In this episode of Reel It In, Will and Tucker double up with two new releases: Him and A Big Bold Beautiful Journey.

First up is Him, a horror-thriller about a college athlete invited to train with a football star that quickly spirals out of control. Despite its intriguing premise, we dig into why the film’s tone and execution left us disappointed.

Then we shift to A Big Bold Beautiful Journey, a film about two strangers reliving past moments. We debate its script, casting, and whether it might have worked better as a musical—though Will admits to being charmed by its visual style and earnestness.

Plus: Tucker revisits classics like Butch Cassidy and the Sundance Kid and Klute, while Will dives into the bloody fun of Final Destination Bloodlines.

Will and Tucker tackle Stephen King’s The Long Walk and its leap to the big screen. But first—Tucker shares a story about rescuing a cat from a car engine, and the guys catch up on recent watches like Friendship and Nobody 2.

Then it’s all about The Long Walk: from its dystopian premise to the challenges of adaptation, and the performances that carried it—especially Cooper Hoffman and David Johnson. Tucker praises the film’s stripped-down approach and raw performances, while Will pushes back on the script and visual style. Together, they debate the ending, the film’s themes, and where it sits among King adaptations.

Plus: final reflections, what’s next for the pod, and a teaser for upcoming episodes.

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In this episode of Reel It In, Will and Tucker dive into The Conjuring: Last Rites, the latest entry in James Wan’s haunted universe. We break down the Warrens’ storyline, the family dynamics at play, and how this film’s dual plots and cursed object fit into the broader franchise.

From Patrick Wilson and Vera Farmiga’s reliably strong performances to the introduction of new (and sometimes corny) characters, we explore the film’s mix of scares, charm, and messy storytelling. Was it coherent horror or just franchise fatigue?

Plus: a look at the future of the Conjuring cinematic universe, our personal reactions, and whether Last Rites closes the book—or leaves the door wide open—for more.

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In this episode of Reel It In, Will and Tucker head to 90s New York for Darren Aronofsky’s Caught Stealing. Based on the cult novel, the film follows Hank Thompson (Austin Butler) whose life spirals out of control after he agrees to watch his neighbor’s cat.

We dig into the film’s gritty setting, Aronofsky’s bold directorial choices, and how the tone swings between dark comedy and brutal violence—drawing comparisons to Tarantino and the Coen Brothers. From Butler’s lead performance to Zoe Kravitz and the standout supporting cast, we break down the film’s character work and cinematic style.

Plus: our predictions for how Caught Stealing will be received, the moments that stuck with us most, and a quick look at upcoming releases we’re excited about.

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In this episode of Reel It In, Will and Tucker take a step back from single-movie deep dives to talk about the state of movies in Summer 2025. From vacations to packed screenings, they reflect on their own summer experiences before breaking down the highs and lows at the box office.

The tosses? Mission Impossible: The Final Reckoning, Lilo and Stitch, Materialists, and The Life of Chuck.

The catches? The Phoenician Scheme, Clown in a Cornfield, Final Destination Blood, Friendship, and 28 Years Later.

Plus: honorable mentions like The Naked Gun, Thunderbolts, F1, and Ne Zha 2.

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In this episode of Reel It In, we lock sights on Weapons (2025), the latest from writer-director Zach Cregger—and one of the year’s most buzzed-about horror releases. We share our first impressions, from viral hype to repeat viewings, and compare our very different audience experiences.

We dig into the film’s Magnolia-style structure, its commentary on loss and societal violence, and how it blends non-linear storytelling with perfectly timed jump scares. From standout performances by Julia Garner and Josh Brolin to tense low-angle shots and razor-sharp editing, we break down why Weapons feels fresh.

Plus: closing thoughts on where this sits in the modern horror landscape and why Zach Cregger might just be the genre’s next powerhouse.

This week’s Phone a Reel Friend: Cece and Will catch Ne Zha II

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In this episode, we get tangled up in Together (2025), the horror-rom-com from director Michael Shanks starring Alison Brie and Dave Franco. It starts like a relationship drama and quickly fuses into something much weirder—literally. We break down the film’s balance of camp, body horror, and surprisingly sharp relationship themes.

From practical effects to jump scares to Brie and Franco’s chaotic chemistry, we talk horror influences, identity, marketing, and whether we’d be down for a sequel. Plus: personal stories, genre recs, and a few thoughts on what it means to fuse—emotionally and anatomically.

This week’s Reel Recs: Alien, Re-Animator, The First Omen, The Substance, Teeth, The Thing, Infinity Pool, Titane, and Possession.

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In this episode, we dive into The Fantastic Four: First Steps (2025)—Marvel’s latest attempt to reset the MCU timeline and introduce a new era of superheroes. We break down the film’s production design, its emotional highs (or lack thereof), and whether its character development lived up to the hype.

From power dynamics and parenthood themes to that polarizing final scene, we dig into what worked, what didn’t, and how it stacks up against films like Superman (2025). Plus, trailer reactions, audience vibes, and some wild takes on casting and the future of the franchise.

This week’s Phone a Reel Friend: Ronnie catches ⁠Eddington.

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On the debut episode of Reel It In, hosts Will and Tucker bring their decade-long movie discussions to your ears!

Dive into the cinematic universe with us as we explore Superman (2025). From popcorn buckets to the heart of Superman's character, we cover it all. Join us for a lively chat about the film's themes, casting, and the future of superhero movies. Plus, hear stories from Tucker's week at the theater and our take on the latest in film. Don't miss out on this exciting start to our podcast journey!

This week's Phone a Reel Friend: Cece catches 28 Years Later

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In this episode, we dive into the complex world of "Eddington," a film that blends the Western genre with contemporary social issues. Join us as we explore the movie's portrayal of cancel culture, Blackout Tuesday, and the pandemic's impact, all set against the backdrop of a small-town political race. We discuss the film's unique narrative style, its commentary on modern society, and the standout performances that bring this story to life. Tune in for an engaging conversation that unpacks the layers of Ari Aster's latest cinematic venture.

This week's Phone a Reel Friend: KC catches Top Secret

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