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Racism in German and American Cinema of the Twenties: From The Ancient Law to The Jazz Singer with Charles Musser - Holocaust Living History Workshop
Yale University professor and filmmaker Charles Musser explores the historical and contemporary perspectives of race relations in German and American cinema from the 1920s by examining The Ancient Law (1923) and The Jazz Singer (1927). He evaluates how each film addresses anti-Semitism as well as the burning question of the history of blackface as a theatrical convention. Series: "Library Channel" [Public Affairs] [Humanities] [Show ID: 35016]
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By UCTVYale University professor and filmmaker Charles Musser explores the historical and contemporary perspectives of race relations in German and American cinema from the 1920s by examining The Ancient Law (1923) and The Jazz Singer (1927). He evaluates how each film addresses anti-Semitism as well as the burning question of the history of blackface as a theatrical convention. Series: "Library Channel" [Public Affairs] [Humanities] [Show ID: 35016]
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