Quotomania

Today’s Quotation is care of Annie Ernaux. Listen in! Subscribe to Quotomania on quotomania.com or search for Quotomania on your favorite podcast app!

Annie Ernaux, née Duchesne, was born in 1940 in Lillebonne Normandy. A few years later her parents moved to Yvetot, where they kept a café and grocery shop in a working-class district of the town. She studied at a private Catholic secondary school in Yvetot, encountering girls from more middle-class backgrounds, and experiencing shame of her working-class parents and milieu for the first time. In 1958, at eighteen, she left home for the summer to look after children in a summer camp (colonie de vacances).

During that summer, living for the first time with a group of people of her own age, she had her first sexual experiences, recounted in her recent work Mémoire de fille (A Girl’s Story). In this same book, she also writes about her stay in London as an au pair in 1960, and her first attempt at Higher Education which took the form of primary teacher training in Rouen. At the end of the book we see Annie returning to Rouen from London to take a degree in literature, having abandoned her primary school teacher training course. She had also already written the first pages of her first, unpublished novel in London.

The years that followed saw her married with two sons, qualifying as a secondary school teacher in two competitive examinations, the Capès and the still more prestigious agrégation, and teaching French in a secondary school in Annecy, Haute Savoie. One of her rare returns to Normandy coincided with her father’s final illness and death in 1967. In 1974 Annie Ernaux published her first book, Cleaned Out, a fictionalized account of the illegal abortion she underwent in 1964, and her move from working-class to middle-class culture through education. In 1977 the family moved to Cergy-Pontoise, a new town in the Paris region. Ernaux eventually left secondary school teaching and took up a post at the Cned, Centre for Distance Education. She won both literary acclaim in the form of the Prix Renaudot, and a large readership with the publication of her account of her father’s life, A Man’s Place in 1983. After her divorce in the early 1980s, Ernaux remained in her house in Cergy, where she lives to this day. In 2000 she retired from her teaching post, and devoted herself to writing, and in 2008 published The Years, considered by many to be her crowning achievement in terms both of its content and innovative form, intertwining personal and collective history over six decades. The success of this work was recognized by the award of the Marguerite Duras and the François Mauriac prizes, and the English translation shortlisted for the Man Booker prize International.

Her works overall have received the French language prize and the Marguerite Yourcenar prize, as well as publication of her almost complete works to date in the Quarto edition by Gallimard in 2011 (Ernaux is the first woman writer to be published in this series in her lifetime). In 2014 she was awarded an honorary doctorate by the University of Cergy-Pontoise. In October 2022, she was awarded the Nobel Prize in literature “for the courage and clinical acuity with which she uncovers the roots, estrangements and collective restraints of personal memory”.

From https://www.annie-ernaux.org/biography/.

Today’s Quotation is care of Groucho Marx. Listen in! Subscribe to Quotomania on quotomania.com or search for Quotomania on your favorite podcast app!

Groucho was born Julius Henry Marx on Oct 2 1890 in New York. He was the third of the five surviving sons of Sam and Minnie Marx. He was the first of the brothers to start a stage career aged 15 in an act called The Leroy Trio. Other acts followed, but none of them was a great success. Twice the other members of the act disappeared overnight and left him penniless in places far away from home.

When his Brothers came on stage they finally had success with the musical comedy called I'll Say She Is. It was at one of the performances of this show that Groucho got his painted moustache. He arrived late at the theater and used greasepaint to create a moustache. He found this so much easier than a glued-on moustache that he insisted on using this technique from then on. I'll Say She Is is was followed by two more Broadway hits - The Cocoanuts and Animal Crackers. The latter of which has the character of Captain Spaulding which remained (with the song Hooray for Captain Spaulding) a trademark for Groucho for the rest of his life.

The Cocoanuts and Animal Crackers were also the first movies (except for one unreleased) made by the Brothers and were filmed in New York. The remaining movies were made in Hollywood. In the later years of the Brothers movie career Groucho started working on radio. He hosted several programmes and was a guest on many shows. His biggest success was the comedy quiz show You Bet Your Life which started in 1947. The show later moved to television and was on the air until 1961.

Groucho also appeared in a few movies without his brothers. Always being a liberal, Groucho sometimes made critical remarks about politics and had friends who were regarded as communist by the US of the 1950s. This led to Groucho being investigated by the FBI.

When Marx Brothers became popular again in the late sixties/early seventies Groucho made a comeback with a show in Carnegie Hall in 1972. At the film festival in Cannes in 1972 he was made Commandeur des Arts et Lettres and in 1974 he received a special Academy Award for the achievements of the Marx Brothers. Groucho died on August 19th 1977 at Cedars Sinai Medical Center. His ashes are at Eden Memorial Park, San Fernando, California.

From https://www.marx-brothers.org/biography/groucho.htm.

Today’s Quotation is care of Bob Dylan. Listen in! Subscribe to Quotomania on quotomania.com or search for Quotomania on your favorite podcast app!

Bob Dylan was born on May 24, 1941 in Duluth, Minnesota. He grew up in the city of Hibbing. As a teenager, he played in various bands and with time his interest in music deepened, with a particular passion for American folk music and blues. One of his idols was the folk singer Woody Guthrie. He was also influenced by the early authors of the Beat Generation, as well as by modernist poets. Dylan moved to New York City in 1961 and began to perform in clubs and cafés in Greenwich Village. He met the record producer John Hammond, with whom he signed a contract for his debut album, Bob Dylan (1962). In the following years, he recorded a number of albums which have had a tremendous impact on popular music: Bringing It All Back Home and Highway 61 Revisited in 1965, Blonde On Blonde in 1966 and Blood On The Tracks in 1975. His productivity continued in the following decades, resulting in masterpieces like Oh Mercy (1989), Time Out of Mind (1997) and Modern Times (2006).

Dylan’s tours in 1965 and 1966 attracted a lot of attention. For a period, he was accompanied by film maker D. A. Pennebaker, who documented life around the stage in what would come to be the movie Dont Look Back (1967). Dylan has recorded a large number of albums revolving around topics such as: the social conditions of man, religion, politics and love. The lyrics have continuously been published in new editions starting in 1973, under the title WritingsandDrawings, subsequently changed to Lyrics. As an artist, he is strikingly versatile; he has been active as a painter, actor and scriptwriter. Besides his large production of albums, Dylan has published experimental work like the prose poetry collection Tarantula (1971). He has written an autobiography, Chronicles (2004), which depicts memories from the early years in New York and which provides glimpses of his life at the center of popular culture. Since the late 1980s, Bob Dylan has toured consistently, playing over 3000 concerts during the last 20 years. Dylan has the status of an icon. His influence on contemporary culture is profound, and he is the object of a steady stream of literary and musical analysis.

From https://www.nobelprize.org/prizes/literature/2016/dylan/biographical/.

Today’s Quotation is care of C. P. Cavafy. Listen in! Subscribe to Quotomania on quotomania.com or search for Quotomania on your favorite podcast app!

C.P. Cavafy is widely considered the most distinguished Greek poet of the 20th century. He was born on April 29, 1863, in Alexandria, Egypt, where his Greek parents had settled in the mid-1850s, and died on the same day in 1933. During his lifetime Cavafy was an obscure poet, living in relative seclusion and publishing little of his work. A short collection of his poetry was privately printed in the early 1900s and reprinted with new verse a few years later, but that was the extent of his published poetry. Instead, Cavafy chose to circulate his verse among friends.

Cavafy is the leading poet of the periphery, writing in Greek far from Greek lands. The body of his poetry includes the 154 poems of the “canon”; 37 “repudiated poems,” most of which are juvenilia written in romantic katharevousa; 75 “hidden” poems that were found finished in his papers; and 30 “unfinished” poems. His poems often feature historical figures or creations of the poet’s imagination, with frequent references to elements of Homeric, Hellenistic, and Byzantine years. Today, his poetry occupies a prominent place in both Greek and world literature.

You may read the complete C. P. Cavafy bio here https://cavafy.onassis.org/creator/cavafy-c-p/and discover the digital collection of the Cavafy Archive here https://cavafy.onassis.org/.

From https://www.poetryfoundation.org/poets/c-p-cavafy and https://cavafy.onassis.org/creator/cavafy-c-p/.

Today’s Quotation is care of Charles Baudelaire. Listen in! Subscribe to Quotomania on quotomania.com or search for Quotomania on your favorite podcast app!

The son of Joseph-Francois Baudelaire and Caroline Archimbaut Dufays, Charles Baudelaire was born in Paris on April 9, 1821. Baudelaire’s father, who was thirty years older than his mother, died when the poet was six. Baudelaire was very close with his mother (much of what is known about his later life comes from the letters he wrote her), but was deeply distressed when she married Major Jacques Aupick. In 1833, the family moved to Lyon, where Baudelaire attended a military boarding school. Shortly before graduation, he was kicked out for refusing to give up a note passed to him by a classmate. Baudelaire spent the next two years in Paris’s Latin Quarter, pursuing a career as a writer and accumulating debt. It is also believed that he contracted syphilis around this time.

In 1841, Baudelaire’s parents sent him to India, hoping the experience would help reform his bohemian urges. He left the ship, however, and returned to Paris in 1842. Upon his return, he received a large inheritance, which allowed him to live the life of a Parisian dandy. He developed a love for clothing and spent his days in art galleries and cafés. He also experimented with hashish and opium. Baudelaire also fell in love with Jeanne Duval, who inspired the “Black Venus” section of Les Fleurs du mal. By 1844, he had spent nearly half of his inheritance. His family won a court order that appointed a lawyer to manage Baudelaire’s fortune and to pay him a small “allowance” for the rest of his life.

In 1857, Auguste Poulet-Malassis published the first edition of Les Fleurs du mal. Baudelaire was so concerned with the quality of the printing that he took a room near the press to help supervise the book’s production. Six of the poems, which described lesbian love and vampires, were condemned as obscene by the public safety section of the Ministry of the Interior. The ban on these poems was not lifted in France until 1949. In 1861, Baudelaire added thirty-five new poems to the collection. Les Fleurs du mal afforded Baudelaire a degree of notoriety; other writers, including Gustave Flaubert and Victor Hugo, publicly praised the poems. Flaubert wrote to Baudelaire, extolling his artistry: “You have found a way to inject new life into Romanticism. You are unlike anyone else [which is the most important quality].” Unlike earlier Romantics, Baudelaire looked to the urban life of Paris for inspiration. He argued that art must create beauty from even the most depraved or “non-poetic” situations.

Les Fleurs du mal, with its explicit sexual content and juxtapositions of urban beauty and decay, only added to Baudelaire’s reputation as a poète maudit (cursed poet). Baudelaire enhanced this reputation by flaunting his eccentricities; for instance, he once asked a friend in the middle of a conversation “Wouldn't it be agreeable to take a bath with me?” Due to the abundance of stories about the poet, it is difficult to sort fact from fiction.

In 1862, Baudelaire began to suffer nightmares and increasingly bad health. He left Paris for Brussels in 1863 to give a series of lectures, but had several strokes that resulted in partial paralysis. On August 31, 1867, at the age of forty-six, Charles Baudelaire died in Paris. Although doctors at the time didn’t mention it, it is likely that syphilis led to terminal illness. His reputation as poet was secure: the Symbolists who led the next major movement in French poetry— Stéphane Mallarmé, Paul Verlaine, and Arthur Rimbaud—claimed him as a predecessor. In the twentieth century, thinkers and artists as diverse as Jean-Paul Sartre, Walter Benjamin, Robert Lowell, and Seamus Heaney, have celebrated his work.

From https://poets.org/poet/charles-baudelaire. 

Today’s Quotation is care of Anaïs Nin. Listen in! Subscribe to Quotomania on quotomania.com or search for Quotomania on your favorite podcast app!

Anaïs Nin (born February 21, 1903, Neuilly, France—died January 14, 1977, Los Angeles, California, U.S.) was a French-born author of novels and short stories whose literary reputation rests on the eight published volumes of her personal diaries. Her writing shows the influence of the Surrealist movement and her study of psychoanalysis under Otto Rank. Brought to New York City by her mother in 1914, Nin was educated there but later returned to Europe. She launched her literary career with the publication of D.H. Lawrence: An Unprofessional Study (1932); the book led to a lifelong friendship with the American author Henry Miller.

At the beginning of World War II Nin returned to New York City. There she continued—at her own expense—to print and publish her novels and short stories, and, although no critical acclaim was forthcoming, her works were admired by many leading literary figures of the time. Not until 1966, with the appearance of the first volume of her diaries, did she win recognition as a writer of significance. The success of the diary provoked interest in her earlier work Cities of the Interior (1959), a five-volume roman-fleuve, or continuous novel, which consists of Ladders to Fire (1946), Children of the Albatross (1947), The Four-Chambered Heart (1950), A Spy in the House of Love (1954), and Solar Barque (1958).

Nin’s literary contribution was a subject of controversy in her lifetime and remained so after her death. Many critics admired her unique expression of femininity, her lyrical style, and her psychological insight. Some dismissed her concern with her own fulfillment as self-indulgent and narcissistic. Opinion was further divided by the posthumous Delta of Venus: Erotica (1977) and later collections of previously unpublished erotic stories written on commission during the financially lean years of the early 1940s. Her other works of fiction included a collection of short stories, Under a Glass Bell (1944); the novels House of Incest (1936), Seduction of the Minotaur(1961), and Collages (1964); and three novelettes collected in Winter of Artifice (1939).

From https://www.britannica.com/biography/Anais-Nin.

Today’s Quotation is care of W. S. Merwin. Listen in! Subscribe to Quotomania on quotomania.com or search for Quotomania on your favorite podcast app!

Appointed United States Poet Laureate by the Library of Congress in 2010, William Stanley Merwin had a career that spanned seven decades. A poet, translator, gardener and environmental activist, Merwin has become one of the most widely read and honored poets in America.  He died at home at the age of 91, in the house he built, among the thousands of palms he planted, on Friday, March 15, 2019.

Born September 30, 1927, in New York City, William Stanley Merwin was the son of a Presbyterian minister, for whom he began writing hymns at the age of five. He was raised in New Jersey and Pennsylvania and attended Princeton University on a scholarship. As a young man, Merwin went to Europe and developed a love of languages that led to work as a literary translator. Over the years, his poetic voice moved from the more formal to a more distinctly American voice. As the Atlantic Monthly said, “The intentions of Merwin’s poetry are as broad as the biosphere yet as intimate as a whisper. He conveys in the sweet simplicity of grounded language a sense of the self where it belongs, floating between heaven, earth, and the underground.”

He has lived in Majorca, London, France, Mexico and several places in the United States, as well as Boston and New York. In 1976, Merwin moved to Hawaii to study with Robert Aitken, a Zen Buddhist teacher. He married Paula Dunaway, in 1983, and settled on Maui. For over 40 years, they lived in a home that William designed and helped build, surrounded by acres of land once devastated and depleted from years of erosion, logging and toxic agricultural practices. Together, the Merwins painstakingly restored the land into one of the most comprehensive palm gardens in the world. He continued to live, write and garden in Hawaii until he died at home on Friday, March 15th, 2019.

From https://merwinconservancy.org/about-w-s-merwin/.

Today’s Quotation is care of John Freeman. Listen in!

John Freeman is the editor of Freeman's, a literary annual of new writing, and executive editor at Alfred A. Knopf. His books include How to Read a Novelist and Dictionary of the Undoing, as well as Tales of Two Americas, an anthology about income inequality in America, and Tales of Two Planets, an anthology of new writing about inequality and the climate crisis globally. He is also the author of two poetry collections, Maps and The Park. His work is translated into more than twenty languages, and has appeared in The New Yorker, The Paris Review, and The New York Times. The former editor of Granta, he teaches writing at New York University.

From https://www.penguinrandomhouse.com/authors/96608/john-freeman/.

Today’s Quotation is care of Sylvia Plath. Listen in!

Sylvia Plath was born on October 27, 1932, in Boston, Massachusetts. Her mother, Aurelia Schober, was a master’s student at Boston University when she met Plath’s father, Otto Plath, who was her professor. They were married in January of 1932. Otto taught both German and biology, with a focus on apiology, the study of bees. In 1940, when Plath was eight years old, her father died as a result of complications from diabetes. He had been a strict father, and both his authoritarian attitudes and his death drastically defined Plath's relationships and her poems—most notably in her elegiac and infamous poem "Daddy."

Plath kept a journal from the age of eleven and published her poems in regional magazines and newspapers. Her first national publication was in the Christian Science Monitor in 1950, just after graduating from high school. In 1950, Plath matriculated at Smith College, where she graduated summa cum laude in 1955. After graduation, Plath moved to Cambridge, England, on a Fulbright Scholarship. In early 1956, she attended a party and met the English poet Ted Hughes. Shortly thereafter, Plath and Hughes were married, on June 16, 1956.

Plath returned to Massachusetts in 1957 and began studying with Robert Lowell. Her first collection of poems, Colossus, was published in 1960 in England, and two years later in the United States. She returned to England, where she gave birth to her children Frieda and Nicholas, in 1960 and 1962, respectively. In 1962, Ted Hughes left Plath for Assia Gutmann Wevill. That winter, Plath wrote most of the poems that would comprise her most famous book, Ariel. In 1963, Plath published a semi-autobiographical novel, The Bell Jar, under the pseudonym Victoria Lucas. She died on February 11 of that year.

Plath’s poetry is often associated with the Confessional movement, and compared to the work of poets such as Lowell and fellow student Anne Sexton. Often, her work is singled out for the intense coupling of its violent or disturbed imagery and its playful use of alliteration and rhyme.

Although only Colossus was published while she was alive, Plath was a prolific poet, and in addition to Ariel, Hughes published three other volumes of her work posthumously, including The Collected Poems, which was the recipient of the 1982 Pulitzer Prize. She was the first poet to posthumously win a Pulitzer Prize.

From https://poets.org/poet/sylvia-plath.