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Much like their hometown of London, England, Akercocke at once embody urbanity and the bucolic, depravity and erudition -- constantly blurring the lines between seemingly opposite poles. In Akercocke’s world, nothing is quite as it seems. Herein, we dissect the most recent half of their discography, which is some of the most adventurous, beguiling metal we have EVER heard.
We conclude our 2-part, 4-hour deep dive into one of our favorite bands in the universe, the mighty Anathema. This second part looks at their 2001-2017 phase, surveying the six albums they released in that 18-year span. They are no longer active, but they’re very much alive in our hearts and sound systems, an eternal source of inspiration for the hosts of this podcast and their legion of fans across the globe. This is a love letter.
Liverpool, England’s Anathema are one of the bedrocks of the Radical Research musical adventure. It’s why we’ve chosen to commemorate our 150th episode with a two-part dive into their entire catalog, from the harrowing wretchedness of their early demo work to the graceful final statement of 2017’s The Optimist. We rejoice and weep, praise and cry, as we explore all of their 1990s output in episode 1 of this 2-part indulgence.
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Music cited in order of appearance:
It's back to Norway for Radical Research, although this time, it's not about weirdness, unless you consider us covering an album like this a little weird. But we adore this band, especially this 30-minute masterpiece. And for years, we’d talked of spotlighting Tell No Tales with none other than Bryon Dudley and Aaron Alcott of the excellent Hair Metal Memories podcast. We finally got down to business and in this episode, we dissect all the beauty, joy, audacity and high, higher, highest of this great band’s greatest album. This collaboration felt really natural, and we might do another one with these guys, dudes who aren’t quite at opposite poles as much as one might assume. As Aaron says here, Tell No Tales is “something that should be known beyond the borders of its genre.”
What exactly constitutes "Radical Research material?" We're gonna test that question with this and the next episode. With episode 148, we answer with more questions: "Is it weird?" "Is it heavy?" "Is it something we enjoy?" "Would most of the music-listening world hate it?" Yes, yes, yes and yes! And lord, do we love us some Cathedral. Especially the early era, which is the 5-year chunk of time investigated here. Herein, we hail Dorrian, Gaz, Griffiths, Lehan and the three drummers that comprise this most potent, powerful era of the UK's legendary lords of doom.
Radical Research is a conversation about the inner- and outer-reaches of rock and metal music. This podcast is conceived and conducted by Jeff Wagner and Hunter Ginn. Though we consume music in a variety of ways, we give particular privilege to the immersive, full-album listening experience. Likewise, we believe that tangible music formats help provide the richest, most rewarding immersions and that music, artwork, and song titles cooperate to produce a singular effect on the listener. Great music is worth more than we ever pay for it.
The scope of Kevin Moore’s genius begins with Dream Theater’s “Space-Dye Vest” and concludes with OSI’s Fire Make Thunder. We try to use the g-word sparingly around here, but truly, Moore’s singular artistic vision is something we attempt to hail and dissect here, for our 147th episode. Join us in celebrating this specific, singular talent.
Note I:
Radical Research is a conversation about the inner- and outer-reaches of rock and metal music. This podcast is conceived and conducted by Jeff Wagner and Hunter Ginn. Though we consume music in a variety of ways, we give particular privilege to the immersive, full-album listening experience. Likewise, we believe that tangible music formats help provide the richest, most rewarding immersions and that music, artwork, and song titles cooperate to produce a singular effect on the listener. Great music is worth more than we ever pay for it.
Our friends Marty and Alan at the Heavy Metallurgy podcast challenged us to a duel, and we fire back. The idea was simple: Offer five different albums, any genre, to cover on an episode. Of their five, we chose the only non-metal album, the stunning, beloved 1983 debut Script of the Bridge by English band, The Chameleons. How did Heavy Metallurgy handle our challenge? Find out here: https://www.youtube.com/live/BnrwkIqJ7OU?si=GHex4X8mqILUSQXn
Music cited in order of appearance:
Herein, you will find our tribute to Pan-Thy-Monium. Briefly covered in episode 2, we finally give this very special entity its due. We dive deep into the deeps of Raagoonshinnaah’s dwelling and emerge as awed and dumbfounded as ever.
As noted early in this episode: we’ve always wanted to do an episode focusing on King Crimson, but couldn’t figure out the right approach. Until this idea, where we dissect and decipher all five parts of the band’s “Larks’ Tongues in Aspic” song cycle, spanning several decades and three different lineups. Join us as we delve into a musical delicacy better listened to than tasted…
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No other band with roots in Swedish death metal did it like Comecon. Not even close. We find a few similarities to Carbonized, but generally, this band is unique, special, and underappreciated enough that we had to come to their rescue for a little over an hour. Headed by brainiacs Pelle Strom and Rasmus Ekman, Comecon cycled through three different vocalists over three different albums (L.G. Petrov, Martin van Drunen, Marc Grewe), and if you have any interest in death metal with a distinct difference, please give this episode a listen…
Radical Research is a conversation about the inner- and outer-reaches of rock and metal music. This podcast is conceived and conducted by Jeff Wagner and Hunter Ginn. Though we consume music in a variety of ways, we give particular privilege to the immersive, full-album listening experience. Likewise, we believe that tangible music formats help provide the richest, most rewarding immersions and that music, artwork, and song titles cooperate to produce a singular effect on the listener. Great music is worth more than we ever pay for it.
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