Can we please stop making Ted Bundy documentaries (or Dahmer, or Manson, etc.)? In this deep dive episode hosts Alexys, Kaylin, and Larsen break down the roles we all have to play in the popularity and pervasiveness of true crime media, from overzealous detective-wannabes to well-meaning victim-empathizers. We explore the definition of the true crime genre, which seems to bleed into everything from mystery and detective novels, to crime procedurals, and even reality television (anyone else remember Cops?). We investigate the history of the genre, including the importance of podcasts in spreading the true crime gospel. We even examine the clues about why women in particular grativate towards these stories. Though true crime tales can help us process collective trauma, and maybe even protect ourselves from predators, we do find traces of ethical concerns all over the scene of the crime. We make sure to mention the genres ties to capatilism and the coginitve dissonance that comes from that relationship, the potential harm to victims and their families as a result of exploitation, the over representation of white women as victims of value, and the risk of copaganda in sensationalized storytelling. The case is far from cold Roomies, so listen to help us solve how the true crime trend achieved such a meteoric launch into the pop culture stratosphere, and what it says about society that we've all sat back and watched.
Savage Appetites: Four True Stories of Women, Crime, and Obsession, Rachel Monroe (2019)
"True Crime Obsession: Analyzing the Effects of True Crime Media
from the Past to the Present", Indiana State University
"The Bloody History of the True Crime Genre", JSTOR Daily
"The True Crime Consumer Report by Edison Research & Audiochuck", Edison Research
"Why Are We So Obsessed With True Crime?", University of Derby Magazine
"The Bermondsey Horror", Ohio State University
"Where Are The Victims? The Ethics of True Crime", The Ethics Center