In the age of over-information and over-exposure what control do we have over our public persona? It's all about the personality, all about our profile, incessant, endless posts to every medium we can lay our hands on.

After 25 years of DJing around the world,  the catchily title |-...-.|  seems like they've had enough of all that and switched to the exact opposite and put together a project with no real name, no real public persona or much else besides. But it's been getting noticed by the right people - Joe Muggs featured them twice in Bandcamp Daily this year, and their latest album "Deliveroo Studio Séances" is the piece that really caught our ear.

"This is all about music being judged on its merit rather than ego or identity, transcending the audiences potential preconceptions and focusing on a sonic and visual journey. "

The sound pulls from various places - you can hear bits of Aphex Twin, Burial, Daft Punk, and Weatherall in there. It's genre-fluid stuff that doesn't fit neatly into boxes, which is probably why the likes of Trevor Jackson and Prosumer have been supportive.

The whole anonymous angle means the music has to speak for itself, which it seems to be doing. So it feels kind of counterintuitive to ask them any questions for this rather tasty mix they've put together of original material, intermingled with other beauties. But we'll do it anyway, hey.

Tracklist and full interview here: https://www.theransomnote.com/music/mixes/the-shine-a-light-on-ransom-note-mix/

@4lob1c66csdd

A long overdue mix from the recent R$N Recs cohort and all-around excellent person, Bleaching Agent.

Full interview here: https://www.theransomnote.com/music/mixes/bleaching-agent-the-altered-currents-mix/

@bleaching-agent

Producer DJ and dweller behind the counter at Phonica, Ysanne makes Mondays ok. "If you're not excited about life you should probably make some changes"

Full interview and tracklisting here: https://www.theransomnote.com/music/mixes/ysanne-the-monday-is-ok-mixtape/

While some industry voices claim it's all computers now, Turbo Recordings maintain that everything in life can be understood as a "funhouse mirror"

Sascha Funke's "MZ" was a massive record for both Funke, Turbo and us come to think of it, all the way back in 2017. A classic, you might call it!  So much so that it's been given the re-rub treatment from a veritable smorgasbord of left-of-centre royalty including 

"We have paid access to the halls of European power, where you get to make backroom deals with Emmanuel Macron and British Seinfeld as Opus’ “Live is Life” blares over a gigantic bluetooth speaker. And, yeah, you’ll probably run into the most celebrated European producers of our time. Pional, Axel Boman, Mano Le Tough, and Roman Flügel — these are the kinds of names you only see once you’ve reached the highest levels of success, be it in dance music production or purchasing the hottest tickets in town on your favorite mobile device." says Turbo

We're premiering the mighty Flügel remix. The master keeps the roller style but just a bit more pumped. Does exactly what it needs to when you're dealing with this level of royalty; creating something altogether new, whilst maintaining the essence of the source. 

Pre Order them all here: https://turborec.lnk.to/MZ-Remixes

Sarayu is a key figure amidst the Bangkok underground and remains pivotal in the progression of the scene. As the co founder of More Rice records he has been pivotal in releasing music from locals and broadening the reach of music from Thailand. He works tirelessly and also produces his own music alongside involvement in Bar Temp and Bangkok Community Radio.

He keeps busy.

This mix demonstrates his prowess as a DJ and what a mix it is.

Weaving between different variations of house music, this one is perfect for the hot, sticky summer and is packed with feel good moments and deep groves galore.

Collection of Memories tells the story of where my music begins, with original recordings used in my album Blurred Memories and personal sounds that have inspired me. My Vietnamese heritage has shaped my music through the sounds of martial arts, pagodas, home cooking, dragon dances, and more.

This is a collage of those memories:

My grandmother arrived in France after the Indochina War with her ten children. The Vietnamese families who left Indochina at that time arrived in France by boat, and some were settled in an empty village in the center of France called Noyant. There, they recreated a little Vietnam to feel at home, keeping traditions and habits alive—women wearing silk pyjamas, grilling skewers in the garden wearing bamboo hats, listening to Vietnamese bolero all day long, and built a pagoda. As children, my cousins and I would always play there, next to the huge black statue of a sitting Buddha, with the sound of chimes hanging in the trees.

Every year, our family gathers in this village on the day of my grandmother’s birthday (a random date that was assigned to her when she arrived in France). We spend the weekend cooking in enormous rice cookers and pots—caramelised pork and delicious grilled lemongrass beef skewers. My uncles light firecrackers, and then the dragon dance begins. Everyone takes part—cousins, aunts, uncles, and the little ones—playing drums, dancing under the dragon’s head and tail.

The dragon dance is traditionally performed by martial arts practitioners. Viet Vo Dao (Vietnamese martial arts) holds an important place in my family and connects us all. My uncles and my father are masters and each founded their own school many years ago. Every summer, we gathered at the martial arts camp organised by one of my uncles—this was our family holiday. I recorded many sounds from these sessions, including traditional weapons and instruments.

Hanoi has also been a huge source of inspiration, helping me understand the origins of certain family traditions and behaviours. While living there, I recorded many sounds from daily life: karaoke singers in the streets, celebrations I could hear from my home, women chatting, cooking, or yelling in the alleys, traditional concerts in front of pagodas, martial arts sessions...

Fun filled selections ahead of Campo Sancho 2025 where Dicky Trisco will be joined by Luke Una.

Read the full interview on site now.

The People In The Fog is a moniker of DJ Sodeyama. He has been a stalwart of the Tokyo underground for nearly three decades, cutting his teeth in the 90's and retaining a key presence at the forefront of Japan's house music scene.

Over the years he has released a sprawling array of music under a few monikers on the likes of Zenit, Rekids, Quartz and трип. However most recently he has been operating under the guise of The People In The Fog which has afforded him the chance to dig deeper into his sound channeling elements of funk, downtempo and the dubbier undertones of house.

He has released this material on Japanese record label Sound Of Vast and for dj's in the know those records have become a 'buy on sight' scenario.

This mix showcases versatility and class. Tight blends, excellent, deep thoughtful selections.

House music seems to go through various trends, new iterations, reworks and phases. Jasper James has seen them come and go.

The Glaswegian DJ and producer was practically raised on the stuff, growing up around the Sub Club family and cutting his teeth at local parties and in small, dimly lit crowded basements long before it ever became ‘cool’ to be a DJ. His musical repertoire was taught by his father, Harri of Subculture fame. However his own ability to read a room and command a dancefloor remains very much his own.

Over the years he has evolved beyond the Glasgow underground playing globally and receiving acclaim before going on to release music on Optimo Trax, ESP Institute, No Art and Steel City Dance Discs amongst others.

This mix showcases his versatility in the booth as he weaves between shades of house music – demonstrating a deep rooted knowledge and respect for the origins of the genre.

If you’ve spent any time on Seoul’s dance floors lately, chances are you’ve come across the name ffan. And if you haven’t? Well, you’ve got some catching up to do.

ffan has carved out a reputation for his intricate and high-energy sets, navigating seamlessly through genres with a flair that is perfectly controlled. Whether he’s behind the decks or deep in the studio, ffan brings a wild, magnetic energy.

His sharp focus has led him to become a key figure in Seoul’s bubbling underground scene. As the founder of club Nyapi Seoul and Studio Namsan, ffan’s voice shimmers through all projects he touches.

There’s no better time to get acquainted with what ffan is bringing to the booth.

Read more here: https://www.theransomnote.com/music/mixes/ffan-the-wednesday-alternative-mix/