Reel Ripe & Reel Rotten

In the latest episode of "Reel Ripe & Reel Rotten," Wes and Clay dive into the dark, psychological world of Paul Verhoeven's "The Fourth Man." This 1983 Dutch thriller is a fascinating blend of horror, eroticism, and surrealism that showcases Verhoeven’s talent for pushing boundaries. If you’re intrigued by films that blur the lines between reality and nightmare, this episode is right up your alley.

"The Fourth Man" follows the story of a bisexual writer who becomes entangled in a dangerous affair with a mysterious woman, leading him down a path filled with ominous visions and chilling premonitions. The film is a masterclass in tension and atmosphere, with Verhoeven pulling out all the stops to keep the audience on edge. It’s a movie that lingers long after the credits roll, thanks to its haunting imagery and unsettling narrative.

Wes and Clay delve into the layers of "The Fourth Man," exploring its themes of obsession, deception, and the blurred lines between fantasy and reality. They discuss how Verhoeven uses vivid, almost dream-like visuals to create a sense of unease and how the film fits into the broader context of his career. However, the hosts also touch on the film’s "too many themes" problem, where the narrative sometimes feels overburdened by its attempts to juggle multiple ideas without fully exploring any of them. They critique its somewhat hollow criticism of Catholicism, which feels more like a superficial jab than a meaningful commentary. Additionally, Wes and Clay express concerns about the film’s ending, questioning whether it delivers a satisfying resolution or leaves too many threads dangling. Their conversation balances thoughtful analysis with a touch of humor, making it perfect for dissecting a film that’s as enigmatic as it is provocative.

One of the most interesting aspects of "The Fourth Man" is how it foreshadows elements of Verhoeven’s later work, particularly "Basic Instinct." The film’s exploration of sexuality, danger, and the unreliable nature of perception would become recurring themes in Verhoeven’s career. Additionally, "The Fourth Man" was one of the last films Verhoeven made in the Netherlands before moving to Hollywood, making it a significant turning point in his filmography.

Listeners are encouraged to share their thoughts on "The Fourth Man" in the Reel Ripe & Reel Rotten Discord server. Whether you see it as a masterpiece of psychological horror or a challenging, surreal experience, there’s plenty to discuss. Supporting the podcast on Patreon also grants access to exclusive "B-Roll" episodes, where Wes and Clay delve into more of Verhoeven’s work and other cinematic curiosities.

This episode of "Reel Ripe & Reel Rotten" is a must-listen for fans of psychological thrillers and anyone interested in exploring the darker corners of cinema. Wes and Clay’s discussion of "The Fourth Man" offers a deep dive into a film that’s as disturbing as it is captivating.

Tune in at The Pensky File or your preferred podcast platform, and check out the Patreon for more exclusive content.

In the latest episode of "Reel Ripe & Reel Rotten," hosts Wes and Clay take on Arnold Schwarzenegger's "End of Days," the 1999 supernatural action thriller that earned a mixed reception from critics and audiences alike. Known for exploring the best and worst films of notable actors and directors, Wes and Clay bring their insightful commentary and humor to this dark and ambitious film.

"End of Days" features Schwarzenegger as an ex-cop battling to prevent Satan from initiating the apocalypse as the millennium turns. This film, blending action with supernatural horror, offers a departure from Schwarzenegger’s typical roles. Despite its intriguing premise, it struggled to make a strong impact at the box office and with critics.

Wes and Clay delve into the film's attempt to merge genres and how Schwarzenegger's performance fits into his broader career. They discuss the movie’s production, its reception, and its place within the context of late-90s cinema. With their signature mix of serious analysis and light-hearted banter, the hosts provide a comprehensive look at why "End of Days" is considered a misstep in Schwarzenegger's filmography.

One notable fact about "End of Days" is its significant use of digital effects, which were cutting-edge for the time but are often seen as dated today. The film's climactic battle between Schwarzenegger’s character and Satan involved extensive CGI, which was ambitious but received mixed reviews for its execution. Another intriguing aspect is that the role of Satan was initially offered to several other actors, including Tom Cruise and Brad Pitt, before Gabriel Byrne was cast. Byrne's portrayal brought a unique blend of charm and menace to the character, adding depth to the supernatural antagonist.

Listeners are encouraged to join the Reel Ripe & Reel Rotten community on Discord to share their thoughts on "End of Days" and other episodes. Supporting the podcast on Patreon unlocks exclusive content, including special "B-Roll" episodes that explore additional films from the featured artist's career.

This episode of "Reel Ripe & Reel Rotten" is a must-listen for fans of Schwarzenegger and those interested in the highs and lows of Hollywood cinema. Wes and Clay’s engaging discussion of "End of Days" offers both entertainment and insight, making it clear why their podcast is a favorite among film enthusiasts.

Tune in to this episode and explore more cinematic discussions at The Pensky File or on your favorite podcast platform. Support us on Patreon to get access to our exclusive "B-Roll" episodes and more bonus content!

After a three-year hiatus, the "Reel Ripe & Reel Rotten" podcast has made a triumphant return, much like the unstoppable T-800 in "The Terminator." Hosts Wes and Clay have dusted off their microphones and recharged their film critique circuits to bring fans another season of deep dives into the cinematic spectrum. And what better way to reboot their show than by tackling Arnold Schwarzenegger’s highest-rated film on Rotten Tomatoes, the timeless classic, "The Terminator."

Listeners have been eagerly awaiting the return of "Reel Ripe & Reel Rotten," and Wes and Clay deliver with a bang. Just like Sarah Connor’s resilient fight against the machines, the podcast has come back stronger and more determined to explore the highs and lows of Hollywood cinema. Their unique format of reviewing the best and worst films of notable actors and directors promises a new season filled with engaging content and insightful commentary. Each episode delves into the highest-rated ("ripe") and lowest-rated ("rotten") movies of a selected actor or director, offering a balanced view of their cinematic contributions.

"The Terminator" is a fitting choice for their comeback episode. This 1984 sci-fi thriller directed by James Cameron isn’t just a movie; it’s a cultural landmark. The film's portrayal of a dystopian future where machines have taken over the world feels eerily prescient and relevant, making it an ideal topic for Wes and Clay’s return.

Using a mix of sharp analysis and light-hearted humor, the hosts dissect what makes "The Terminator" a film that has stood the test of time. They explore how its innovative special effects, gripping narrative, and Schwarzenegger’s iconic performance combine to create a movie that is both critically acclaimed and beloved by fans worldwide.

True to their form, Wes and Clay sprinkle their discussion with plenty of Terminator puns and references. From discussing how the film’s action sequences “terminate” the competition to marveling at Schwarzenegger’s performance as “the apex of robotic acting,” the episode is peppered with the kind of witty banter that fans have missed.

As "Reel Ripe & Reel Rotten" powers up for a new season, listeners are invited to join the conversation on their Discord server, where they can share their thoughts on "The Terminator" and other films covered in future episodes. The hosts also encourage fans to support the podcast on Patreon, unlocking access to exclusive "B-Roll" episodes that delve into lesser-known but equally intriguing films from the featured artists’ careers.

The return of "Reel Ripe & Reel Rotten" is more than just a revival; it’s a celebration of cinema's highs and lows through the lens of two passionate film enthusiasts. Their comeback episode on "The Terminator" promises to be a thrilling journey through one of Hollywood’s most iconic films, filled with the detailed analysis and humorous insights that fans have come to love.

So gear up, because the podcast is back, and this time, it’s here to stay. Catch the latest episode and explore the cinematic world through Wes and Clay’s expertly tuned lenses by visiting The Pensky File or your favorite podcast platform. As the T-800 would say, “Come with us if you want to learn!”

Wes and Clay wrap up their coverage of the 2020 Academy Awards by watching their B-Roll selection of the Best Picture nominees, “Marriage Story”. Directed and written by Noah Baumbach, “Marriage Story” stars Adam Driver and Scarlett Johansson as a […]

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The lowest rated Best Picture nominee at the 2020 Academy Awards is Todd Phillips’ “Joker”. Currently at 68% with 543 reviews, the film stars Joaquin Phoenix as the eponymous villain. Based on the Joker character from DC Batman comics, Phoenix […]

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Who would you say is the “Parasite” in this film? Bong Joon Ho brings his work home to Korea in this pitch-black modern fairytale. Meet the Park Family: the picture of aspirational wealth. And the Kim Family, rich in street […]

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We are continuing our coverage of the “master of horror”, Wes Craven. We have already discussed “Vampire in Brooklyn” and “A Nightmare on Elm Street“. With our “B-Roll” selection, we chose to watch 1996’s “Scream”! Scream is a metatextual homage […]

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Happy Halloween! Our “Wes Craven” themed coverage continues with the director’s highest-rated film (according to Rotten Tomatoes), “A Nightmare on Elm Street”! It’s the film that gave the world one of the most iconic villains of all time: Fred “Freddy” […]

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Happy Halloween! As is customary in podcast culture, Reel Ripe & Reel Rotten are covering something horror-themed: the “Master of Horror” himself, Wes Craven, and his critical low-point, “Vampire in Brooklyn”. Starting off with Craven’s lowest-rated film, Wes, Clay and […]

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