DC’s Blackhawk #248 (October 1976) continues the Blackhawks’ battle against the villainous Biolord, who threatens to obliterate Great Britain with a million-megaton missile. In this thrilling installment, Blackhawk risks his life to sabotage the missile mid-air, only to learn that Chuck had tampered with its guidance system. The Blackhawks then face Biolord’s deadly Metadroids, forcing them to choose between his morally ambiguous plan to “save the planet” or fighting to the bitter end. With the help of Duchess Fatale and Andre, Biolord is seemingly defeated—but his consciousness transfers into a jet-propelled body, resulting in a final showdown with devastating consequences.

This issue features the creative talents of writer David Anthony Kraft, penciller James Sherman, inker George Evans, colorist Carl Gafford, and letterer Gaspar Saladino, under editor Gerry Conway and executive editor Jenette Kahn. The cover was crafted by Pablo Marcos and Vincent Colletta. Blackhawk #248 encapsulates the quirky, high-stakes storytelling of the 1970s, complemented by stellar artwork and dynamic action. The issue is a snapshot of an era when DC was experimenting with bringing classic heroes into modern settings.

For a full breakdown, analysis, and trivia about this iconic issue, watch the video and let us know your thoughts in the comments!

#Blackhawk #DCComics #Biolord #JamesSherman #DavidAnthonyKraft #1970sComics #ComicBooks #VintageComics #ComicArt #Superheroes #DCUniverse #GoldenAgeComics #SilverAgeComics #JenetteKahn #GerryConway #GeorgeEvans #ComicBookArt #ComicHistory #ComicBookReview #ReadTheFreakingComics #ComicCollectors #RetroComics #ComicBookCulture #ComicBookCommunity #OldSchoolComics

Notes and Thanks

Special Thanks to Jim Sherman

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Join us as we deep-dive into Wolverine (Vol. 2) 106 from October 1996, a unique issue that explores the softer, introspective sides of Wolverine and Elektra. This story takes us from Wolverine’s old homestead in Alberta, Canada, where he pays respects to Silverfox’s grave, to a Greek villa where Elektra reconnects with her past. Both characters reflect on loss, love, and rediscovery while uncovering surprising connections from Wolverine’s WWII days.

Written by Larry Hama, known for G.I. Joe and 'The Punisher War Zone', this issue showcases his storytelling prowess. Penciler Val Semeiks brings dynamic layouts to life, while inkers Chad Hunt and Al Milgrom add precision and depth. Adam Kubert delivers an unforgettable cover, and colorist Derek Bellman’s work leaves a lasting impression. Richard Starkings’ lettering ties it all together.

We also explore Wolverine’s tumultuous love life, Marvel’s 90s industry struggles, and some quirky ads like Sega Saturn’s 'Nights into Dreams'. Stay till the end for a shoutout to comic shops in Lethbridge, AB, and Santorini, Greece. Hit like, subscribe, and suggest comics for future videos!

#Wolverine #MarvelComics #Elektra #LarryHama #ValSemeiks #AdamKubert #AlMilgrom #DerekBellman #SilverFox #MarvelHistory #ComicBooks #90sComics #ComicArt #XMen #MarvelVsDC #GreekIsles #ComicCollectors #Greece #ComicDeepDive #MarvelLegacy #ComicBookHistory #ComicsCommunity #MarvelUniverse #CrashBandicoot #GamerNostalgia #ComicBubble

Photos & Thanks

Very special thanks to Val Semekis

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Batman: Legends of the Dark Knight #1 (1989) is a seminal issue in Batman history, kicking off the character’s first solo series in nearly 50 years. Written by the legendary Dennis O’Neil, this issue explores Bruce Wayne’s earliest days as a vigilante, chronicling his time in the Alaskan wilderness and his first forays into Gotham’s criminal underworld. Stripped of his iconic gadgets and armor, we see a raw and vulnerable Bruce forging the identity of Batman. After surviving a life-threatening ordeal thanks to the traditional healing methods of a Native American group, Bruce finds inspiration in a bat flying through his window—cementing the legend we know today.

The issue features stunning pencils by Ed Hannigan, inked by John Beatty, and colored by Richmond Lewis. Together, their work brings Gotham’s gritty streets to life. This dual-covered collectible was offered in four color variants and coincided with the rise of Batmania following Tim Burton’s blockbuster film.

This video dives deep into the story, the creative team’s impact, and the comic’s cultural significance. Packed with fascinating trivia and a nostalgic look at 1989’s comics boom, this is a must-watch for fans of the Caped Crusader!

Like, comment, and subscribe for more deep dives into iconic comics!

#Batman #LegendsOfTheDarkKnight #BruceWayne #DennisONeil #EdHannigan #JohnBeatty #RichmondLewis #GeorgePratt #DeanMotter #DCComics #GothamCity #ComicBooks #BatmanOrigin #ComicCollectors #1989 #ComicHistory #Batmania #TimBurtonBatman #DarkKnight #SuperheroComics #BatmanYearOne #CapedCrusader #ClassicComics #BatmanFans #ComicDeepDive #BatmanArt

Photos and Thanks

John Beatty

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March 1991 brought Spider-Man into the heart of New York City in Spectacular Spider-Man #174, as Peter Parker balances reporting duties with superhero heroics. When Spider-Man’s Spidey sense detects a threat at the Daily Bugle, he uncovers a deadly plot by Doctor Octopus, who buries Peter under rubble and holds Mary-Jane—and the entire Bugle building—ransom for $20 million.

Join us as we break down the thrilling story crafted by David Michelinie, Gerry Conway, and Terry Kavanagh, paired with Sal Buscema’s fluid, dynamic art, Joe Rosas’ vivid coloring, and Richard Parker’s lettering. From underground sewer battles to the Daily Bugle’s dramatic statue collapse, we explore the issue’s nuances, cover continuity quirks, and iconic character portrayals.

We also dive into the comic’s historical context, 1991’s Marvel dominance, the growing specialty store market, and the era’s fun pop culture touches—from video game and trading card ads to the Spider-Man stories that defined a generation.

Whether you’re a longtime Spider-Man fan or new to Peter Parker’s adventures, this episode delivers a deep dive into one of the most exciting Spectacular Spider-Man issues of the early ’90s.

October 2021 saw Superman and Superboy thrust into a high-stakes mission in Action Comics #1031, as mysterious Warworld ships chase a smaller vessel carrying Kryptonian refugees to Earth. Join us as we break down Phillip Kennedy Johnson’s story, Daniel Sampere’s bold art, and Mikel Janín’s striking cover.

We explore the first appearance of Thao-La, the Genesis Fragment, and the ancient Kryptonian language Falkiri, while diving into Superman’s heroic efforts to protect the refugees and uncover their mysterious origins. Along the way, we provide behind-the-scenes insights into DC’s creative team, the editorial context, and the state of comics in 2021—including sales trends, relaunches, and the impact of the Infinite Frontier initiative.

Whether you’re a longtime Superman fan or a newcomer curious about modern DC storytelling, this episode delivers a detailed, exciting deep dive into one of the most action-packed issues of the year.

Step back to March 1987 and explore Mark Hazzard: MERC #5, a gritty tale of friendship, betrayal, and bikers in Marvel’s short-lived New Universe imprint. Join us as we examine Doug Murray’s story, Mark Beachum’s art, and the creative team behind this often-overlooked comic. From kidnappings and biker showdowns to real-world New York locations like The Cloisters, this episode uncovers the surprising realities behind a “grounded” Marvel universe.

We’ll also dive into the history of Marvel’s New Universe—its ambitious real-time storytelling, tight budgets, and the creators who helped shape this experimental line. Whether you’re a collector, a Marvel historian, or just curious about 1980s comics, this episode gives a detailed, nostalgic look at one of Marvel’s most unique experiments in storytelling.

Step back to January 1990 and explore an alternate Marvel reality in What If… #9, where the X-Men perish on their very first mission. Join us as we unpack Roy Thomas’ story, Rich Buckler & Sam de la Rosa’s art, and the creative team behind this curious comic. From Count Nefaria and the Ani-Men to hidden Easter eggs on the cover, we explore the highs, lows, and quirky details of this issue.

We’ll also dive into the historical context of 1990 comics, the state of Marvel, and the pop culture backdrop—from Cheers topping TV ratings to the rise of commercial internet access. Whether you’re a longtime fan or a newcomer curious about Marvel’s alternate realities, this episode delivers a detailed, nostalgic deep dive into one of the strangest “What If…” stories ever told.

Features an exclusive interview with Georges Jeanty!In Buffy the Vampire Slayer #7, released by Dark Horse Comics in October 2007, we follow Faith’s solo journey as she embarks on a mission to kill Lady Genevieve Savidge, a powerful slayer. As she edges closer, Faith encounters gargoyle protectors who knock her unconscious. Upon waking, Lady Genevieve reveals she wants Faith to help her kill their mutual enemy: Buffy Summers. This arc is filled with intense character development, exploring Faith's inner struggles and her place in the Slayer hierarchy, always overshadowed by Buffy.Written by Brian K. Vaughan (Y: The Last Man, Saga) and illustrated by Georges Jeanty, this issue dives into darker themes, as the story takes place in a lavish castle setting with supernatural enemies. Faith’s psychological depth is explored, peeling back layers to reveal her emotional scars.Jeanty collaborated with Joss Whedon to bring this beloved series into the comic realm, giving fans more adventures beyond the TV show. With stellar artwork, vibrant colors, and a faithful continuation of the TV universe, this issue is a fan-favorite.#BuffyTheVampireSlayer #FaithLehane #DarkHorseComics #BrianKVaughan #GeorgesJeanty #JossWhedon #LadyGenevieve #BuffyComics #Slayers #VampireSlayer #ComicBookReview #SeasonEight #Gargoyles #DawnSummers #WillowRosenberg #BuffyFans #ComicBooks #ActionComics #SupernaturalComics #VampireLore #FaithVsBuffyPhotos & ThanksGeorges JeantyMarvel ComicsDCDark HorseBy Luigi Novi, CC BY 4.0, https://commons.wikimedia.org/w/index.php?curid=82493408By Luigi Novi, CC BY 3.0, https://commons.wikimedia.org/w/index.php?curid=11797613https://www.comicartfans.com/comic-artists/Andy_Owens.asp?m=NewArt&PM=1&PI=54By Gage Skidmore, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=15905710https://buffy.fandom.com/wiki/Dave_StewartBy Gage Skidmore, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=56074552By Jessie Christiansen, uploaded by User:SPhilbrick - File:Scott_Allie.jpg - 4 March 2013 version, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=25056986By The logo is from the following website: "Embracer Group Q4 & Full Year Report" (PDF). Embracer Group. 19 May 2022. p. 32. Archived (PDF) from the original on 19 May 2022. Retrieved 19 May 2022., Fair use, https://en.wikipedia.org/w/index.php?curid=31716520By May be found at the following website: http://www.wiki/souljaboytellem.com, Fair use, https://en.wikipedia.org/w/index.php?curid=12564174By Cover artwork from the issue., Fair use, https://en.wikipedia.org/w/index.php?curid=6198242https://screenrant.com/buffy-vampire-slayer-after-season-7-comics/By Original work: San Diego Comic-ConDepiction: The Daily Cartoonist - https://www.dailycartoonist.com/index.php/2019/04/26/2019-will-eisner-comic-industry-awards-nominees/, Fair use, https://en.wikipedia.org/w/index.php?curid=67434233By The logo is from the following website: "Embracer Group Q4 & Full Year Report" (PDF). Embracer Group. 19 May 2022. p. 32. Archived (PDF) from the original on 19 May 2022. Retrieved 19 May 2022., Fair use, https://en.wikipedia.org/w/index.php?curid=31716520By Image Comics - http://acecomics.co.uk/illuminationsfiles/Ace-Illuminations-July-2013.pdf, page 6, Public Domain, https://commons.wikimedia.org/w/index.php?curid=27097401By Snaevar - Own work, Public Domain, https://commons.wikimedia.org/w/index.php?curid=14460734By 20th Century Fox Television - https://www.youtube.com/watch?app=desktop&v=QW3L-EGHPHU, Public Domain, https://commons.wikimedia.org/w/index.php?curid=148748825By The media may be obtained from Firefly (TV series)., Fair use, https://en.wikipedia.org/w/index.php?curid=5722887By The logo may be obtained from Dollhouse (TV series)., Fair use, https://en.wikipedia.org/w/index.php?curid=17447107By http://www.impawards.com/2012/avengers_ver14.html, Fair use, https://en.wikipedia.org/w/index.php?curid=32483419

In February 1986, Marvel’s The Incredible Hulk hit the shelves as the number one album was Sade’s *Promise*, and shoulder pads were all the rage. This issue follows the intense aftermath of Hulk’s rampage through New Mexico, after being physically separated from Bruce Banner. With Bruce in a coma, Betty Ross and She-Hulk face a life-or-death decision on whether an experimental procedure can save him. Meanwhile, Avengers powerhouses Iron Man, Namor, Wonder Man, and Hercules are left to handle the Hulk. Written and drawn by John Byrne, this is one of his few works on Hulk before he exited the title due to creative differences with Jim Shooter. Featuring iconic art from Byrne and inker Keith Williams, this issue also boasts contributions from comic legends like Andrew Yanchus, Rick Parker, and editors Dennis O’Neil and Don Daley. A Hulk/She-Hulk crossover, deep comic lore, and a rampaging green giant? 1986 was a pivotal year in comics, and this issue shows why! For more insights and comic deep dives, like and subscribe. #MarvelComics #TheIncredibleHulk #SheHulk #JohnByrne #IronMan #Avengers #ComicBookHistory #DocSamson #BettyRoss #BruceBanner #KeithWilliams #DennisONeil #HulkSmash #MarvelUniverse #HulkVsAvengersPhotos & ThanksYouTubeGoogleAmazonHeritage AuctionsUniversal TelevisionDark Horse ComicsMycomicshop.comComichron.comNerdist.commarvel.fandom.comBy John Mathew Smith & www.celebrity-photos.com from Laurel Maryland, USA - Cartoonist Keith Williams 1, CC BY-SA 2.0, https://commons.wikimedia.org/w/index...https://hakes.com/Auction/CollectionD...By Luigi Novi, CC BY 3.0, https://commons.wikimedia.org/w/index...By Super Festivals from Ft. Lauderdale, USA - IMG_0127, CC BY 2.0, https://commons.wikimedia.org/w/index...https://marvel.fandom.com/wiki/Don_DaleyBy iTunes Store, Fair use, https://en.wikipedia.org/w/index.php?...https://www.cbr.com/hulk-bruce-banner...By Destiny Communications, and Equity Media Holdings - Found at the station list page for operator Destiny Communications (direct link to image; it has been converted to PNG), Public Domain, https://commons.wikimedia.org/w/index...By The logo is from the following website: [1] KOB-Eyewitness News 4 - Hubbard Broadcasting Corp., Fair use, https://en.wikipedia.org/w/index.php?...By Apparent scan made by the original uploader User:Jabalong. (File does not match what is avvailiable at the website the uploader porvided.), Fair use, https://en.wikipedia.org/w/index.php?...By Daniel Benavides - https://www.flickr.com/photos/relevan..., CC BY 2.0, https://commons.wikimedia.org/w/index...

In this video, we take a deep dive into Green Lantern 16 from DC Comics, released in September 1991. This issue continues the story of the Mosaic World, where different alien civilizations are forced to coexist on Oa. John Stewart, the custodian of this chaotic patchwork, must take extreme measures as tensions rise among the civilizations. Written by Gerard Jones and illustrated by Mark Bright, with inks by Romeo Tanghal, this issue is part of a larger arc that concludes in *Green Lantern 17*. We explore the creative team behind the issue, including notable contributors like editor Andrew Helfer and assistant editor Kevin Dooley, who later oversaw the Emerald Twilight storyline. We also delve into the Xudarian Green Lanterns and the fate of Mosaic World, a plotline that was eventually spun off into its own series, *Green Lantern: Mosaic*.In addition to the story and artwork, we look at the cultural context of early 90s comics, the growing comic book market bubble, and some fun retro advertisements, including a Steven Seagal fan club and vintage video game promotions.#GreenLantern #DCComics #MosaicWorld #JohnStewart #MarkBright #RomeoTanghal #1991Comics #ComicBookHistory #GreenLanternMosaic #DCUniverse #RetroComics #90sComics #EmeraldTwilight #ComicCollecting #StevenSeagal #Xudarians

Photos & Thankshttps://leagueofcomicgeeks.com/people...https://www.imdb.com/name/nm1439561/m...https://dc.fandom.com/wiki/Romeo_Tanghalhttps://batman.fandom.com/wiki/Andrew...By Michael Pate - cropped from: Originally posted to Flickr as Dick Giordano and Pat Bastienne, CC BY-SA 2.0, https://commons.wikimedia.org/w/index...By The cover art can be obtained from A&M Records., Fair use, https://en.wikipedia.org/w/index.php?...By American Broadcasting Company - https://www.emmys.com/photos/146406, Public Domain, https://commons.wikimedia.org/w/index...https://www.newsfromme.com/2004/12/01...By MichaelNetzer - Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index...By [1], Fair use, https://en.wikipedia.org/w/index.php?...By [1], Fair use, https://en.wikipedia.org/w/index.php?...By https://chrisandreggie.podbean.com/e/..., Fair use, https://en.wikipedia.org/w/index.php?...By https://rbruning.myportfolio.com/logos, Fair use, https://en.wikipedia.org/w/index.php?...By Scan made by the original uploader User:Calabraxthis., Fair use, https://en.wikipedia.org/w/index.php?...DC ComicsYouTubeMarvelComicsGuideEbay