Reel Deep Dive

Reel Deep Dive

By Ryan ValentineArtsPerforming Arts
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Reel Deep Dive episodes

  • Key Episodes: The Silver Surfer (1998)

    Following the conclusion of long-running X-Men and Spider-Man programs that dominated Saturday morning TV ratings during the early-to-mid 1990's, the Fox network commissioned Saban to adapt other Marvel properties to replace them. Among them was The Silver Surfer, starring a spacefaring wanderer with a psychedelic aesthetic, thematic ties to medieval folklore, and an enduring cult audience. The show, which earned solid ratings but was still canceled after one season due to Saban's financial struggles and Marvel's bankruptcy issues, drew heavily from the style of comics artist Jack Kirby and the ponderous melodrama of comics writer/editor Stan Lee. It also borrowed many concepts and characters from writer/artist Jim Starlin, including Gamora, Drax, Thanos, and other figures that are now household names due to the Marvel movies.


    While Rachel isn't really all that into superhero comics, her Star Trek fandom spurred Ryan to tap her for this recording since The Silver Surfer had episodes written by Trek luminaries like Harlan Ellison and D.C. Fontana. The main discussion point for this one centers upon how the cartoon approaches The Silver Surfer's grief, guilt, and attempts at penance for serving the world-devouring Galactus; the hero for this show is, no matter how you slice it, complicit in the deaths of trillions of sentient beings and that has been handled in a variety of ways by the Silver Surfer's creative teams over the past seven decades.

    Other thematic topics include Christian allegory, Lovecraftian cosmic horror, the Silver Surfer's philosophical parallels to Star Trek, and whether the Silver Surfer has a functioning penis under all that chrome (Ryan feels compelled to mention that Rachel is the one who brings that up).

    1 hr 7 min
  • The Cabinet Of Dr. Caligari (1920)

    Ryan picked a still image of Cesare for Reel Deep Dive's thumbnail, so it was only a matter of time before The Cabinet Of Dr. Caligari was the subject of an episode. The first German Expressionist film and one of the most influential works in the history of cinema, The Cabinet Of Dr. Caligari is noteworthy for the psychological allegories in its set dressing, the story's antiauthoritarian bent, and for (possibly) being the first movie to have a twist ending.


    Ryan is joined by Cheryl and Pete for this one. Discussion points include Tim Burton's debt to this film, Rob Zombie's music video for Living Dead Girl, how the Expressionist movement influenced how yogurt commercials are produced, and Ryan's struggle to pronounce German names.

    33 min
  • Megamind (2010)

    Megamind was a moderately successful film, but it was buried during an especially competitive year for family-friendly animated films. Tangled, Toy Story 3, How To Train Your Dragon, Shrek Forever After, The Secret World Of Arriety, and Despicable Me also came out in 2010; so yeah, Megamind isn't even the only family-friendly animated film of 2010 to feature a supervillain as its protagonist. Even among cartoon nerds, this movie is frequently overlooked.


    So, why are we covering it on this show? Well, it's a sentimental childhood favorite of Rachel, who really wanted to talk about it. Ryan is less enthusiastic (he's not a big fan of the Dreamworks formula), but he tries to give Megamind a fair appraisal. Thematic motifs that are discussed during this episode include the entitlement complex of incels, nature vs. nurture, and how even the most advanced CGI effects can look a bit dated after ten years. Ryan, not able to help himself, spends some time bitching about how big-budget animated films frequently indulge in celebrity stunt casting, lazy needle drops, asinine pop culture references in lieu of actual jokes, and dance party ending montages.

    There's also an extended bit where Ryan and Rachel discuss the various permutations of the "evil Superman" trope; The Boys, Squadron Supreme, Brightburn, Watchmen, Irredeemable, Edison Rex, and Miracleman are brought up here. 

    47 min
  • The Secret Of NIMH (1982)

    Fed up with the studio executives at Disney, Don Bluth struck out on his own with this 1982 feature, a loose adaptation of Robert C. O'Brien's 1971 children's book 'Mrs. Frisby and the Rats of NIMH'. While a financial disappointment upon its initial release, The Secret Of NIMH found a growing cult audience on home video and is now considered one of the finest animated films of its period. It is noteworthy for its ambitious storytelling, mature tone, maternal subtext, supernatural underpinnings, and the jaw-dropping quality of its animation. It is also frequently argued that The Secret Of NIMH, as well as follow-up projects like An American Tale (1986) and The Land Before Time (1988), spurred Disney out of its complacency and led to its Renaissance period in the 90's.


    Ryan is joined by Cheryl for a dialogue about this film, a pivotal artifact of Cheryl's own childhood. Thematic discussion topics include how The Secret Of NIMH subverts the Disney formula, how the film's plot is affected by having a widow as the central protagonist, and why this movie upped the ante in terms of feature-length animation in American cinema. 

    40 min
  • When Harry Met Sally (1989)

    One of the quintessential romantic comedies, When Harry Met Sally follows its titular characters through a twelve year period where their prickly acquaintance gradually evolves into a close friendship and ultimately a marriage. This film either established or popularized a great number of tropes that are associated with romcoms; it's not an overstatement to label When Harry Met Sally as one of the most imitated American films ever made.   


    Ryan is joined by Rachel for this episode. Talking points include the film's quaint (and heteronormative) question about whether men and women can be friends without sexual tension spoiling everything. There's also a dialogue about When Harry Met Sally's connection to the 1970's romantic comedies of Woody Allen, something that has dogged the film ever since it came out (and yes, Ryan acknowledges the difficulties in discussing Allen's artistic efforts in light of the director being a sexual predator). Rachel brings up how When Harry Met Sally connects with her on a personal level and Ryan talks about how the storytelling attempts to straddle the line between the naturalistic approach of the French New Wave and the heightened artifice of Hollywood-styled crowd pleasing.

    1 hr 3 min
  • Robot Monster (1953)

    Widely considered one of the worst movies ever made, Robot Monster is a post-apocalyptic science fiction film that centers upon a small family straining to evade an alien invader driven to exterminate the last vestiges of the human race. Shot over a few days with a shoestring budget, Robot Monster is notable for its hacky editing, sloppy use of dinosaur stock footage, amateurish acting, an "alien communication device" that's merely a bubble machine, and a villain whose costume is a homemade gorilla suit coupled with a Halloween store space helmet.


    Ryan is joined by Cheryl for a dialogue about this icon of the "so bad it's good" cinematic landscape. Talking points include the movie's blunt allegories for nuclear paranoia, Cold War politics, and how several members of the cast and crew were reduced to working on Robot Monster because of McCarthyism.  

    30 min
  • The Great Muppet Caper (1981)

    Following the success of 1979's The Muppet Movie (and the final season of the television show), Jim Henson and his team dialed up their ambitions for the next installment in the franchise. Just about every aspect of The Muppet Movie that people liked was brought back, except bigger and bolder. Did you enjoy the numerous celebrity cameos? Well, here are even more of those. Did you like all the running gags and groaner puns? There's an endless barrage of that sort of thing in this movie. Were you impressed with how they got Kermit to ride a bike in that first movie? Well, take a look at a whole bunch of puppets riding bikes for an elaborate musical number in this movie.


    Ryan brings in Rachel to chat about The Great Muppet Caper, which in retrospect is a transitional moment between Jim Henson's past efforts and his later drive to stage fantasy epics like The Dark Crystal (1982) and Labyrinth (1986). Thematic talking points for this episode include The Muppets' ties to vaudeville, the trappings of nostalgia, and the "quiet virtuosity" that underlies puppeteering.

    42 min
  • Batman: The Movie (1966)

    Reel Deep Dive returns to the world of Batman with the character's first feature film (if you don't count the awful 1940's serials, which get a passing mention). Ryan is joined by Cheryl as they discuss the Dynamic Duo's efforts to foil a wicked plot by Joker, Penguin, Riddler, and Catwoman to dehydrate ambassadors of the (not quite) United Nations into colorful powder and then ransom them for a billion dollars. Shark repellent, ball-point bananas, cartoonish Russian accents, and the inability to dispose of explosives are touched upon along the way.


    Ryan and Cheryl are both Batman nerds who are prone to digression, so they occasionally wander off into topics like the Dark Knight's 1970's Hostess Fruit Pie ads and Billy Zane's performance in 1996's The Phantom. Talking points that are more relevant to the episode's subject include the movie's odd relationship with Cold War politics, the storytelling's reflection of Kennedy-era optimism, Batman's connection to both camp and the Pop art movement, and Adam West's lengthy, occasionally-troubled interactions with the role that defined him in the public imagination.  

    1 hr 1 min
  • The Rescuers (1977)

    Often considered one of the few bright spots during a particularly inauspicious creative rut in Disney's history, The Rescuers marked a key transitional phase of the company's evolution. The Rescuers is the last Disney animated film to feature significant contributions from any of the Nine Old Men, the core animators from the studio's golden era. The Rescuers is also the first Disney animated film to feature significant contributions from animators who'd be important to the Disney Renaissance period that'd begin with 1989's The Little Mermaid. The Rescuers is also the only Disney animated film to have Don Bluth as a credited animation director; his decision to acrimoniously split from Disney and start a competing animation studio was reached while working on this movie.


    Ryan is joined by Rachel for a breakdown of this often-underrated feature. Talking points include how the plot deviated from its source material over the course of the the movie's lengthy development period, the characterization (and body movements) of main villain Madame Medusa, the storytelling's focus on action/adventure, and the prevalence of orphans in children's fiction.

    42 min
  • The Fog (1980)

    Reel Deep Dive returns to the filmography of John Carpenter and Debra Hill with this supernatural horror film. Set in a sleepy coastal city in the midst of its centennial festivities, The Fog's action centers upon a group of vengeful ghosts who sweep into the community under the cover of a glowing fog and exact vengeance for the deliberate shipwreck that killed them upon the city's founding. It features an ensemble cast headlined by Adrienne Barbeau, Jamie Lee Curtis, Tom Atkins, Janet Leigh, and Hal Holbrook.


    Ryan is joined by Cheryl and Pete as they deconstruct the narrative, pacing, performances, music, and behind the scenes drama of this film. Thematic talking points include historical revisionism, religious hypocrisy, and how Carpenter uses inside baseball to get his fans more invested in his storytelling.

    30 min

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