• GUEST: Sheila Fitzpatrick, Emeritus professor at the Australian Catholic University and Author, The Death of Stalin
• PRODUCER: Ali Benton

Dame Rose Tremain is one of Britain’s most prolific and popular writers, having written 17 novels and five collections of short stories over the last 50 years. She was one of only six women on Granta magazine's inaugural 1982 list of the best young British novelists, alongside Martin Amis, Ian McEwan, Salman Rushdie and others. Her fifth novel Restoration was nominated for the Booker Prize in 1989, she won the Whitbread Prize for Music And Silence in 1999, and was awarded the 2008 Orange Prize - the precursor to the Women’s Prize for Fiction - for her novel The Road Home. Having already been made a CBE in 2007, she became Dame Rose Tremain in 2020 for services to writing. Her most recent work is a short story called The Toy Car.

Rose Tremain tells John Wilson how her father, a largely unsuccessful playwright called Keith Thomson, inspired her childhood interest in storytelling, although he never encouraged her to write. She recalls how she first started writing fiction to help her cope with loneliness in a household where there was little parental affection.

Producer: Edwina Pitman